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A Henequén Worker, from "Estampas de Yucatán" (1946), Alfredo Zalce Mexican, Lithograph
A Henequén Worker, from "Estampas de Yucatán" (1946)
Alfredo Zalce
Publisher La Estampa Mexicana
Printer José Sánchez
1945
Estampas de Yucatán, Alfredo Zalce Mexican, Lithograph
Estampas de Yucatán
Multiple artists/makers
1946
TGP Mexico, el taller de gráfica popular, doce años de obra artística colectiva (the workshop for popular graphic art, a record of twelve years of collective artistic work), Hannes Meyer Swiss, Book, letterpress, original prints
TGP Mexico, el taller de gráfica popular, doce años de obra artística colectiva (the workshop for popular graphic art, a record of twelve years of collective artistic work)
Multiple artists/makers
1949
El sombrerón, Bernardo Ortiz de Montellano Mexican, Book with proof sheets and original drawings by Alfredo Zalce
El sombrerón
Author Bernardo Ortiz de Montellano
Alfredo Zalce
Publisher Editorial 'La Estampa Mexicana'
1946
Propaganda, Alfredo Zalce Mexican, Lithograph
Propaganda
Alfredo Zalce
Publisher Published by Taller de Gráfica Popular, Mexico City
1939
The press in the service of imperialism, Alfredo Zalce Mexican, Lithograph
The press in the service of imperialism
Alfredo Zalce
Publisher Probably published by the Taller de Gráfica Popular, Mexico City
1939
The Palizada River, from "Estampas de Yucatán" (1946), Alfredo Zalce Mexican, Lithograph
The Palizada River, from "Estampas de Yucatán" (1946)
Alfredo Zalce
Publisher La Estampa Mexicana
Printer José Sánchez
1945
The Fisherman, from "Estampas de Yucatán" (1946), Alfredo Zalce Mexican, Lithograph
The Fisherman, from "Estampas de Yucatán" (1946)
Alfredo Zalce
Publisher La Estampa Mexicana
Printer José Sánchez
1945
The Seated Woman, from "Estampas de Yucatán" (1946), Alfredo Zalce Mexican, Lithograph
The Seated Woman, from "Estampas de Yucatán" (1946)
Alfredo Zalce
Publisher La Estampa Mexicana
Printer José Sánchez
1945
The Weaver of Bécal Hats, from "Estampas de Yucatán" (1946), Alfredo Zalce Mexican, Lithograph
The Weaver of Bécal Hats, from "Estampas de Yucatán" (1946)
Alfredo Zalce
Publisher La Estampa Mexicana
Printer José Sánchez
1945
A Woman and Child in a Hammock, from "Estampas de Yucatán" (1946), Alfredo Zalce Mexican, Lithograph
A Woman and Child in a Hammock, from "Estampas de Yucatán" (1946)
Alfredo Zalce
Publisher La Estampa Mexicana
Printer José Sánchez
1945
The Salt Deposits of Celestún, from "Estampas de Yucatán" (1946), Alfredo Zalce Mexican, Lithograph
The Salt Deposits of Celestún, from "Estampas de Yucatán" (1946)
Alfredo Zalce
Publisher La Estampa Mexicana
Printer José Sánchez
1945
The Garden of Hecelchacán, from "Estampas de Yucatán" (1946), Alfredo Zalce Mexican, Lithograph
The Garden of Hecelchacán, from "Estampas de Yucatán" (1946)
Alfredo Zalce
Publisher La Estampa Mexicana
Printer José Sánchez
1945
Plate 5: President Porfirio Díaz holding a paper with the words 'Matalos en caliente' (Kill them Hot) surrounded by figures, and in the lower section, revolutionaries being executed by firing squad and others being hung, relating to events in Veracruz on 25 June 1879, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 5: President Porfirio Díaz holding a paper with the words 'Matalos en caliente' (Kill them Hot) surrounded by figures, and in the lower section, revolutionaries being executed by firing squad and others being hung, relating to events in Veracruz on 25 June 1879, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1946
Plate 18: Soldier on horseback about to strike a man on his knees with a sword relating to the dissolution of a pro-Madero demonstration in 1910, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 18: Soldier on horseback about to strike a man on his knees with a sword relating to the dissolution of a pro-Madero demonstration in 1910, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1946
Plate 19: procession of natives followed by members of the Pofrian to falsely celebrate the 1910 centenary and impress foreign visitors while in the foregound an indigenous man is dying from hunger, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican
Plate 19: procession of natives followed by members of the Pofrian to falsely celebrate the 1910 centenary and impress foreign visitors while in the foregound an indigenous man is dying from hunger, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 23: the strategists plotting to combat the revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 23: the strategists plotting to combat the revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 26: the dictator leaving Mexico on the ship El Piranga, with some figures waving goodbye to 30 years of peace and others throwing rocks, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 26: the dictator leaving Mexico on the ship El Piranga, with some figures waving goodbye to 30 years of peace and others throwing rocks, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 32: Allegory of the ten tragic days, 9–18 February 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 32: Allegory of the ten tragic days, 9–18 February 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on a chair with murdered men at his feet, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on a chair with murdered men at his feet, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 41: Victoriano Huerta closes the spring assemblies on 10 October 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 41: Victoriano Huerta closes the spring assemblies on 10 October 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 50: a woman attending to an wounded guerrilla, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 50: a woman attending to an wounded guerrilla, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 60: the benefits of education instigated through the programs of Alvaro Obregon (1920–23) and Plutarco Elias Calles (1924–28), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 60: the benefits of education instigated through the programs of Alvaro Obregon (1920–23) and Plutarco Elias Calles (1924–28), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 68: taxi drivers against the Gold Shirts in the Zócalo, Mexico City on 20 November 1935, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 68: taxi drivers against the Gold Shirts in the Zócalo, Mexico City on 20 November 1935, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1946
Plate 69: Plutarco Elías Calles in bed, about to be deported to America on the orders of General Lázaro Cárdenas who stands at right (1936), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 69: Plutarco Elías Calles in bed, about to be deported to America on the orders of General Lázaro Cárdenas who stands at right (1936), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 75: the traitor Saturnino Cedillo, agent of the foreign petroleum companies, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 75: the traitor Saturnino Cedillo, agent of the foreign petroleum companies, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 79: Mexico at war, agricultural workers (Braseros) leave for the United States to work, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 79: Mexico at war, agricultural workers (Braseros) leave for the United States to work, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 80: a young man removing a bandage from his eye, to learn to read (relating to the literacy campaign), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 80: a young man removing a bandage from his eye, to learn to read (relating to the literacy campaign), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 82: The press and the Mexican Revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 82: The press and the Mexican Revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right, Alfredo Zalce Mexican, Linocut
Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right
Alfredo Zalce
Publisher ? Taller de Gráfica Popular, Mexico City
1943
A Mexican woman resting on a bed, Alfredo Zalce Mexican, Etching printed in colour
A Mexican woman resting on a bed
Alfredo Zalce
1947
Two men supporting a wounded man, viewed from behind, Alfredo Zalce Mexican, Engraving
Two men supporting a wounded man, viewed from behind
Alfredo Zalce
1946
Two men supporting a wounded man, viewed from behind, Alfredo Zalce Mexican, Engraving
Two men supporting a wounded man, viewed from behind
Alfredo Zalce
1946
Two men supporting a wounded man, viewed from behind, Alfredo Zalce Mexican, Engraving; proof
Two men supporting a wounded man, viewed from behind
Alfredo Zalce
1946
A woman grasping a hammock from which a figure emerges, Alfredo Zalce Mexican, Engraving
A woman grasping a hammock from which a figure emerges
Alfredo Zalce
1947
'Yucatan Night': a woman standing in a doorway, Alfredo Zalce Mexican, Etching with addition of blue wash
'Yucatan Night': a woman standing in a doorway
Alfredo Zalce
ca. 1940–46
A woman holding a child, Alfredo Zalce Mexican, Engraving with ink residue creating tone through wiping with a cloth
A woman holding a child
Alfredo Zalce
1946
'La Piñata' a blindfolded figure holding a stick surrounded by others, Alfredo Zalce Mexican, Engraving
'La Piñata' a blindfolded figure holding a stick surrounded by others
Alfredo Zalce
1947
A seated mestiza woman, Alfredo Zalce Mexican, Soft-ground etching
A seated mestiza woman
Alfredo Zalce
1947
Two men standing in front of a display of animal bones, Alfredo Zalce Mexican, Etching
Two men standing in front of a display of animal bones
Alfredo Zalce
1947

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