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The Church of Saints Peter and Paul in Schelle, near Antwerp, seen from the North, with a Boat in the river Vliet, Anonymous, Flemish, 17th century Flemish, Black chalk, pen and brown ink, heightened with white gouache, on (faded) blue paper; framing lines in pen and black ink
The Church of Saints Peter and Paul in Schelle, near Antwerp, seen from the North, with a Boat in the river Vliet
Anonymous, Flemish, 17th century
Former Attribution Jan van Goyen
mid-17th century
Design for an Altar, Anonymous, Flemish, 17th century Flemish, Pen and brown ink, brush and gray-brown wash
Design for an Altar
Anonymous, Flemish, 17th century
17th century
Landscape, Anonymous, Flemish, 17th century (?) Flemish, Pen and brown ink
Landscape
Anonymous, Flemish, 17th century
Anonymous, French, 17th century
Style of Georges Focus
17th century
Sheperd with his Flock and a Dog, Anonymous, Flemish, 17th century ? Flemish, Pen and gray ink, brush and gray wash, over black chalk
Sheperd with his Flock and a Dog
Anonymous, Flemish, 17th century
16th century
Compositional Sketch for The Request for Admission into the Union, a Painting in the Town Hall of 's-Hertogenbosch. The Province of Brabant requests the same status as the seven provinces of the Dutch Republic, Theodoor van Thulden Flemish, Pen and brown ink, brush and blue wash
Compositional Sketch for The Request for Admission into the Union, a Painting in the Town Hall of 's-Hertogenbosch. The Province of Brabant requests the same status as the seven provinces of the Dutch Republic
Theodoor van Thulden
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
1645?
Portrait of Cornelis de Vos, Anonymous, Flemish, 17th century ? Flemish, Black chalk
Portrait of Cornelis de Vos
Anonymous, Flemish, 17th century
After Anthony van Dyck
Sitter Cornelis de Vos
16th century
Portrait of Bartholomeo Ehrenfüller(?), Anonymous, Flemish, 17th century (?) Flemish, Brush and brown wash, black chalk; tacked down to white board
Portrait of Bartholomeo Ehrenfüller(?)
Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Anonymous, Netherlandish, 16th century
17th century
Portrait of Rambaldo, graf von Collalto, Anonymous, Flemish, 17th century (?) Flemish, Black chalk, brush and gray ink; tacked down on white board; incised
Portrait of Rambaldo, graf von Collalto
Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Anonymous, Netherlandish, 16th century
17th century
Portrait of Christoph Mondragon, Anonymous, Flemish, 17th century (?) Flemish, Black chalk, brush and brown wash; incised; tacked down to white board
Portrait of Christoph Mondragon
Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Anonymous, Netherlandish, 16th century
17th century
A Boar Hunt, Anonymous, Flemish, 17th century Flemish, Watercolor and bodycolor
A Boar Hunt
Anonymous, Flemish, 17th century
17th century
Deathbed Scene, Anonymous, Flemish, 17th century Flemish, Pen and brown ink, brush and brown wash, heightened with white
Deathbed Scene
Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Anonymous, Netherlandish, 16th century
17th century
Christ Healing the Paralytic, Jacob Jordaens Flemish, Pen and brown ink, brush and brown wash
Christ Healing the Paralytic
Jacob Jordaens
Former Attribution Anonymous, Flemish, 17th century
Former Attribution Jan (Gerritsz.) van Bronchorst
ca. 1616–20
Ornamental design with Orpheus and Eurydice, Anonymous, Dutch, 17th century (c) Dutch, Pen and red ink, brush and red wash, oval
Ornamental design with Orpheus and Eurydice
Anonymous, Dutch, 17th century
Anonymous, Flemish, 17th century
17th century
Design for a sepulchral monument (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash (recto); pen and brown ink, over black chalk or graphite (verso)
Design for a sepulchral monument (recto); Design for a sepulchral monument (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th century
Landscape with a Bridge and a Village Church, Anonymous, Flemish, 17th century (?) Flemish, Brush and gray wash, over black chalk; framing lines in brush and gray wash
Landscape with a Bridge and a Village Church
Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Ferdinand Kobell
ca. 1600 (?)
Venus Lamenting the Dead Adonis (or Diana and Endymion), Januarius Zick German, Black and white chalk on blue paper
Venus Lamenting the Dead Adonis (or Diana and Endymion)
Januarius Zick
Former Attribution Anonymous, Flemish, 17th century
1740–97
Design for a Chimney Place and Study of a Nude Female Figure, Anonymous, Flemish, 17th century Flemish, Pen and brown ink; framing lines in pen and brown ink
Design for a Chimney Place and Study of a Nude Female Figure
Anonymous, Flemish, 17th century
Former Attribution Peter Paul Rubens
n.d.
Personifications of the Nile, Indus, Tigris and Euphrates rivers, Anonymous, Flemish, 17th century Flemish, Black chalk
Personifications of the Nile, Indus, Tigris and Euphrates rivers
Anonymous, Flemish, 17th century
After Peter Paul Rubens
n.d.
The Maryrdom of Saint Lawrence, Rombout Eynhoudts Dutch, Pen and brown and black ink, white gouache, over a sketch in black and red chalk
The Maryrdom of Saint Lawrence
attributed to Rombout Eynhoudts
Cornelis Schut
Former Attribution Anonymous, Flemish, 17th century
early 17th–mid 17th century
Ceres and Bacchus, Anonymous, Dutch, 17th century (?) Dutch, Pen and brown and dark brown ink
Ceres and Bacchus
Multiple artists/makers
1621
The Vision of St. Eustace, Anonymous, Flemish, 17th century Flemish, Pen and brown ink, brush and brown wash; framing lines in pen and brown ink
The Vision of St. Eustace
Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Anonymous, Netherlandish, 16th century
17th century
A Girl's Head, Anonymous, Flemish, 17th century ? Flemish, Black, white and red chalk, on blue paper.
A Girl's Head
Anonymous, Flemish, 17th century
17th century (?)
A View of Brussels from the South, with the Halle Gate at Center; verso: Landscape Sketch, Daniël Schellinks Dutch, Black chalk, brush and gray wash, heightened with white chalk, on blue paper
A View of Brussels from the South, with the Halle Gate at Center; verso: Landscape Sketch
Daniël Schellinks
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
mid-17th century
Allegory of Fecundity (?), Gerard de Lairesse Dutch, Pen and brown ink, over red chalk; double framing lines in pen and brown ink (possibly by the artist)
Allegory of Fecundity (?)
Gerard de Lairesse
Former Attribution Formerly attributed to Anonymous, Italian, 17th century
Formerly attributed to Anonymous, Flemish, 17th century
mid-17th–early 18th century
Man of Sorrows and Two Studies of Heads, Anonymous, Flemish, 17th century Flemish, Pen and brown ink, red chalk; offset of a drawing in brush and black ink
Man of Sorrows and Two Studies of Heads
Anonymous, Flemish, 17th century
17th century
Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exercises (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink (recto); pen and brown ink, counterproof of a red chalk drawing (verso)
Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exercises (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a sepulchral monument in the form of a pulpit (recto); Fragment of a text (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, brush and brown wash, over black chalk or graphite
Design for a sepulchral monument in the form of a pulpit (recto); Fragment of a text (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a sepulchral monument with an allegory of Time, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brown wash, over black chalk
Design for a sepulchral monument with an allegory of Time
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a sepulchral monument with a portrait bust (recto); Design for a reliquary (?) (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, red chalk, brown and red wash, over black chalk or graphite (recto); black chalk or graphite (verso)
Design for a sepulchral monument with a portrait bust (recto); Design for a reliquary (?) (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a sepulchral monument with an allegory of Time (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown brownish gray wash (recto); pen and brown ink, over black chalk or graphite (verso)
Design for a sepulchral monument with an allegory of Time (recto); Design for a sepulchral monument (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a sepulchral monument with an allegory of Time (recto); Design for a column (verso), Pieter Verbruggen the Younger Flemish, Black and red chalk, red and brown wash (recto); pen and brown ink, over red chalk, black chalk (verso)
Design for a sepulchral monument with an allegory of Time (recto); Design for a column (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Triumph of the Eucharist, Anonymous, Flemish, 17th century Flemish, Black chalk, brush and brown wash, heightened with white gouache, on blue paper
Triumph of the Eucharist
Anonymous, Flemish, 17th century
After Peter Paul Rubens
Former Attribution Formerly attributed to Theodoor van Thulden
mid-17th century
Design for a sepulchral monument with two figures, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brush and brown-gray wash, over red and black chalk or graphite
Design for a sepulchral monument with two figures
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a sepulchral monument (recto); Design for a sepulchral monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over black chalk or graphite, red chalk and wash (recto); black chalk or graphite, red chalk (verso)
Design for a sepulchral monument (recto); Design for a sepulchral monument (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a sepulchral monument with a seated prophet or philosopher (recto); Sketches (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over black chalk (recto); black chalk (verso)
Design for a sepulchral monument with a seated prophet or philosopher (recto); Sketches (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a sepulchral monument with a seated female figure (recto); Design for a statue of a standing male figure and fragment of a letter (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash, some white gouache (?) (recto); pen and brown ink, over black chalk or graphite (verso)
Design for a sepulchral monument with a seated female figure (recto); Design for a statue of a standing male figure and fragment of a letter (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for an altar, Hendrik-Frans Verbruggen Flemish, Pen and black ink, gray and red wash, over black chalk or graphite
Design for an altar
Hendrik-Frans Verbruggen
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a reliquary, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brown and gray wash, red chalk, over black chalk
Design for a reliquary
Attributed to Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a tomb, Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk, brown and gray wash
Design for a tomb
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a sculptural group with God the Father in a niche, Pieter Verbruggen the Younger Flemish, Pen and brown ink, brush and brown wash, over black chalk or graphite
Design for a sculptural group with God the Father in a niche
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, red chalk, over black chalk or graphite, brown wash (recto); red chalk (verso)
Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century
Design for a sepulchral monument (recto); Design for a monument (verso), Pieter Verbruggen the Younger Flemish, Pen and brown ink, over red chalk and black chalk or graphite, brown and brownish yellow wash (recto); pen and brown ink, black chalk (verso)
Design for a sepulchral monument (recto); Design for a monument (verso)
Pieter Verbruggen the Younger
Former Attribution Formerly attributed to Anonymous, Flemish, 17th century
Former Attribution Formerly attributed to Michiel van der Voort
late 17th–early 18th century