白繻子地丸文散模様縫箔 Noh Costume (Nuihaku) with Scattered Crests
Edo period (1615–1868)
second half of the 18th–19th century
Silk embroidery and gold leaf on silk satin
Overall: 65 x 53 1/2 in. (165.1 x 135.9 cm)
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Not on view
There are over twenty different crests of varying size on this robe. Some of the designs have Buddhist significance, such as the manji (reverse swastika) and the circular “wheels of Buddhist law.” Others have auspicious symbolism or are purely decorative. These colorful crests with gold-leaf backgrounds (monzukushi) are customarily embroidered on white, black, red, or indigo Noh costumes made from satin. These costumes, called Nuihaku, are mainly worn by male actors playing young female protagonists. The waist area is left blank in a style known as koshi-ake (literally, “blank waist”) as these robes are often worn turned down at the waist.
Mrs. H. O. (Louisine W.) Havemeyer , New York (until d. 1929; bequeathed to MMA)
Palm Beach. Society of the Four Arts. "Treasured Costumes of Japan," January 3, 1970–January 31, 1970.
New York. The Metropolitan Museum of Art. "Arts of Japan," November 5, 1991–December 15, 1992.
Artist:Date: early 17th century Accession Number: 2015.300.110 Date:early 17th centuryMedium:Six-panel folding screen; ink, color, gold, and gold leaf on paperAccession:2015.300.110On view in:Not on view
Artist:Date: 1620–40 Accession Number: 28.220.3, .4 Date:1620–40Medium:Leather; silk worked with silk and metal thread, spangles; long-and-short, satin, knots, and couching stitches; metal bobbin laceAccession:28.220.3, .4On view in:Not on view
Artist:Date: second half of the 18th–19th century Accession Number: 29.100.541 Date:second half of the 18th–19th centuryMedium:Silk embroidery and gold leaf on silk satinAccession:29.100.541On view in:Not on view