Madame Grès (Alix Barton) (French, Paris 1903–1993 Var region)
Gift of Mrs. Leon L. Roos, 1973
Not on view
Grès, working earlier as Alix, created dresses in shafts of fabric, the diverse fluting of which served on the body like the entasis of a classical column. Seaming together fabric vertically so as to be continuous from hem to neckline, Grès pleated and tucked the materials into a shaping suitable to the body: the same fabric is buoyant and fluid when release-pleated from the waist down. She simulated a waist seam by tight tucking that continues through the bodice, and crowned the dress with volutes and twists. This tour-de-force of material rendered in diverse ways accounts for the tempered ergonomics of such dresses. Their wearers have testified that they felt secure and not immodest in these dresses, so organic was their creation. In this example, only one piece of fabric was added to the column: a small triangle was inserted under the arm to complete the structure, but otherwise the entire dress is conceived as one cylinder.
The Metropolitan Museum of Art. "Haute Couture," December 7, 1995–March 24, 1996.
The Metropolitan Museum of Art. "Madame Grès," September 13, 1994–November 27, 1994.
The Metropolitan Museum of Art. "The Ceaseless Century," September 9, 1998–November 29, 1998.
The Metropolitan Museum of Art. "Goddess: The Classical Mode," May 1, 2003–August 3, 2003.