江戸時代 月梅枝蒔絵螺鈿硯箱 Writing Box with Design of Plum Blossoms and Moon
Edo period (1615–1868)
Reddish-brown lacquer with gold hiramaki-e, lead, and mother-of-pearl inlay
H. 1 1/2 in. (3.8 cm); W. 8 1/4 in. (21 cm); L. 8 3/4 in. (22.2 cm)
Edward C. Moore Collection, Bequest of Edward C. Moore, 1891
Not on view
Both Chinese and Japanese poetry contain allusions to the delicate beauty of plum blossoms in the moonlight and their subtle fragrance. This literary allusion underlies the imagery on this box and is particularly appropriate to its function as a container for an ink stone and brushes.
Edward C. Moore , New York (until d. 1891; bequeathed to MMA).
Paris. Centre Culturel du Marais. "Hokusai et son Temps," October 3, 1980–January 3, 1981.
New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Spring and Summer," December 17, 2005–June 4, 2006.
New York. The Metropolitan Museum of Art. "Animals, Birds, Insects, and Marine Life in Japanese Art," June 26, 2008–November 30, 2008.
New York. The Metropolitan Museum of Art. "Sumptuous: East Asian Lacquer, 14th–20th Century," October 25, 2014–August 9, 2015.
Artist: Maruyama Ōkyo (Japanese, 1733–1795) Date: right screen: 1774; left screen: 1793Medium: Pair of six-panel folding screens; ink, color and gold on paperAccession: 2015.300.197.1, .2On view in:Gallery 226
Artist: Date: early 14th century Accession Number: 2015.300.280a, b Date: early 14th centuryMedium: Lacquered wood with gold togidashimaki-e on nashiji (“pear-skin” ground)Accession: 2015.300.280a, bOn view in:Not on view