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Washington Irving's Illustrations for the Legend of Rip Van Winkle, Designed and Etched by F.O.C. Darley, Felix Octavius Carr Darley American, Lithographs (called etching on stone)
Washington Irving's Illustrations for the Legend of Rip Van Winkle, Designed and Etched by F.O.C. Darley
Multiple artists/makers
1848
The Jolly Flat Boat Men, Thomas Doney French?, Mezzotint and engraving with etching
The Jolly Flat Boat Men
Multiple artists/makers
1847
Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850, Felix Octavius Carr Darley American, Lithographs (called etching on stone)
Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, 1850
Multiple artists/makers
1849–50
Dover Plains, James Smillie American, Etching and engraving on steel
Dover Plains
Engraver James Smillie
After Asher Brown Durand
Publisher American Art-Union, New York
1851
Dream of Arcadia, James Smillie American, Etching and engraving on steel
Dream of Arcadia
Multiple artists/makers
1851
The Image Breaker, Alfred Jones American, Etching, engraving and stipple on steel
The Image Breaker
Multiple artists/makers
1851
The New Scholar, Alfred Jones American, Etching and engraving on steel
The New Scholar
Engraver Alfred Jones
After Francis William Edmonds
Publisher American Art-Union, New York
1851
The Card Players, Charles Burt American, born Scotland, Etching and engraving on steel
The Card Players
Multiple artists/makers
1851
Distribution of the American Art-Union Prizes, at the Tabernacle, Broadway, December 24, 1847, Francis D'Avignon American, born France or Russia, Lithograph with tint stone
Distribution of the American Art-Union Prizes, at the Tabernacle, Broadway, December 24, 1847
Multiple artists/makers
1848
Mexican News, Alfred Jones American, Etching and engraving
Mexican News
Multiple artists/makers
1851
Transactions of the American Art-Union for the Year 1845
Multiple artists/makers
1845
Transactions of the American Art-Union for the Year 1846
Multiple artists/makers
1846
Gallery of American Art, No. I
Publisher American Art-Union, New York
1850–51
Gallery of American Art, No. I, Consisting of the Following Line Engravings on Steel...for Members of the American Art Union of MDCCCL [Paper cover for a set of prints]
Publisher American Art-Union, New York
1850–51
The Voyage of Life–Youth
Multiple artists/makers
1850
Washington Irving's Illustrations of the Legend of Sleepy Hollow, Designed and Etched by F.O.C. Darley for the Members of the American Art Union, MDCCCXLIX
Multiple artists/makers
1849–50
Old '76 and Young '48
Multiple artists/makers
1853
Marion Crossing the Pedee
Multiple artists/makers
1852
Bargaining for a Horse
Engraver Charles Burt
After William Sidney Mount
Publisher American Art-Union, New York
1853
The New Scholar
Engraver Alfred Jones
After Francis William Edmonds
Publisher American Art-Union, New York
1851
Mount Washington, from the Valley of Conway
Multiple artists/makers
1851
Dream of Arcadia
Multiple artists/makers
1851
Dover Plains
Engraver James Smillie
After Asher Brown Durand
Publisher American Art-Union, New York
1851
American Art-Union, annual subscription receipt
Author Issued by American Art-Union, New York
Subject Issued to Niagara Engine Co. No. 4, Fall River, Massachusetts
Printer George F. Nesbitt
1851
American Art-Union, annual subscription receipt
Author Issued by American Art-Union, New York
Subject Issued to Niagara Engine Co. No. 4, Fall River, Massachusetts
Printer George F. Nesbitt
1850
The Jolly Flat-Boat Men
After George Caleb Bingham
Publisher American Art-Union, New York
1846
Dream of Arcadia
Multiple artists/makers
1851
American Harvesting
Engraver James Smillie
After Jasper Francis Cropsey
Publisher American Art-Union, New York
1851
American Art-Union, Report for 1845
Publisher American Art-Union, New York
1846

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.