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Saint Anthony of Padua, Pedro de Mena or Spanish, Wood (including black wood and ebony) and gesso, polychromed and gilded; Cross: inlaid with mother-of-pearl; Eyes: probably shell, Spanish
Possibly follower of Pedro de Mena
Possibly follower of Alonso Cano
late 17th–early 18th century
Virgin Interceding for Those in Purgatory, Alonso Cano  Spanish, Pen and dark brown ink over black chalk underdrawing.  Composition outlined in black chalk, and in dark brown ink (seeped onto sheet from the outlines on the secondary paper support.  On off-white paper
Alonso Cano
1601–67
Angels Ministering to St. Sebastian, Alonso Cano  Spanish, Black chalk on off-white paper.  On lower left traces of unrelated lines in pen and dark brown ink
Alonso Cano
1601–67
Three Putti Holding Cross Before Two Male Saints, Alonso Cano  Spanish, Pen and medium brown ink over traces of black chalk underdrawing on cream paper.  Lightly foxed. Composition outlined with pen and medium brown ink. Lined with a strip of paper showing at bottom
Alonso Cano
1601–67
Madonna and Child [?], Alonso Cano  Spanish, Pen and dark brown ink on tan paper. Paper cut in an oval shape
Circle of Alonso Cano
n.d.
The Death of St. Joseph, Alonso Cano  Spanish, Engraving
Multiple artists/makers
1766
St. Vincent Ferrer Preaching, Alonso Cano  Spanish, Pen and brown ink, brush and brown wash, on buff paper (somewhat darkened)
Attributed to Alonso Cano
1665
Christ on the Mount of Olives (recto); Study of a Cypress (verso), Alonso Cano  Spanish, Pen and brown ink, brush and brown wash, over traces of black chalk; framing line in pen and brown ink, and black chalk; verso: since it is lined with Japan paper and thus the design is indistinct; black chalk (?)
Alonso Cano
ca. 1640–50
Prometheus chained, two pendentives and an Egyptian Saint Marie, volume 3, plate 234 from "Monuments des Arts du Dessin", Jules Dagneau, Lithograph
Multiple artists/makers
1829
Multiple artists/makers
1907
Multiple artists/makers
1848

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