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Annie, James McNeill Whistler  American, Etching on tan (darkened) chine mounted on white wove paper (chine collé); fourth state of seven (Glasgow)
James McNeill Whistler
Sitter Annie Harriet Haden
1858
Annie, James McNeill Whistler  American, Etching, printed in black ink on fibrous ivory laid paper; sixth state of seven (Glasgow)
James McNeill Whistler
Sitter Annie Harriet Haden
1858
Annie, James McNeill Whistler  American, Etching, printed in black ink on tan chine on off-white wove paper (chine collé); fourth state of seven (Glasgow)
James McNeill Whistler
Sitter Annie Harriet Haden
1858
Annie Seated, James McNeill Whistler  American, Etching and drypoint; third state of three (Glasgow); black ink on medium weight ivory laid Japan paper
James McNeill Whistler
Sitter Annie Harriet Haden
1858–59
Annie Seated, James McNeill Whistler  American, Etching and drypoint; third state of three (Glasgow); black ink on extremely fine laid Japan paper
James McNeill Whistler
Sitter Annie Harriet Haden
1858–59
Annie Seated, James McNeill Whistler  American, Etching and drypoint; third state of three (Glasgow); black ink on off-white modern wove paper
James McNeill Whistler
Sitter Annie Harriet Haden
1858–59

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.