Inscription: Inscribed (in ink, in image, center): a) Letters from Home
Inscribed (in pencil, along bottom of image): b) 2/20 Letter from home I Zarina 2004 c) 2/20 Letter from home II Zarina 2004 d) 2/20 Letter from home III Zarina 2004 e) 2/20 Letter from home IV Zarina 2004 f) 2/20 Letter from home VI Zarina 2004 g) 2/20 Letter from home VI Zarina 2004 h) 2/20 Letter from home VII Zarina 2004 i) 2/20 Letter from home VIII Zarina 2004
Inscribed (in ink, in image, center): j) Letter from Home / A Portfolio of eight woodcuts and text by Zarina / Woodcuts and text printed in an edition of twenty / with two artist proofs / on Kozo paper and mounted on Somerset / Urdu text was printed from metal cuts of / original letters / This project was produced at the artists studio in / New York City
the artist, New York (1999–2013); [Luhring Augustine, New York, 2013; sold to MMA]
Aamir R. Mufti. "Zarina Hashmi and the Arts of Dispossession." The Migrant's Time: Rethinking Art History and Diaspora. Williamstown, Mass., 2011, pp. 188–90, figs. 9, 10.
Allegra Pesenti. Zarina: Paper Like Skin. Exh. cat., Hammer Museum. Los Angeles, 2012, p. 178, ill. p. 75, Edition 5/7.
Artist: Zarina (American, born Aligarh, India, 1937) Date: 1999Medium: Portfolio of 36 woodcut chine collé with Urdu text printed on paper and mounted on paperAccession: 2013.565a–nnOn view in:Not on view