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Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Anonymous, French, 16th century
Rue de Montorgueil
Publisher Denis Fonteney
ca. 1560–80
Portrait of Jacques d'O, Anonymous, French, 16th century French, Black, red, and brown chalk
Portrait of Jacques d'O
Anonymous, French, 16th century
The Annunciation, Anonymous, French, 16th century French, Pen and red and brown ink, brush and red and brown wash, heightened with white
The Annunciation
Anonymous, French, 16th century
Portrait of La Val de Pramence, François Clouet French, Black and red chalk
Portrait of La Val de Pramence
Studio of François Clouet
Former Attribution Formerly attributed to Anonymous, French, 16th century
16th century
The Head of Pompey Presented to Caesar, Anonymous, French, 16th century French, Pen and gray ink, brush and pale gray wash; framing lines in brush and dark green wash
The Head of Pompey Presented to Caesar
Anonymous, French, 16th century
Le vray pourtraict de l'assemblee des Estats tenuz en la ville de Bloys au moys de Decembre, l'an mil cinq cens soixante & seize, Anonymous, French, 16th century French, Woodcut
Le vray pourtraict de l'assemblee des Estats tenuz en la ville de Bloys au moys de Decembre, l'an mil cinq cens soixante & seize
Anonymous, French, 16th century
Publisher Robert Le Mangnier
1577
Decoration for Frieze, Anonymous, French, 16th century French, Pen and bistre tinted
Decoration for Frieze
Anonymous, French, 16th century
16th century
Portrait of a Man, François Clouet French, Black and red chalk, heightened with white
Portrait of a Man
Studio of François Clouet
Anonymous, French, 16th century
Portrait of a Man, Anonymous, French, 16th century French, Charcoal, stumped, black and red chalk, some lines reinforced with pen and gray ink
Portrait of a Man
Anonymous, French, 16th century
16th century
Portrait of a Man (Louis de Lorraine?, 1555–1588), Anonymous, French, 16th century French, Black and red chalk, heightened with white
Portrait of a Man (Louis de Lorraine?, 1555–1588)
Anonymous, French, 16th century
Portrait of a Man, Anonymous, French, 16th century French, Charcoal, stumped, black and red chalk, with a little black crayon
Portrait of a Man
Anonymous, French, 16th century
Circle of Nicolas Lagneau
16th century
Portrait of cardinal d'Ossat, Daniel Dumonstier French, Charcoal, stumped, black and red chalk
Portrait of cardinal d'Ossat
Daniel Dumonstier
Former Attribution Formerly attributed to Anonymous, French, 16th century
Former Attribution Formerly attributed to Pierre Dumonstier
1601–46
Portrait of a Man, Anonymous, French, 16th century French, Black and red chalk, heightened with white
Portrait of a Man
Anonymous, French, 16th century
Portrait of a Man, Anonymous, French, 16th century French, Black and red chalk, heightened with white
Portrait of a Man
Anonymous, French, 16th century
1594
Portrait of a Man, Anonymous, French, 16th century French, Charcoal, stumped, black and red chalk, a little black crayon
Portrait of a Man
Anonymous, French, 16th century
Circle of Nicolas Lagneau
Interior with a Man Writing on a Long Table, Anonymous, French, 16th century French, Pen and brown ink, brush and gray and brown wash, over faint sketch in graphite
Interior with a Man Writing on a Long Table
Anonymous, French, 16th century
16th century
Palazzo Nerone, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, brush and pale red wash; framing lines in pen and brown ink
Palazzo Nerone
Multiple artists/makers
16th century
Apollo or Orpheus surrounded by Animals, Anonymous, French, 16th century French, Graphite
Apollo or Orpheus surrounded by Animals
Anonymous, French, 16th century
Ornamental sketches with a Griffin and Architectural Elements, Anonymous, French, 16th century French, Pen and brown ink, brush and brown wash over black chalk
Ornamental sketches with a Griffin and Architectural Elements
Anonymous, French, 16th century
16th century
Drawing of a Fountain, Anonymous, French, 16th century French, Pen and brown ink, brush and brown wash, over faint black chalk
Drawing of a Fountain
Anonymous, French, 16th century
16th century
Project for a Tomb, Anonymous, French, 16th century French, Pen and brown ink, brush and brown and gray wash
Project for a Tomb
Anonymous, French, 16th century
ca. 1590–1600
Design for Two Cartouches, Anonymous, French, 16th century French, Pen and brown ink, brush and brown wash
Design for Two Cartouches
Anonymous, French, 16th century
16th century
Ground Plan of a Pavillion, Anonymous, French, 16th century French, Pen and brown ink, brush and brown wash on laid paper.
Ground Plan of a Pavillion
Anonymous, French, 16th century
16th century
Head of a Woman in Profile, Anonymous, French, 16th century French, Black and red chalk, framing lines in pen and black ink
Head of a Woman in Profile
Anonymous, French, 16th century
16th century
Ville d'Este, Gardens, Quirinal, plan (recto) blank (verso), Anonymous, French, 16th century French, Pen and brown ink, brush and brown wash over traces of black chalk
Ville d'Este, Gardens, Quirinal, plan (recto) blank (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
St Peter's, dome, model, half elevation (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St Peter's, dome, model, half elevation (recto) blank (verso)
Draftsman Drawn by Anonymous, French, 16th century
Circle of Etienne DuPérac
early to mid-16th century
Palazzo dei Conservatori, coffered ceiling, ceiling plan and details; Sphinx, perspective view (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo dei Conservatori, coffered ceiling, ceiling plan and details; Sphinx, perspective view (recto) blank (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
St. Peter's, cornice and architrave, profile; key, elevation; triglyph and guttae, elevation and section (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St. Peter's, cornice and architrave, profile; key, elevation; triglyph and guttae, elevation and section (recto) blank (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
Palazzo Massimo alle Colonne, fireplace, details; Unknown, cornice, profile (recto) Palazzo Massimo alle Colonne, door and window, details (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, fireplace, details; Unknown, cornice, profile (recto) Palazzo Massimo alle Colonne, door and window, details (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
Palazzo Massimo alle Colonne, portico, elevation; portal, cornice, section; portal bracket, detail; fireplace, detail (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, portico, elevation; portal, cornice, section; portal bracket, detail; fireplace, detail (recto) blank (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
Palazzo Capodiferro (Spada), partial elevation, details; Santa Trinità dei Monti, Orsini Chapel, frame, elevation; various details, perspective (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Palazzo Capodiferro (Spada), partial elevation, details; Santa Trinità dei Monti, Orsini Chapel, frame, elevation; various details, perspective (recto) blank (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
S. Maria in Domnica, portico, plan; details, profile (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
S. Maria in Domnica, portico, plan; details, profile (recto) blank (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
Palazzo dei Conservatori, Ionic capital, elevation (recto) Palazzo dei Conservatori, Ionic capital, plan and projection (verso), Anonymous, French, 16th century French, Pen and brown ink
Palazzo dei Conservatori, Ionic capital, elevation (recto) Palazzo dei Conservatori, Ionic capital, plan and projection (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
Palazzo dei Conservatori, window, elevation; window, details, elevation (recto) blank (verso), Anonymous, French, 16th century French, Pen and brown ink
Palazzo dei Conservatori, window, elevation; window, details, elevation (recto) blank (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
St Peter's apse, exterior niche section and details (recto) St Peter's apse, exterior niche elevation and profiles of details (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St Peter's apse, exterior niche section and details (recto) St Peter's apse, exterior niche elevation and profiles of details (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
St. Peter's, exterior, tabernacle, elevation and section at base with details of pedestal and railing, (recto) St. Peter's, exterior, tabernacle, elevation and section at arched opening (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines

St. Peter's, exterior, tabernacle, elevation and section at base with details of pedestal and railing, (recto) St. Peter's, exterior, tabernacle, elevation and section at arched opening (verso)

Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
St Peter's, cornice, exterior, profile (recto) Unidentified, moulding, elevation; Unidentified structure, plan (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St Peter's, cornice, exterior, profile (recto) Unidentified, moulding, elevation; Unidentified structure, plan (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
Temple of Hercules, Cori, plan, elevation; portal, details; Doric order, details (recto) St. Peter's, drum, section (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
Temple of Hercules, Cori, plan, elevation; portal, details; Doric order, details (recto) St. Peter's, drum, section (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
St. Peter's, centering truss, tunnel vault, section (recto) blank (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines

St. Peter's, centering truss, tunnel vault, section (recto) blank (verso)

Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
St. Peter's, drum, exterior bay, elevation with details (recto) St. Peter's, drum, section (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines
St. Peter's, drum, exterior bay, elevation with details (recto) St. Peter's, drum, section (verso)
Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century
St. Peter's, tribune, exterior, entablature and cornice details (recto) Santa Maria Maggiore, Sforza Chapel, plan, detail (verso), Anonymous, French, 16th century French, Dark brown ink, black chalk, and incised lines

St. Peter's, tribune, exterior, entablature and cornice details (recto) Santa Maria Maggiore, Sforza Chapel, plan, detail (verso)

Draftsman Drawn by Anonymous, French, 16th century
early to mid-16th century

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.