Incense Box (Kōbako) with Scene from "His Perfumed Highness" (Niou no Miya), chapter 42 of the Tale of Genji
Edo period (1615–1868)
Gold maki-e on lacquered wood
H. 2 in. (5.1 cm); W. 2 7/8 in. (7.3 cm); L. 5 1/8 in. (13 cm)
Gift of Mrs. George A. Crocker (Elizabeth Masten), 1937
Not on view
The lid of this box is made of two interlocking seashells illustrating a chapter of the Tale of Genji. Publicly recognized as Genji's son, Kaoru has doubts about the circumstances of his birth. A poem voiced by the troubled man, and written above him within stylized clouds, reads:
Obotsukana tare ni towamashi Ikanishite hajimemo hatemo shiranu wagami zo
(Whom might I ask? Why must it be that I do not know the beginning or the end?)
—trans. Edward G. Seidensticker, Tale of Genji, by Murasaki Shikibu (New York: Alfred A. Knopf, 1986), p. 737
Signature: Soei (in gold)
Elizabeth Masten Crocker , New York (until d. 1937; donated to MMA)
New York. The Metropolitan Museum of Art. "Courtly Romance in Japanese Art," May 12, 1989–July 12, 1989.
Ithaca. Herbert F. Johnson Museum of Art, Cornell University. "The Tale of Genji: Splendor and Innovation in Edo Culture," March 29, 1997–June 15, 1997.
New York. The Metropolitan Museum of Art. "No Ordinary Mortals: The Human Figure in Japanese Art," 2007–2008.
New York. The Metropolitan Museum of Art. "Ukiyo-e Artists' Responses to Romantic Legends of Two Brothers: Narihira and Yukihira," March 27, 2008–June 8, 2008.
New York. The Metropolitan Museum of Art. "A Beautiful Country: Yamato-e in Japanese Art," November 20, 2010–June 5, 2011.
New York. The Metropolitan Museum of Art. "Storytelling in Japanese Art," November 19, 2011–May 6, 2012.
Artist: Date: early 14th century Accession Number: 2015.300.280a, b Date: early 14th centuryMedium: Lacquered wood with gold togidashimaki-e on nashiji (“pear-skin” ground)Accession: 2015.300.280a, bOn view in:Not on view