Art/ Collection/ Art Object
{{img.publicCaption}}

清 袁江 九成宮圖 屏
The Palace of Nine Perfections

Artist:
Yuan Jiang (active ca.1680–ca.1730)
Period:
Qing dynasty (1644–1911)
Date:
dated 1691
Culture:
China
Medium:
Set of twelve hanging scrolls; ink and color on silk
Dimensions:
Image: 81 1/2 x 18 ft. 5 3/4 in. (207 cm x 563.2 cm)
Overall with mounting: 94 1/4 x 19 ft. (239.4 x 579.1 cm)
Classification:
Paintings
Credit Line:
Purchase, The Dillon Fund Gift, 1982
Accession Number:
1982.125a–l
Not on view
Yuan Jiang thrived in the commercial world of his native Yangzhou. Catering to the vogue for large-scale hanging scrolls and multipaneled screen paintings as decoration in the ostentatious mansions of the city’s mercantile elite, Yuan specialized in intricate visions of palatial complexes set within sumptuous blue-and-green landscapes intended to evoke Tang and Song prototypes.

This screenlike set of scrolls depicts an eighth-century imperial retreat in the hills north of the Tang capital, Chang’an (present-day Xi’an). Destroyed by the end of the Tang dynasty (618–907), the Palace of Nine Perfections is remembered as one of the most splendid residences ever built, with grounds so vast that it was necessary to travel between halls by horseback.

Royal palaces have always been likened to Daoist paradises, and Yuan’s vision plays on this theme, with Qing-style palatial buildings set in a fantastic landscape that suggests the enchanted realm of the immortals. But Yuan may have had another model in mind. Executed just two years after the Kangxi emperor (r. 1662–1722) visited Yangzhou on his second southern inspection tour, the painting, which includes a regal entourage—with the emperor and his parasol-bearer prominently featured in the foreground—was undoubtedly also inspired by the ceremonial processions and lavish gardens created to celebrate the imperial visit. Combining legend and architectural fantasy with thinly veiled references to contemporary events, Yuan’s painting is a celebration of the grandiose materialistic lifestyle to which the high society of Yangzhou aspired.
#7640. The Palace of Nine Perfections
For Audio Guide tours and information, visit metmuseum.org/audioguide.
Inscription: Artist’s inscription (2 columns in semi-cursive script)

Palace of Nine Perfections. An imitation of the ancient style by Yuan Jiang from Hanshang [Yangzhou] in the xiaoyang [Indian summer, or tenth] month of the xinwei year of the Kangxi reign era.

《九成宮》,邗上袁江擬古,時康熙辛未小陽月。

Artist’s seals

Yuan Jiang zhi yin 袁江之印
Wentao 文濤
[ Jeoung-kyu Lee , Tokyo, until 1982; sold to MMA]
New York. The Metropolitan Museum of Art. "Peach Blossom Spring," November 21, 1983–June 3, 1984.

Zurich. Museum Rietberg. "The Mandate of Heaven: Emperors and Artists in China," April 2, 1996–July 7, 1996.

Museum für Asiatische Kunst, Staatliche Museen zu Berlin. "The Mandate of Heaven: Emperors and Artists in China," August 3, 1996–November 10, 1996.

New York. The Metropolitan Museum of Art. "The New Chinese Galleries: An Inaugural Installation," 1997.

New York. The Metropolitan Museum of Art. "The World of Scholars' Rocks: Gardens, Studios, and Paintings," February 1, 2000–August 20, 2000.

New York. The Metropolitan Museum of Art. "When the Manchus Ruled China: Painting under the Qing Dynasty (1644–1911)," February 2, 2002–August 18, 2002.

New York. The Metropolitan Museum of Art. "Dreams of Yellow Mountain: Landscapes of Survival in Seventeenth-Century China," September 13, 2003–February 22, 2004.

New York. The Metropolitan Museum of Art. "The Douglas Dillon Legacy: Chinese Painting for the Metropolitan Museum," March 12, 2004–August 8, 2004.

New York. The Metropolitan Museum of Art. "The Four Seasons," January 28, 2006–August 13, 2006.

New York. The Metropolitan Museum of Art. "Chinese Gardens: Pavilions, Studios, Retreats," August 18, 2012–January 6, 2013.

London. Victoria and Albert Museum. "Masterpieces of Chinese Painting 700–1900," October 26, 2013–January 19, 2014.

Related Objects

View of a Garden Villa

Artist: After Yuan Jiang (active ca.1680–ca.1730) Date: 18th century (?) Medium: Handscroll; ink and color on silk Accession: 1982.461 On view in:Not on view

Inn and Travelers in Snowy Mountains

Artist: Yuan Yao (Chinese, active 1730–after 1778) Date: dated 1745 Medium: Hanging scroll; ink and color on silk Accession: 2003.246 On view in:Gallery 210

Strolling in a Misty Valley

Artist: Mei Qing (Chinese, 1623–1697) Date: 1649 Medium: Hanging scroll; ink on satin Accession: 1994.284 On view in:Gallery 211

Travelers among Streams and Mountains

Artist: Wu Li (Chinese, 1632–1718) Date: probably 1670s Medium: Hanging scroll; ink on paper Accession: 1981.285.6 On view in:Gallery 213

The Strange Pines of Mount Tiantai

Artist: Dai Benxiao (Chinese, 1621–1693) Date: 1687 Medium: Hanging scroll; ink on paper Accession: 1991.256 On view in:Gallery 215