Yves Saint Laurent (French (born Algeria) Oran 1936–2008 Paris)
Gift of Mrs. William Rand, 1969
Not on view
As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks. Knowing the flat planes of the 1960s canvases acheived by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time. Yet he also demonstrated a feat of dressmaking, setting in each block of jersey, piecing in order to create the semblance of the Mondrian order and to accomodate the body imperceptibly by hiding all the shaping in the grid of seams.
Marking: [label] Yves Saint Laurent, Paris
The Metropolitan Museum of Art. "Haute Couture," December 7, 1995–March 24, 1996.
The Metropolitan Museum of Art. "Yves Saint Laurent: 25 Years of Design," December 6, 1983–September 2, 1984.
The Metropolitan Museum of Art. "The Ceaseless Century," September 9, 1998–November 29, 1998.
National Gallery of Victoria. "Fabulous Fashion (1907–67)," 1981.
The Metropolitan Museum of Art. "The Model as Muse: Embodying Fashion," May 6, 2009–August 9, 2009.
Kimbell Art Museum. "The Art of Fashion: The Radical Sixties," December 1, 1990–February 24, 1991.
Denver Art Museum. "25 Years: 25 Couturiers," September 9, 1975–December 7, 1975.
Mobile Museum of Art. "Picturing French Style: Three Hundred Years of Art and Fashion," September 6, 2002–January 12, 2003.
Norton Museum of Art. "Picturing French Style: Three Hundred Years of Art and Fashion," February 1, 2003–April 27, 2003.