Tickets
English
DonateMembership
Tickets

Search for Art

1-42 of 207 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
A Henequén Worker, from "Estampas de Yucatán" (1946), Alfredo Zalce Mexican, Lithograph
A Henequén Worker, from "Estampas de Yucatán" (1946)
Alfredo Zalce
Publisher La Estampa Mexicana
Printer José Sánchez
1945
Estampas de Yucatán, Alfredo Zalce Mexican, Lithograph
Estampas de Yucatán
Multiple artists/makers
1946
El sombrerón, Bernardo Ortiz de Montellano Mexican, Book with proof sheets and original drawings by Alfredo Zalce
El sombrerón
Author Bernardo Ortiz de Montellano
Alfredo Zalce
Publisher Editorial 'La Estampa Mexicana'
1946
TGP Mexico, el taller de gráfica popular, doce años de obra artística colectiva (the workshop for popular graphic art, a record of twelve years of collective artistic work), Hannes Meyer Swiss, Book, letterpress, original prints
TGP Mexico, el taller de gráfica popular, doce años de obra artística colectiva (the workshop for popular graphic art, a record of twelve years of collective artistic work)
Multiple artists/makers
1949
Disembarcation of 42 Mexican workers reduced by hunger in the Southern United States - Port of Manzanillo (1937), Alfredo Zalce Mexican, Lithograph
Disembarcation of 42 Mexican workers reduced by hunger in the Southern United States - Port of Manzanillo (1937)
Alfredo Zalce
1937
A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana on the subject of the place of women in Nazi society, Alfredo Zalce Mexican, Lithograph in red and black on buff paper backed on linen
A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana on the subject of the place of women in Nazi society
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1938
Exposicion de Trabajos de las Escuelas Secundarias, Alfredo Zalce Mexican, Lithograph in black with red lettering
Exposicion de Trabajos de las Escuelas Secundarias
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1938
A large folio newspaper entitled 'Extra, Extra, War, Skulls/Skeletons Hesitant about the War' comprising six pages richly illustrated; page 1 by Zalce, page 2 by Chávez Morado, page 3 by O'Higgins, page 4 Mendez, page 5 by Chávez Morado, page 6 by O'Higgins, José Chávez Morado Mexican, Lithographs, linocuts, letterpress
A large folio newspaper entitled 'Extra, Extra, War, Skulls/Skeletons Hesitant about the War' comprising six pages richly illustrated; page 1 by Zalce, page 2 by Chávez Morado, page 3 by O'Higgins, page 4 Mendez, page 5 by Chávez Morado, page 6 by O'Higgins
Multiple artists/makers
1939
A large folio newspaper entitled 'Calaveras estranguladoras' ['Strangler Skulls'] comprising four pages richly illustrated, Alfredo Zalce Mexican, Linocuts and letterpress
A large folio newspaper entitled 'Calaveras estranguladoras' ['Strangler Skulls'] comprising four pages richly illustrated
Multiple artists/makers
1942
A poster advertising a second meeting (April 20, 1939) in Mexico City supported by the Liga Pro-cultura Alemana relating to Italian Fascism, Francisco Dosamantes, Mexican Mexican, Lithograph in red and black on buff paper backed on linen
A poster advertising a second meeting (April 20, 1939) in Mexico City supported by the Liga Pro-cultura Alemana relating to Italian Fascism
Francisco Dosamantes, Mexican
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1939
Poster addressing the Mexican musical film 'En tiempos de Don Porfirio' (1939 [released 1940] directed by Juan Bustillo Oro) that nostalgically portrays the dictatorship of Porfirio Díaz, Alfredo Zalce Mexican, Lithograph
Poster addressing the Mexican musical film 'En tiempos de Don Porfirio' (1939 [released 1940] directed by Juan Bustillo Oro) that nostalgically portrays the dictatorship of Porfirio Díaz
Alfredo Zalce
ca. 1940
Poster entitled 'The joke of the nation: the return of the grey automobile' showing named figures representing swindlers speeding away in a car, Pablo Esteban O'Higgins American, Lithograph on buff paper backed with linen
Poster entitled 'The joke of the nation: the return of the grey automobile' showing named figures representing swindlers speeding away in a car
Pablo Esteban O'Higgins
Formerly attributed to Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1939
Poster dated 1 May 1939 in support of the fallen leaders and workers of the world, along with a manifesto listing complaints and in support of the proletariat, Alfredo Zalce Mexican, Linocut and letterpress on buff paper backed with linen
Poster dated 1 May 1939 in support of the fallen leaders and workers of the world, along with a manifesto listing complaints and in support of the proletariat
? Alfredo Zalce
Publisher ? Taller de Gráfica Popular, Mexico City
1939
A hammock installed inside a room, Alfredo Zalce Mexican, Lithograph
A hammock installed inside a room
Alfredo Zalce
1944
A woman lying the ground holding a child, above a line of Nazi (Fascist) soldiers wearing gas masks and carrying bayonets, Alfredo Zalce Mexican, Lithograph
A woman lying the ground holding a child, above a line of Nazi (Fascist) soldiers wearing gas masks and carrying bayonets
Alfredo Zalce
1938
Two posters; the one at left by Méndez depicting a figure with a swastika on his back and a dollar coin for his head wielding a knife about to murder men looking at newsheets; the image at right by Zalce relating to the 'revolutionary army', the power of foreign petroleum companies and corruption, Leopoldo Méndez Mexican, Lithographs on brown paper backed with linen
Two posters; the one at left by Méndez depicting a figure with a swastika on his back and a dollar coin for his head wielding a knife about to murder men looking at newsheets; the image at right by Zalce relating to the 'revolutionary army', the power of foreign petroleum companies and corruption
Leopoldo Méndez
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1938
Pages 3, 4, 5 and 6 of an eight page broadsheet addressing political subjects taken from the newspaper 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings), José Chávez Morado Mexican, Linocuts and letterpress on buff paper
Pages 3, 4, 5 and 6 of an eight page broadsheet addressing political subjects taken from the newspaper 'Calaveras aftosas con medias naylon' (Hoof and Mouth Skeletons with Nylon Stockings)
Multiple artists/makers
1947
Eight uncut pages from the Marxist newspaper 'Rumbo Grafico' with illustrations by Méndez and Zalce including an advertisement from the TGP offering their design and printing services at competitive prices for effective propaganda, Alfredo Zalce Mexican, Linocut and letterpress
Eight uncut pages from the Marxist newspaper 'Rumbo Grafico' with illustrations by Méndez and Zalce including an advertisement from the TGP offering their design and printing services at competitive prices for effective propaganda
Alfredo Zalce
Leopoldo Méndez
Publisher Taller de Gráfica Popular, Mexico City
1940
Poster showing a soldier with a bayonet relating to the USSR defending the liberty of the world and encouraging the Mexican government to join the Allied cause, Alfredo Zalce Mexican, Linocut (?) and lettering on yellow paper backed with linen
Poster showing a soldier with a bayonet relating to the USSR defending the liberty of the world and encouraging the Mexican government to join the Allied cause
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1941
Flyer relating to the expropriation of foreign oil interests, Alfredo Zalce Mexican, Linocut and letterpress
Flyer relating to the expropriation of foreign oil interests
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
ca. 1938
Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - (image by Escobedo); ballad of the good neighbour - (image by Chávez Morado); ballad regarding the expropriation of foreign petroleum companies - (image by Zalce); ballad on the eclipse of the peso - (image by Chávez Morado), José Chávez Morado Mexican, Linocut and letterpress on buff paper
Four hesitant corridos (ballads) printed on the one sheet, two on each side addressing the subject of unwanted American intervention in Mexico; ballad of the persecution of Pancho Villa - (image by Escobedo); ballad of the good neighbour - (image by Chávez Morado); ballad regarding the expropriation of foreign petroleum companies - (image by Zalce); ballad on the eclipse of the peso - (image by Chávez Morado)
Multiple artists/makers
1938
Plate 18: Soldier on horseback about to strike a man on his knees with a sword relating to the dissolution of a pro-Madero demonstration in 1910, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 18: Soldier on horseback about to strike a man on his knees with a sword relating to the dissolution of a pro-Madero demonstration in 1910, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1946
Plate 19: procession of natives followed by members of the Pofrian to falsely celebrate the 1910 centenary and impress foreign visitors while in the foregound an indigenous man is dying from hunger, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican
Plate 19: procession of natives followed by members of the Pofrian to falsely celebrate the 1910 centenary and impress foreign visitors while in the foregound an indigenous man is dying from hunger, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 68: taxi drivers against the Gold Shirts in the Zócalo, Mexico City on 20 November 1935, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 68: taxi drivers against the Gold Shirts in the Zócalo, Mexico City on 20 November 1935, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1946
Plate 41: Victoriano Huerta closes the spring assemblies on 10 October 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 41: Victoriano Huerta closes the spring assemblies on 10 October 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 56: Venustiano Carranza holding a copy of the 1917 constitution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 82: The press and the Mexican Revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 82: The press and the Mexican Revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 23: the strategists plotting to combat the revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 23: the strategists plotting to combat the revolution, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 26: the dictator leaving Mexico on the ship El Piranga, with some figures waving goodbye to 30 years of peace and others throwing rocks, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 26: the dictator leaving Mexico on the ship El Piranga, with some figures waving goodbye to 30 years of peace and others throwing rocks, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 7: Mexican chaingang being forced to break rocks in a quarry in the Valle Nacional in Oaxaca, guarded by a rifle-bearing foreman, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1946
Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on a chair with murdered men at his feet, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 34: 'The criminal' Victoriano Huerta installed as President sitting on a chair with murdered men at his feet, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 69: Plutarco Elías Calles in bed, about to be deported to America on the orders of General Lázaro Cárdenas who stands at right (1936), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 69: Plutarco Elías Calles in bed, about to be deported to America on the orders of General Lázaro Cárdenas who stands at right (1936), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 79: Mexico at war, agricultural workers (Braseros) leave for the United States to work, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 79: Mexico at war, agricultural workers (Braseros) leave for the United States to work, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 80: a young man removing a bandage from his eye, to learn to read (relating to the literacy campaign), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 80: a young man removing a bandage from his eye, to learn to read (relating to the literacy campaign), from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 32: Allegory of the ten tragic days, 9–18 February 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 32: Allegory of the ten tragic days, 9–18 February 1913, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 50: a woman attending to an wounded guerrilla, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 50: a woman attending to an wounded guerrilla, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Plate 75: the traitor Saturnino Cedillo, agent of the foreign petroleum companies, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 75: the traitor Saturnino Cedillo, agent of the foreign petroleum companies, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1947
Plate 5: President Porfirio Díaz holding a paper with the words 'Matalos en caliente' (Kill them Hot) surrounded by figures, and in the lower section, revolutionaries being executed by firing squad and others being hung, relating to events in Veracruz on 25 June 1879, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Alfredo Zalce Mexican, Linocut
Plate 5: President Porfirio Díaz holding a paper with the words 'Matalos en caliente' (Kill them Hot) surrounded by figures, and in the lower section, revolutionaries being executed by firing squad and others being hung, relating to events in Veracruz on 25 June 1879, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Alfredo Zalce
Publisher Taller de Gráfica Popular, Mexico City
1945
Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right, Alfredo Zalce Mexican, Linocut
Rats marked with the Nazi Swastika devouring books, the padlocked 'Escuela Normal' at the right
Alfredo Zalce
Publisher ? Taller de Gráfica Popular, Mexico City
1943
A Mexican woman resting on a bed, Alfredo Zalce Mexican, Etching printed in colour
A Mexican woman resting on a bed
Alfredo Zalce
1947
A woman holding a child, Alfredo Zalce Mexican, Engraving with ink residue creating tone through wiping with a cloth
A woman holding a child
Alfredo Zalce
1946
Corn cribs (a type of granary) with a figure in the foreground, Alfredo Zalce Mexican, Etching
Corn cribs (a type of granary) with a figure in the foreground
Alfredo Zalce
1947