Paste-resist dyeing with silk embroidered accents on silk crepe
Overall: 63 × 52 in. (160 × 132.1 cm)
Gift of Sue Cassidy Clark, in memory of Terry Satsuki Milhaupt, 2013
Not on view
Vividly colored pheasants and peonies appear against a ground that graduates delicately from light brown to beige from top to hem. The depiction of pheasants amid the “king of flowers,” as peonies were known in East Asia, has a long history in Japanese pictorial arts; they often represent summer on screens, sliding doors, and paintings in premodern times. The auspicious peony motif came to Japan from China, and their combination with long-tailed birds was gradually adapted to Japanese tastes, also becoming a favored subject in decorative arts. The rocks, birds, and pink and apricot-color flowers are depicted on the front of the kimono, with the left and right halves of the composition almost merging at the back in a modern rendering of the classical pattern. The realistic depiction of the flowers and the birds reflects the influence of Western oil painting.
Sue Cassidy Clark , New York (until 2013; donated to MMA)
New York. The Metropolitan Museum of Art. "Birds in the Art of Japan," February 2, 2013–July 28, 2013.
Artist:Date: second half of the 17th century Accession Number: 1980.222 Date:second half of the 17th centuryMedium:Silk and metallic thread embroidery with resist dyeing on satin damaskAccession:1980.222On view in:Not on view
Artist:Date: second half of the 18th–first half of the 19th century Accession Number: 32.65.25 Date:second half of the 18th–first half of the 19th centuryMedium:Paste-resist dyed silk crepe (chirimen) with shaped-resist dyeing, silk and metallic-thread embroidery
Accession:32.65.25On view in:Not on view