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Study after Caravaggio's 'The Cardsharps' with color notes, Anonymous, Italian  Italian, Pen and brown ink, brush and brown wash with white heightening
Anonymous, Italian
After Caravaggio (Michelangelo Merisi)
1600–1700
A street with buildings and arcades, Anonymous, Italian  Italian, Engraving
Anonymous, Italian
?after Donato d'Agnolo Bramante
Publisher Giovanni Giacomo De Rossi
1660–80 Rossi. Modern impression
Head of a Young Boy, Anonymous, Italian , 17th century Italian, Black, red, brown and white chalk on buff paper
Anonymous, Italian
Formerly attributed to Carlo Maratti
17th century
View of Via Balbi in Genoa, Anonymous, Italian (Genoese?), 17th Century Italian, Pen and ink drawing with blue wash
Anonymous, Italian
ca. 1650
Architectural drawing of arches, Anonymous, Italian , 18th century Italian, Pen and brown ink (recto), pen and dark brown ink, verso
Anonymous, Italian
1700–50
Death of Saint Joseph, Anonymous, Italian  Italian, Red and black chalk
Anonymous, Italian
David Maitland Armstrong and Helen Neilson Armstrong in 15th-century Style Fancy Dress in Rome, Anonymous, Italian  Italian, Photograph
Anonymous, Italian
Sitter D. Maitland Armstrong
Sitter Helen Neilson Armstrong
1871
The Madonna of Loreto, Anonymous, Italian  Italian, Woodcut
Anonymous, Italian
18th century
Saint George on horseback, Anonymous, Italian  Italian, Woodcut
Anonymous, Italian
1519
The Libyan Sibyl, Anonymous, Italian  Italian, Engraving, proof impression (?) with areas of shading indicated by brown wash
Anonymous, Italian
After Michelangelo Buonarroti
ca. 1560–70
Anonymous, Italian
1796–98
compiled by Anonymous, Italian
18th century
Anonymous, Italian
After Andrea Mantegna
ca. 1530–50
Anonymous, Italian
ca. 1530–50
Anonymous, Italian
After Andrea Mantegna
19th century?
Anonymous, Italian
After Andrea Mantegna
ca. 1530–50
Anonymous, Italian
Sitter Michelangelo Buonarroti
after 1556

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