Tickets
English
DonateMembership
Tickets

Search for Art

33 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Rothschild lamp, Andrea Briosco, called Riccio Italian, Bronze, on a later wood base, Italian, Padua
Rothschild lamp
Andrea Briosco, called Riccio
ca. 1510–20
Striding Pan, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Striding Pan
Andrea Briosco, called Riccio
1530–1539
The Entombment of Christ, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
The Entombment of Christ
Andrea Briosco, called Riccio
probably early 16th century
Triton and Nereid, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Triton and Nereid
Possibly workshop of Andrea Briosco, called Riccio
after 1532–before ca. 1550
Seated satyr with a shell, Andrea Briosco, called Riccio Italian, Bronze, Italian
Seated satyr with a shell
Workshop of Andrea Briosco, called Riccio
after 1600
Seated satyr with silvered eyes, Andrea Briosco, called Riccio Italian, Bronze, silver inlay (eyes), Italian, Padua
Seated satyr with silvered eyes
Andrea Briosco, called Riccio
second quarter of the 16th century
Atlas Supporting the Globe, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Atlas Supporting the Globe
Workshop of Andrea Briosco, called Riccio
16th century; globe: 19th century
Allegory of Virtue, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Allegory of Virtue
Attributed to Andrea Briosco, called Riccio
probably early 16th century
Two lizards, Andrea Briosco, called Riccio Italian, Bronze, Italian
Two lizards
Andrea Briosco, called Riccio
ca. 1500
Kneeling Satyr, Andrea Briosco, called Riccio Italian, Bronze, possibly Italian, Padua
Kneeling Satyr
Manner of Andrea Briosco, called Riccio
16th century
Seated youth with a lamp in the form of a snail shell, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Seated youth with a lamp in the form of a snail shell
Possibly workshop of Andrea Briosco, called Riccio
possibly late 16th–early 17th century
The Sacrifice of a Swine, Andrea Briosco, called Riccio Italian, Bronze, Italian
The Sacrifice of a Swine
Andrea Briosco, called Riccio
probably early 16th century
The Triumph of a Hero, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
The Triumph of a Hero
Andrea Briosco, called Riccio
probably early 16th century
Oil Lamp in the Form of a Sphinx, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Oil Lamp in the Form of a Sphinx
Probably workshop of Andrea Briosco, called Riccio
mid-16th century
Allegory of Virtue, Andrea Briosco, called Riccio Italian, Gilt bronze, Italian, Padua
Allegory of Virtue
Attributed to Andrea Briosco, called Riccio
probably early 16th century
She-bear, Andrea Briosco, called Riccio Italian, Bronze, dark olive-brown patina, Italian, Padua
She-bear
Andrea Briosco, called Riccio
early 16th century
Oil lamp based on the form of an African’s head, Andrea Briosco, called Riccio Italian, Bronze, probably Italian, Padua
Oil lamp based on the form of an African’s head
Manner of Andrea Briosco, called Riccio
mid-16th century or later
Satyr Holding a Vessel, Andrea Briosco, called Riccio Italian, Brass, probably Flemish
Satyr Holding a Vessel
Imitator of Andrea Briosco, called Riccio
early 17th century
Satyr Riding a Goat, Andrea Briosco, called Riccio Italian, Bronze; dark brown patina; yellow and green marble base, Italian, Padua
Satyr Riding a Goat
Manner of Andrea Briosco, called Riccio
19th–20th century
Statuette, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Statuette
Manner of Andrea Briosco, called Riccio
16th century
Combat at a City Gate, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Combat at a City Gate
Andrea Briosco, called Riccio
early 16th century
The Triumph of a Hero, Andrea Briosco, called Riccio or Follower of Italian, Bronze, Italian
The Triumph of a Hero
Andrea Briosco, called Riccio
early 16th century
Nessus Abducting Dejanira, Andrea Briosco, called Riccio Italian, Bronze, Italian
Nessus Abducting Dejanira
Andrea Briosco, called Riccio
16th century
Apollo and Marsyas, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Apollo and Marsyas
Manner of Andrea Briosco, called Riccio
19th–20th century
Satyr with vase (one of a pair), Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Satyr with vase (one of a pair)
Andrea Briosco, called Riccio
ca. 1540–50
Satyress with vase (one of a pair), Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Satyress with vase (one of a pair)
Andrea Briosco, called Riccio
ca. 1540–50
Seated Faun, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Seated Faun
Manner of Andrea Briosco, called Riccio
ca. 1540–50
Oil lamp in the form of a dwarf on a donkey’s head, Andrea Briosco, called Riccio Italian, Bronze, Northern Italian
Oil lamp in the form of a dwarf on a donkey’s head
Manner of Andrea Briosco, called Riccio
mid-16th century
Oil lamp in the form of a grotesque animal, Andrea Briosco, called Riccio Italian, Bronze, Possibly France or the Netherlands
Oil lamp in the form of a grotesque animal
School of Andrea Briosco, called Riccio
17th century
Judith with the Head of Holofernes, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Judith with the Head of Holofernes
Medalist: Andrea Briosco, called Riccio
late aftercast of 16th century model
Entombment, Andrea Briosco, called Riccio Italian, Copper alloy with a warm, reddish brown patina.
Entombment
Andrea Briosco, called Riccio
model ca. 1516–21 (last cast)
Allegory of Triumph and Sacrifice, Andrea Briosco, called Riccio Italian, Copper alloy with reddish brown natural patina under a worn black lacquer or wax.
Allegory of Triumph and Sacrifice
Attributed to Andrea Briosco, called Riccio
ca. 1520
Judith, Andrea Briosco, called Riccio Italian, Bronze, Italian
Judith
Andrea Briosco, called Riccio
Engraver Girolamo Mocetto
Designer After a composition by Mantegna
1470–1532