Billets
Français
Faire un donDevenir membre
Billets
Nous travaillons à la traduction de cette page dès que possible. Merci de votre compréhension.

Search for Art

31 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Hamlet and Horatio, from "Le Magasin Pittoresque", Andrew Best Leloir French, Wood engraving
Hamlet and Horatio, from "Le Magasin Pittoresque"
Engraver Andrew Best Leloir
After Eugène Delacroix
Subject William Shakespeare
December 1837
Le Diable a Paris. . . Paris et Les Parisiens, Vol. II, Andrew Best Leloir French, Wood engraving
Le Diable a Paris. . . Paris et Les Parisiens, Vol. II
Multiple artists/makers
1846
Le Diable a Paris. . . Paris et Les Parisiens, Vol. I, Antoine-Alphée Piaud French, Wood engraving
Le Diable a Paris. . . Paris et Les Parisiens, Vol. I
Multiple artists/makers
1845
Here, the civet offers a hit of snuff to an old beaver, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Here, the civet offers a hit of snuff to an old beaver, from "Scenes from the Private and Public Life of Animals"
Woodcutter J. J. Grandville
Lithographer Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
I hope to prove one day that in the hands of a magpie, a feather is no less valuable than in the claws of a wolf or the legs of a fox, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Honoré de Balzac
ca. 1837–47
To pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
To pay the landlord, a very harsh man, whose name was M. Vautour, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
Only his belly was remarkable, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Only his belly was remarkable, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
A very well put insect and beautiful dancer, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
A very well put insect and beautiful dancer, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
The author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
The author of this attack is a delicate little wolf, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
Here is one who mends by nicely biting, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Here is one who mends by nicely biting, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
What's that noise? and what does this scoundrel want?, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
What's that noise? and what does this scoundrel want?, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
He tells us: don't cry, Act!, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
He tells us: don't cry, Act!, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
This is what the men call a church rat, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
This is what the men call a church rat, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
He had only his beautiful colors..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
He had only his beautiful colors..., from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Honoré de Balzac
ca. 1837–47
After, in came the body of guards armed with terrible stings, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
After, in came the body of guards armed with terrible stings, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
I saw a wolf standing guard, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
I saw a wolf standing guard, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
What do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
What do you say about the butterfly hunt?, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Honoré de Balzac
ca. 1837–47
The Proprietor, from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
The Proprietor, from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
I took a note first, then two, then three, then a thousand..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
I took a note first, then two, then three, then a thousand..., from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
... and soon formed a fantastic round, from "Scenes from the Private and Public Life of Animals" , J. J. Grandville French, Wood engraving

... and soon formed a fantastic round, from "Scenes from the Private and Public Life of Animals"

Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
When he was sleeping in the sun..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
When he was sleeping in the sun..., from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
Instead of all this..., from "Scenes from the Private and Public Life of Animals", J. J. Grandville French, Wood engraving
Instead of all this..., from "Scenes from the Private and Public Life of Animals"
Illustrator J. J. Grandville
Engraver Andrew Best Leloir
Author Honoré de Balzac
ca. 1837–47
Les mille et une nuits, from "Le Charivari"
Multiple artists/makers
ca.1838–40
Les Mille et une nuits, from "Le Charivari"
Multiple artists/makers
ca.1838–40
Chapter illustrations, from "Le Charivari"
Andrew Best Leloir
J. Birouste
Publisher Bauger et Cie
July 30, 1838
Chapter illustrations, from "Le Charivari"
Andrew Best Leloir
J. Birouste
Publisher Bauger et Cie
July 30, 1838
Les Gens de Paris
Multiple artists/makers
19th century