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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Le due regole della prospettiva pratica di M. Iacomo Barozzi da Vignola
Jacopo [Giacomo] Barozzi da Vignola
1583
Winged genius holding a olive branch and a banderole
Cherubino Alberti (Zaccaria Mattia)
17th century
Allegory of the Medici Family with river gods in the foreground and in the clouds at right
Cherubino Alberti (Zaccaria Mattia)
1589
Female figure standing in the right-hand margin of the third sheet of the Rape of the Sabine Women
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Venus on a half-shell, holding fabric over her head
Cherubino Alberti (Zaccaria Mattia)
17th century
Portrait of Pietro Angela da Barga, bust-length and in a decorative border
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Triumphal car from the marriage of Ferdinand de' Medici and Christine of Lorraine
Cherubino Alberti (Zaccaria Mattia)
1589
Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
ca. 1570–1615
The Triumph of Two Roman Emperors (left-hand side) with a Roman Emperor riding in a triumphal chariot
Cherubino Alberti (Zaccaria Mattia)
1570–1615
The Good Thief, after Michelangelo's "The Last Judgment" fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580
A blessed soul lifted to heaven, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1591
The Adoration of the Shepherds with the Christ Child at center and angels above
Cherubino Alberti (Zaccaria Mattia)
1570–1600
The Sabine women and children walking to the right after being freed, at left a man on horseback leans down to embrace another man
Anonymous
1570–1615
Apollo pursuing Daphne, whose toes take the form of tree roots, a round composition, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio
Anonymous
ca. 1550–1600
Winged female figure, draped and carrying a staff, striding behind a winged putto, who twists to look over his left shoulder, a round composition
Anonymous
ca. 1550–1600
Roman soldiers attacking the Sabine women, male personfication of the river Tiber seated at right, after Polidoro da Caravaggio
Cherubino Alberti (Zaccaria Mattia)
1570–1615
A Roman emperor riding in a carriage with a winged female figure of Victory at right, a procession before them, after Polidoro da Caravaggio
Cherubino Alberti (Zaccaria Mattia)
1570–1615
A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
1580–90
Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
ca. 1570–1615
Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
ca. 1570–1615
A winged figure of Fame standing facing left and sounding a trumpet
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Le due regole della prospettiva practica di M. Iacomo Barozzi da Vignola
Jacopo [Giacomo] Barozzi da Vignola
1611
Winged genius with the Arms of the Medici in his right hand and foliage in his left
Cherubino Alberti (Zaccaria Mattia)
17th century
Plate 3: Vase with a satyr's mask and garlands, from "Antique Vases" (Vasa a Polydoro Caravagino)
Aegidius Sadeler II
1605
The Triumph of Two Roman Emperors (left-hand side) with soldiers on horseback and men, women, and children fleeing
Cherubino Alberti (Zaccaria Mattia)
1570–1615
The Expulsion of Adam and Eve with an angel wielding a sword behind them
Cherubino Alberti (Zaccaria Mattia)
1591
The Stoning of Saint Stephen
Cherubino Alberti (Zaccaria Mattia)
1575

The Conversion of Saint Paul with God the Father and Angels above

Cherubino Alberti (Zaccaria Mattia)
1575
Jupiter, seated above two eagles and embracing Cupid, a round composition from a series of mythological scenes after Polidoro da Caravaggio
Cherubino Alberti (Zaccaria Mattia)
ca. 1590
The Adoration of the Magi with the Virgin, Christ Child, and Joseph at center, set against architectural details
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Perseus changing Atlas into a mountan with the head of Medusa, from Perseus and the Golden Apples
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Coat of Arms of the Giustiniani Family
Cherubino Alberti (Zaccaria Mattia)
ca. 1585–92
Romulus at right rising from his throne and ordering his soldiers to search for the Sabines
Anonymous
1570–1615
Plate 8: Vase or Ewer Decorated with a Satyr Figure, Behind Two Cornucopias, and Two Winged Victory Figures, from "Antique Vases" (Vasa a Polydoro Caravagino)
Aegidius Sadeler II
1605
The Resurrection, Christ at top center holding a flag, soldiers on the ground covering their eyes, angels gesturing towards Christ outside the tomb at center
Cherubino Alberti (Zaccaria Mattia)
ca. 1575–1615 (republished 1628)
The Israelites fleeing Egypt with Moses at right extending his right hand and with a woman carrying an urn prostrate before him
Cherubino Alberti (Zaccaria Mattia)
1576
Christ supported by an angel standing on a cloud with light radiating behind them
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
ca. 1570–1615
Plate 7: Vase or Ewer Decorated With a Vase Flanked by Putti and Two Large Female figures whose legs morph into griffin claws, from "Antique Vases" (Vasa a Polydoro Caravagino)
Aegidius Sadeler II
1605
Design for Two Knife Handles
Cherubino Alberti (Zaccaria Mattia)
1553–1615