Purchase, Irene Lewisohn Bequest, Isabel Shults Fund and Millia Davenport and Zipporah Fleisher Fund, 1998
Not on view
Differentiated from the full-fledged Pierrot costume, the Pierrot as a shaped bodice flourished in that gasp of Rococo sensibility and extreme silhouette of about 1780 - 1790. The flared peplum extension of the jacket below the waist and asymmetrically around the back allows for the bulbous billowing skirt of the period. The bodice includes self-fabric ruffles, which would have embellished the skirt as well. The simple low-necked bodice is characteristic of the period, comparable to the "chemise à la reine."
The Metropolitan Museum of Art. "Our New Clothes: Acquisitions of the 1990s," April 6, 1999–August 22, 1999.
The Metropolitan Museum of Art. "The Ceaseless Century," September 9, 1998–November 29, 1998.