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Department
Magna Britannia: Her Colonies Reduced, Benjamin Franklin  American, Etching and engraving
Designer Benjamin Franklin
Engraver Anonymous, British, 19th century
1833 [based on 1766 print]
Our Manoeuvres – Captain of Skirmishers Addresses a Lance-Corporal (recto); Sad, But a Fact! (verso), Anonymous, British, 19th century  British, Wood engraving
Illustrator Recto: Anonymous, British, 19th century
Illustrator Verso: George Du Maurier
September 20, 1873
Oak forest with a pig, Anonymous, British, 19th century  British, Black and white chalk
Anonymous, British, 19th century
Former Attribution Formerly attributed to John Baptist Malchair
early 19th century
Classical pedestal, Anonymous, British, 19th century  British, Pen and ink
Anonymous, British, 19th century
19th century
View of Vevey on Lake Geneva, Anonymous, British, 19th century  British, Watercolor
Anonymous, British, 19th century
19th century
Suggestion by Whistler for his Portrait, Anonymous, British, 19th century  British, Etching and roulette
Anonymous, British, 19th century
After James McNeill Whistler
1870s
Boxed Valentine's Day Card, Anonymous, British, 19th century  British
Anonymous, British, 19th century
1840–99
Boxed Valentine's Day Card, Anonymous, British, 19th century  British
Anonymous, British, 19th century
1840–99
Sketchbook Page: Figures and Sculpture, Anonymous, British, 19th century  British, Graphite
Anonymous, British, 19th century
19th century
Design for a Lidded Vase with Lion's Head Boss, Anonymous, British, 19th century  British, Graphite
Anonymous, British, 19th century
19th century
Octagonal Room with Sectional Views, Anonymous, British, 19th century  British, Pen and ink with watercolor
Attributed to Anonymous, British, 19th century
19th century
Design for a Classical Country House, Entrance Elevation, Anonymous, British, 19th century  British, Watercolor, pen and ink
Anonymous, British, 19th century
early 19th century
Design for a Classical Country House, Side Elevation, Anonymous, British, 19th century  British, Watercolo, pen and ink
Anonymous, British, 19th century
early 19th century
Landscape with Cottages and a Sheepcot, Anonymous, British, 19th century  British, Brush and wash, touches of gouache (bodycolor), over graphite, on card
Anonymous, British, 19th century
19th century
Design for a Classical Country House, Back Elevation, Anonymous, British, 19th century  British, Watercolo, pen and ink
Anonymous, British, 19th century
early 19th century
Bergami Pears–or–Choice Fruit !!, Anonymous, British, 19th century  British, Hand-colored etching
Multiple artists/makers
October 1820
Design for a Classical Country House, Side Elevation, Anonymous, British, 19th century  British, Watercolor, pen and ink
Anonymous, British, 19th century
early 19th century
Design for a carved pillar next to a doorframe, Anonymous, British, 19th century  British, Graphite
Anonymous, British, 19th century
19th century
Very Cold at Paris, Anonymous, British, 19th century  British, Hand-colored etching
Anonymous, British, 19th century
Publisher Rudolph Ackermann, London
March 1, 1806
A Flint, Anonymous, British, 19th century  British, Hand-colored etching
Anonymous, British, 19th century
Publisher Thomas Tegg
1811
Laceing [sic] a Dandy, Anonymous, British, 19th century  British, Hand-colored etching
Anonymous, British, 19th century
Publisher Thomas Tegg
January 26, 1819
Man Sitting on the Ground with Jars and Food, Anonymous, British, 19th century  British, Brush and brown ink
Anonymous, British, 19th century
1848
Design for Grate, Anonymous, British, 19th century  British, Pen and ink, watercolor and graphite
Anonymous, British, 19th century
1874
Caricature of a man in profile wearing a monocle, Anonymous, British, 19th century  British, Pen and black ink
Anonymous, British, 19th century
1880–1900
View of a churchyard, Southborough, Kent, Anonymous, British, 19th century  British, Watercolor over graphite, with touches of gouache (bodycolor)
Anonymous, British, 19th century
1837
Read's Crinoline Sketches, No. 9, Anonymous, British, 19th century  British, Hand-colored lithograph
Anonymous, British, 19th century
Publisher Read & Co.
July 22, 1859
Design for lace, Anonymous, British, 19th century  British, White gouache on blue prepared ground
Anonymous, British, 19th century
19th century
Design for an Oval Ceiling, Anonymous, British, 19th century  British, Watercolor, heightened with gold
Anonymous, British, 19th century
19th century
Five images showing the processes of manufacturing glass, Anonymous, British, 19th century  British, Graphite, white chalk, pen and ink, on gray paper
Anonymous, British, 19th century
19th century
Two Views of an Artist's Studio, possibly that of Eden Upton Eddis, Anonymous, British, 19th century  British, Pen and brown ink, brush and brown and blue wash, over black and white chalk
Anonymous, British, 19th century
ca. 1859 (?)
Plan and Elevations of a Music Room, Anonymous, British, 19th century  British, Pen and ink, graphite, watercolor
Anonymous, British, 19th century
early 19th century
Ionic Entrance Hall, Anonymous, British, 19th century  British, Pen and ink, brush and brown wash
Anonymous, British, 19th century
19th century
View of the Parthenon, Anonymous, British, 19th century  British, Brush and brown wash
Anonymous, British, 19th century
19th century
Rock Tombs at Telmissus, Anonymous, British, 19th century  British, Pen and ink and watercolor
Anonymous, British, 19th century
19th century
Design for a Church in the Decorated Style, Perspective, Anonymous, British, 19th century  British, Pen and ink and graphite
Anonymous, British, 19th century
19th century
Design for a Silver Centerpiece, Anonymous, British, 19th century  British
Anonymous, British, 19th century
19th century
Elevation of a Pseudo-Romanesque Hall or Church, Anonymous, British, 19th century  British, Pen and ink, brush and wash
Anonymous, British, 19th century
19th century