Madame Grès (Alix Barton) (French, Paris 1903–1993 Var region)
Gift of Mrs. Harrison Williams, Lady Mendl, and Mrs. Ector Munn, 1946
Not on view
During the mid- to late 1930s, ethnic clothing traditions exerted a powerful influence on fashion. borrowed from a multiplicity of cultures, using elements from the cut of saris, dhotis, caftans, and kimonos. For this "Pagoda" dinner jacket, she drew inspiration from the jackets worn by Balinese dancers. Appropriately, it was made specifically for the Spanish dancer Argentina. The lining revealed at sleeve cuffs and collar is the verso of the brocade with embroidered hummingbirds. The structure of the wired hoops that articulate the flare of the jacket is in marked contrast to the pliable shaping of cuffs and neckband, a shirred modified mandarin collar. Typical of Alix's use of asymmetry for its poised disequilibrium, the jacket's center front opening is shifted to the left of the body.
The Metropolitan Museum of Art. "Madame Grès," September 13, 1994–November 27, 1994.
The Metropolitan Museum of Art. "The 10s, the 20s, the 30s: Inventive Clothes (1909–1939)," December 13, 1973–September 3, 1974.
The Metropolitan Museum of Art. "Blithe Spirit: The Windsor Set," November 1, 2002–February 9, 2003.
The Metropolitan Museum of Art. "Paris Openings, 1932–1940," November 19, 1940–February 11, 1941.
The John Wanamaker Auditorium. "Exhibition of Dresses Worn by Well-known Women of Europe and America," May 1, 1940–May 31, 1940.
John Wanamaker. "Exhibition of Dresses Worn by Well-known Women of Europe and America," June 5, 1940–July 5, 1940.