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La Destruction de la Statue Royale à Nouvelle Yorck–Die Zerstörung der Königlichen Bild Säule zu Neu Yorck (Destruction of the Royal Statue at New York), Anonymous, French, 18th century French, Hand-colored etching and engraving
La Destruction de la Statue Royale à Nouvelle Yorck–Die Zerstörung der Königlichen Bild Säule zu Neu Yorck (Destruction of the Royal Statue at New York)
Engraver Anonymous, French, 18th century
After Franz Xavier Habermann
Publisher Basset
1776–77
L'Entré triumphale des Troupes royales a Nouvelle Yorck – Der Einzug der Königlichen Volcker in Neu Yorck [The Triumphal Entry of Royal Troops into New York], Anonymous, French, 18th century French, Hand-colored etching and engraving
L'Entré triumphale des Troupes royales a Nouvelle Yorck – Der Einzug der Königlichen Volcker in Neu Yorck [The Triumphal Entry of Royal Troops into New York]
Engraver Anonymous, French, 18th century
After Franz Xavier Habermann
Publisher Jacques François Chereau
1776–77
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776), Anonymous, French, 18th century French, Hand-colored etching and engraving
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776)
Engraver Anonymous, French, 18th century
After Franz Xavier Habermann
Publisher Basset
ca. 1778
The Destruction of the Royal Statue at New York on July 9, 1776, Anonymous, French, 18th century French, Hand-colored etching and engraving
The Destruction of the Royal Statue at New York on July 9, 1776
Engraver Anonymous, French, 18th century
After Franz Xavier Habermann
Publisher Basset
ca. 1776
Royalist trompe l'oeil, Anonymous, French, 18th century French, Engraving
Royalist trompe l'oeil
Anonymous, French, 18th century
18th century
Royalist trompe l'oeil, Anonymous, French, 18th century French, Engraving
Royalist trompe l'oeil
Anonymous, French, 18th century
18th century
Venus preventing Aeneas from killing Helen, Johann Tobias Sergel Swedish, Pen and brown ink, brown wash, over graphite
Venus preventing Aeneas from killing Helen
Attributed to Johann Tobias Sergel
Former Attribution Anonymous, French, 18th century
late 18th century
Roundel with Bird in a Landscape and Small Sketches, Anonymous, French, 18th century French, Pen and black ink, graphite, gouache
Roundel with Bird in a Landscape and Small Sketches
Anonymous, French, 18th century
Possibly connected to Antoine Caire-Morand
Anonymous, French, 19th century
ca. 1785–90
Sketches of Bodices with Bows and a Bouffant Skirt, Anonymous, French, 18th century French, Pen and black ink, and graphite
Sketches of Bodices with Bows and a Bouffant Skirt
Anonymous, French, 18th century
Possibly connected to Antoine Caire-Morand
Anonymous, French, 19th century
ca. 1785–90
Hab.t de Juida, from the playing cards (for quartets) "Costumes des Peuples Étrangers", Anonymous, French, 18th century French, Etching and hand coloring (watercolor)
Hab.t de Juida, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Anonymous, French, 18th century
1700–99
Hab.t de Loango, from the playing cards (for quartets) "Costumes des Peuples Étrangers", Anonymous, French, 18th century French, Etching and hand coloring (watercolor)
Hab.t de Loango, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Anonymous, French, 18th century
1700–99
La Justice, from the playing cards (for quartets) "Costumes des Peuples Étrangers", Anonymous, French, 18th century French, Etching and hand coloring (watercolor)
La Justice, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Anonymous, French, 18th century
1700–99
L'Amour, from the playing cards (for quartets) "Costumes des Peuples Étrangers", Anonymous, French, 18th century French, Etching and hand coloring (watercolor)
L'Amour, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Anonymous, French, 18th century
1700–99
Hab.t de Hapae, from the playing cards (for quartets) "Costumes des Peuples Étrangers", Anonymous, French, 18th century French, Etching and hand coloring (watercolor)
Hab.t de Hapae, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Anonymous, French, 18th century
1700–99
Hab.t de Nootka, from the playing cards (for quartets) "Costumes des Peuples Étrangers", Anonymous, French, 18th century French, Etching and hand coloring (watercolor)
Hab.t de Nootka, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Anonymous, French, 18th century
1700–99
Hab.t d'Ardra, from the playing cards (for quartets) "Costumes des Peuples Étrangers", Anonymous, French, 18th century French, Etching and hand coloring (watercolor)
Hab.t d'Ardra, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Anonymous, French, 18th century
1700–99
Hab.ts de la Zelande, from the playing cards (for quartets) "Costumes des Peuples Étrangers", Anonymous, French, 18th century French, Etching and hand coloring (watercolor)
Hab.ts de la Zelande, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Anonymous, French, 18th century
1700–99
Hab.t de la Corse, from the playing cards (for quartets) "Costumes des Peuples Étrangers", Anonymous, French, 18th century French, Etching and hand coloring (watercolor)
Hab.t de la Corse, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Anonymous, French, 18th century
1700–99
Hab.t de la Laponie, from the playing cards (for quartets) "Costumes des Peuples Étrangers", Anonymous, French, 18th century French, Etching and hand coloring (watercolor)
Hab.t de la Laponie, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Anonymous, French, 18th century
1700–99
Carts on a Path through the Woods after a painting in the collection of the Duc de Choiseul, Anonymous, French, 18th century French, Etching and engraving
Carts on a Path through the Woods after a painting in the collection of the Duc de Choiseul
Anonymous, French, 18th century
After Jan Brueghel the Elder
1771
Boat on a River near a Town after a painting in the cabinet of the Duc de Choiseul, Anonymous, French, 18th century French, Etching and engraving
Boat on a River near a Town after a painting in the cabinet of the Duc de Choiseul
Anonymous, French, 18th century
Procession held in Saint Peter's Basilica in honor of the Canonization of several Saints, Anonymous, French, 18th century French, Etching and engraving
Procession held in Saint Peter's Basilica in honor of the Canonization of several Saints
Anonymous, French, 18th century
1712
The Body of Saint Catherine of Siena carried in Procession, after Francesco Vanni, Anonymous, French, 18th century French, Pen and brown ink, brush and red-brown and gray wash, over black chalk; framing lines in pen and brown ink
The Body of Saint Catherine of Siena carried in Procession, after Francesco Vanni
Anonymous, French, 18th century
After Ventura Salimbeni
Former Attribution Formerly attributed to Charles Joseph Natoire
18th century
Four Studies of a Nude Child, Joseph François Parrocel French, Black chalk, heightened with white on beige paper
Four Studies of a Nude Child
Joseph François Parrocel
Former Attribution Formerly attributed to Anonymous, French, 18th century
18th century
A Scene of Sacrifice, Anonymous, French, 18th century French, Pen and black ink, brush and brown wash, heightened with white, on brown paper
A Scene of Sacrifice
Anonymous, French, 18th century
Former Attribution Formerly attributed to Anne Louis Girodet-Trioson
18th century
Head of a Young Man in Profile, to the Left, Anonymous, French, 18th century French, Charcoal and black chalk, heightened with white on beige paper
Head of a Young Man in Profile, to the Left
Anonymous, French, 18th century
Former Attribution Anne Louis Girodet-Trioson
18th century
Landscape With a Farmyard, Thatched-Roofed Buildings and a Peasant Woman, Anonymous, French, 18th century French, Red chalk
Landscape With a Farmyard, Thatched-Roofed Buildings and a Peasant Woman
Anonymous, French, 18th century
Former Attribution Pierre Adrien Pâris
n.d.
The Château de Versailles Seen from the Gardens, Louis Nicolas de Lespinasse, called the Chevalier de Lespinasse French, Pen and black ink, watercolor, heightened with white, over traces of graphite
The Château de Versailles Seen from the Gardens
Louis Nicolas de Lespinasse, called the Chevalier de Lespinasse
Former Attribution Formerly attributed to Anonymous, French, 18th century
1779
Versailles Seen from the Southwest, Louis Nicolas de Lespinasse, called the Chevalier de Lespinasse French, Pen and black ink, watercolor, heightened with white, over traces of graphite
Versailles Seen from the Southwest
Louis Nicolas de Lespinasse, called the Chevalier de Lespinasse
Former Attribution Formerly attributed to Anonymous, French, 18th century
1779
Interior of Halle aux Blés, Paris [The Corn Exchange], Jean Démosthène Dugourc French, Pen, brown ink, gray wash over graphite
Interior of Halle aux Blés, Paris [The Corn Exchange]
Jean Démosthène Dugourc
Former Attribution Formerly attributed to Anonymous, French, 18th century
n.d.
Design for a Jewel Coffer on a Writing Stand, Anonymous, French, 18th century French, Pen and black ink, brush and gray and colored wash, with graphite underdrawing
Design for a Jewel Coffer on a Writing Stand
Anonymous, French, 18th century
1770–75
Design for an Occasional Table, Anonymous, French, 18th century French, Pen and brown ink, brush and gray wash, watercolor, and graphite
Design for an Occasional Table
Anonymous, French, 18th century
ca. 1770–85
Design for an Upright Drop-Front Secretary, Anonymous, French, 18th century French, Pen and black ink, brush and gray and colored wash. Framing lines in pen and ink.
Design for an Upright Drop-Front Secretary
Anonymous, French, 18th century
ca. 1780
Design for a Center Table, Anonymous, French, 18th century French, Pen and black ink, brush and brown wash, and watercolor
Design for a Center Table
Anonymous, French, 18th century
ca. 1770–85
Design for a Lady's Writing Desk, Anonymous, French, 18th century French, Pen and black ink, brush and gray wash, watercolor
Design for a Lady's Writing Desk
Anonymous, French, 18th century
ca. 1770–85
Design for a Console Table, Anonymous, French, 18th century French, Pen and black ink, brush and brown, gray and yellow wash
Design for a Console Table
Anonymous, French, 18th century
ca. 1770–85
Design for an Occasional Table, Anonymous, French, 18th century French, Pen and black ink, brush and gray, blue, rose and yellow wash. Framing lines in pen and black ink.
Design for an Occasional Table
Anonymous, French, 18th century
ca. 1770–85
Design for a Table, Anonymous, French, 18th century French, Pen and black ink, brush and brown wash
Design for a Table
Anonymous, French, 18th century
ca. 1770–85
Design for a Secretary, Anonymous, French, 18th century French, Pen and black ink, brush and gray, brown and yellow wash. Framing lines in pen and black ink
Design for a Secretary
Anonymous, French, 18th century
ca. 1770–85
Soldier with Halberd, Claude Gillot French, Pen and brown ink, brush and brown wash
Soldier with Halberd
Attributed to Claude Gillot
Former Attribution Formerly attributed to Anonymous, French, 18th century
n.d.
Classical Scene with a Tomb and Flaming Brazier, Gilles-Marie Oppenord French, Pen and black and gray ink, brush and black and gray wash, over traces of graphite underdrawing; framing lines in pen and black ink
Classical Scene with a Tomb and Flaming Brazier
Gilles-Marie Oppenord
Former Attribution Formerly attributed to Anonymous, French, 18th century
ca. 1700–10
Design for a Canopy Bed, Anonymous, French, 18th century French, Watercolor over graphite
Design for a Canopy Bed
Anonymous, French, 18th century
ca. 1760–80