In the late Edo period, warrior-class women often wore robes ornamented with Japanese or Chinese classical or literary themes. Embedded in the decoration of this robe—a winter landscape with plum blossoms and chrysanthemums—is a visual reference to the ancient Chinese Confucian legends known as the Twenty-Four Paragons of Filial Piety.
The story illustrated here involves Wang Xiang (Japanese: Ōshō), a third-century official who, to fulfill his stepmother's craving for fresh fish in midwinter, caught some fish by lying on the ice until it melted. Wang Xiang is represented by only his clothing: an official's cap in gold with a red cord and a court robe in white with green details lie on the riverbank in front of a fishing pole and creel.
Phillip H. Rubin , New York (until 2006; donated to MMA)
New York. The Metropolitan Museum of Art. "Ukiyo-e Artists' Responses to Romantic Legends of Two Brothers: Narihira and Yukihira," March 27, 2008–June 8, 2008.
Artist: Date: early 20th century Accession Number: 37.92.10 Date: early 20th centuryMedium: Resist-dyed and painted plain-weave silk embroidered with gold threadAccession: 37.92.10On view in:Gallery 231
Artist: Date: second half of the 17th century Accession Number: 1980.222 Date: second half of the 17th centuryMedium: Silk and metallic thread embroidery with resist dyeing on satin damaskAccession: 1980.222On view in:Not on view
Artist: Date: early 17th century Accession Number: 1992.253 Date: early 17th centuryMedium: Embroidery and gold leaf on plain-weave silk patterned with warp floatsAccession: 1992.253On view in:Not on view