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Saint Anthony of Padua, Pedro de Mena or Spanish, Wood (including black wood and ebony) and gesso, polychromed and gilded; Cross: inlaid with mother-of-pearl; Eyes: probably shell, Spanish — Saint Anthony of Padua
Possibly follower of Pedro de Mena
Possibly follower of Alonso Cano
late 17th–early 18th century

Virgin Interceding for Those in Purgatory, Alonso Cano Spanish, Pen and dark brown ink over black chalk underdrawing. Composition outlined in black chalk, and in dark brown ink (seeped onto sheet from the outlines on the secondary paper support. On off-white paper — Virgin Interceding for Those in Purgatory
Alonso Cano
1601–67

Angels Ministering to St. Sebastian, Alonso Cano Spanish, Black chalk on off-white paper. On lower left traces of unrelated lines in pen and dark brown ink — Angels Ministering to St. Sebastian
Alonso Cano
1601–67

Three Putti Holding Cross Before Two Male Saints, Alonso Cano Spanish, Pen and medium brown ink over traces of black chalk underdrawing on cream paper. Lightly foxed. Composition outlined with pen and medium brown ink. Lined with a strip of paper showing at bottom — Three Putti Holding Cross Before Two Male Saints
Alonso Cano
1601–67

Madonna and Child [?], Alonso Cano Spanish, Pen and dark brown ink on tan paper. Paper cut in an oval shape — Madonna and Child [?]
Circle of Alonso Cano
n.d.

The Death of St. Joseph, Alonso Cano Spanish, Engraving — The Death of St. Joseph
Multiple artists/makers
1766

St. Vincent Ferrer Preaching, Alonso Cano Spanish, Pen and brown ink, brush and brown wash, on buff paper (somewhat darkened) — St. Vincent Ferrer Preaching
Attributed to Alonso Cano
1665

Christ on the Mount of Olives (recto); Study of a Cypress (verso), Alonso Cano Spanish, Pen and brown ink, brush and brown wash, over traces of black chalk; framing line in pen and brown ink, and black chalk; verso: since it is lined with Japan paper and thus the design is indistinct; black chalk (?) — Christ on the Mount of Olives (recto); Study of a Cypress (verso)
Alonso Cano
ca. 1640–50

Prometheus chained, two pendentives and an Egyptian Saint Marie, volume 3, plate 234 from "Monuments des Arts du Dessin", Jules Dagneau, Lithograph — Prometheus chained, two pendentives and an Egyptian Saint Marie, volume 3, plate 234 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829

Old Spanish Masters, Engraved by Timothy Cole, with Historical Notes by Charles H. Caffin and Comments by the Engraver

Multiple artists/makers

1907

Annals of the Artists of Spain. Vols. I-III

Multiple artists/makers

1848

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