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La Destruction de la Statue Royale à Nouvelle Yorck–Die Zerstörung der Königlichen Bild Säule zu Neu Yorck (Destruction of the Royal Statue at New York), Anonymous, French, 18th century French, Hand-colored etching and engraving
La Destruction de la Statue Royale à Nouvelle Yorck–Die Zerstörung der Königlichen Bild Säule zu Neu Yorck (Destruction of the Royal Statue at New York)
Engraver Anonymous, French, 18th century
After Franz Xavier Habermann
Publisher Basset
1776–77
L'Entré triumphale des Troupes royales a Nouvelle Yorck – Der Einzug der Königlichen Volcker in Neu Yorck [The Triumphal Entry of Royal Troops into New York], Anonymous, French, 18th century French, Hand-colored etching and engraving
L'Entré triumphale des Troupes royales a Nouvelle Yorck – Der Einzug der Königlichen Volcker in Neu Yorck [The Triumphal Entry of Royal Troops into New York]
Engraver Anonymous, French, 18th century
After Franz Xavier Habermann
Publisher Jacques François Chereau
1776–77
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776), Anonymous, French, 18th century French, Hand-colored etching and engraving
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776)
Engraver Anonymous, French, 18th century
After Franz Xavier Habermann
Publisher Basset
ca. 1778
The Destruction of the Royal Statue at New York on July 9, 1776, Anonymous, French, 18th century French, Hand-colored etching and engraving
The Destruction of the Royal Statue at New York on July 9, 1776
Engraver Anonymous, French, 18th century
After Franz Xavier Habermann
Publisher Basset
ca. 1776
Design for Pulpit with Papal Tiara, Anonymous, French, 18th century French, Pen and brown ink, brush and black wash, over black chalk; framing lines in pen and brown ink and brush and brown wash
Design for Pulpit with Papal Tiara
Anonymous, French, 18th century
18th century
Design for an Overdoor or Chimney Piece with an Armorial Trophy and the personification of Victory, Anonymous, French, 18th century French, Pen and ink and wash
Design for an Overdoor or Chimney Piece with an Armorial Trophy and the personification of Victory
Anonymous, French, 18th century
18th century
Design for a Funerary Monument, Ignaz Günther (?) German, Pen and brown ink, with gray wash; incised for transfer
Design for a Funerary Monument
Circle of Ignaz Günther
Former Attribution Formerly attributed to Anonymous, French, 18th century
ca. 1710–40
Design for Mirror Frame, Anonymous, French, 18th century French, Pen and black ink, brush and gray wash; scaled in pen and black ink and brush and brown wash
Design for Mirror Frame
Anonymous, French, 18th century
ca. 1770
Design for Doorway Exterior, Anonymous, French, 18th century French, Pen and black ink, brush and gray, black and brown wash
Design for Doorway Exterior
Anonymous, French, 18th century
18th century
Two Alternate Designs for Triumphal Arch, Anonymous, French, 18th century French, Pen and brown ink; on verso, pen and brown ink.
Two Alternate Designs for Triumphal Arch
Anonymous, French, 18th century
18th century
Design for Cartouche, Anonymous, French, 18th century French, Graphite
Design for Cartouche
Anonymous, French, 18th century
18th century
Design for Stem of a Ship, Anonymous, French, 18th century French, Pen and brown ink, brush and brown wash, watercolor, and graphite; on verso, graphite. Framing lines in pen and brown ink.
Design for Stem of a Ship
Anonymous, French, 18th century
18th century
Design for Stern of the Boat "Lorox", Anonymous, French, 18th century French, Pen and black and gray ink, brush and black and gray wash
Design for Stern of the Boat "Lorox"
Anonymous, French, 18th century
1757
Drawing of a Chinese Celadon Vase with Gilt-Bronze Mounts, Anonymous, French, 18th century French, Pen and gray ink, watercolor, over graphite underdrawing
Drawing of a Chinese Celadon Vase with Gilt-Bronze Mounts
Anonymous, French, 18th century
After François Joseph Belanger
After Pierre Gouthière
1782 (?)
Design for Ceiling, Anonymous, French, 18th century French, Graphite
Design for Ceiling
Anonymous, French, 18th century
18th century
Study for Title-Page, Anonymous, French, 18th century French, Black chalk, brush and gray wash
Study for Title-Page
Attributed to Anonymous, French, 18th century
18th century
Study of the Henri II Staircase Ceiling at the Louvre Palace, Anonymous, French, 18th century French, Pen and black ink, brush and gray wash; framing lines in pen and black ink
Study of the Henri II Staircase Ceiling at the Louvre Palace
Anonymous, French, 18th century
late 18th century
Design for a Triumphal Arch, Anonymous, French, 18th century French, Pen and black ink, pen and brown ink, graphite.
Design for a Triumphal Arch
Anonymous, French, 18th century
Anonymous, French, 19th century
late 18th–early 19th century
Design for Wall Paneling, Anonymous, French, 18th century French, Pen and gray ink, brush and gray wash
Design for Wall Paneling
Anonymous, French, 18th century
ca. 1750–70
Designs for Two Vases, Anonymous, French, 18th century French, Red chalk
Designs for Two Vases
Anonymous, French, 18th century
18th century
Design for a Wall Decoration, Anonymous, French, 18th century French, Pen and ink, brush and gray wash
Design for a Wall Decoration
Anonymous, French, 18th century
18th century
Design for Three Clocks, Anonymous, French, 18th century French, Graphite
Design for Three Clocks
Anonymous, French, 18th century
Late 18th century
Design for a Candelabra, Anonymous, French, 18th century French, Red chalk with partial black underdrawing
Design for a Candelabra
Anonymous, French, 18th century
Former Attribution Formerly attributed to Edme Bouchardon
ca. 1760–70
Design for a Neoclassical Clock, Anonymous, French, 18th century French, Graphite, pen and black ink, brush and yellow, brown, gray, and blue wash
Design for a Neoclassical Clock
Anonymous, French, 18th century
1770–85
Design for a Vase, Anonymous, French, 18th century French, Watercolor, and graphite
Design for a Vase
Anonymous, French, 18th century
ca. 1770–85
Designs for Two Porcelain Vases, Anonymous, French, 18th century French, Pen and brown ink, watercolor, and graphite
Designs for Two Porcelain Vases
Anonymous, French, 18th century
ca. 1770–85
Design for Three Vases, Anonymous, French, 18th century French, Pen and brown ink, and black chalk
Design for Three Vases
Anonymous, French, 18th century
ca. 1770–85
Design for Three Vases, Anonymous, French, 18th century French, Pen and brown ink, and black chalk
Design for Three Vases
Anonymous, French, 18th century
ca. 1770–85
Design for Three Vases, Anonymous, French, 18th century French, Pen and black ink, and black chalk
Design for Three Vases
Anonymous, French, 18th century
ca. 1770–85
Design for Four Vases, Anonymous, French, 18th century French, Pen and brown ink, and black chalk
Design for Four Vases
Anonymous, French, 18th century
ca. 1770–85
Design for a Salt Celler and Two Cups, Anonymous, French, 18th century French, Pen and gray and rose ink, brush and gray wash
Design for a Salt Celler and Two Cups
Anonymous, French, 18th century
ca. 1770–90
Designs for Tables, Anonymous, French, 18th century French, Pen and gray and black ink, brush and yellow and gray wash, over black chalk
Designs for Tables
Anonymous, French, 18th century
ca. 1770–90
Plan for a Circular Room, Anonymous, French, 18th century French, Pen and black and gray ink, brush and gray and rose wash
Plan for a Circular Room
Anonymous, French, 18th century
ca. 1770–90
Entrance to the Grotto of Posillipo, Hubert Robert French, Brush and brown wash, over a red chalk counterproof with traces of black chalk; framing lines in pen and brown ink
Entrance to the Grotto of Posillipo
After Hubert Robert
Anonymous, French, 18th century
Former Attribution Formerly attributed to Anonymous, French, 19th century
n.d.
Sacrifice in a Classical Building, Anonymous, French, 18th century French, Pen and dark brown ink, brush and brown wash, over black chalk
Sacrifice in a Classical Building
Anonymous, French, 18th century
18th century
Preparation for Portrait Engraving of Artist in Frame, Anonymous, French, 18th century French, Black chalk
Preparation for Portrait Engraving of Artist in Frame
Anonymous, French, 18th century
18th century
Project for a Domed Building with Colonnaded Façade, Anonymous, French, 18th century French, Pen and black ink, brush and gray wash; scale in pieds at bottom
Project for a Domed Building with Colonnaded Façade
Anonymous, French, 18th century
late 18th century
Project for a Domed Building with Colonnaded Façade, Anonymous, French, 18th century French, Pen and black ink, brush and gray and pink wash; scale in pieds at bottom
Project for a Domed Building with Colonnaded Façade
Anonymous, French, 18th century
18th century
Design for a Reliquary, Anonymous, French, 18th century French, Pen and black ink, brush and gray and blue wash
Design for a Reliquary
Anonymous, French, 18th century
18th century
Elevation of West Façade of a Church, Anonymous, French, 18th century French, Pen and black ink, brush and gray wash; scale in pieds at bottom
Elevation of West Façade of a Church
Anonymous, French, 18th century
18th century
Design for Choir Stalls, Anonymous, French, 18th century French, Pen and black ink, brush and gray wash, over graphite. Scale in pieds at bottom
Design for Choir Stalls
Anonymous, French, 18th century
18th century
Three Designs for Panels of Arabesques, Anonymous, French, 18th century French, Pen and black and brown ink, brush and gray wash, over graphite
Three Designs for Panels of Arabesques
Anonymous, French, 18th century
late 18th century