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Design for a Frame with Armorial Trophies, the Medici Coat of Arms and a Second Coat of Arms, possibly of the Alberighi Family (?), Anonymous, Italian, 16th century Italian, Pen and ink, watercolor
Design for a Frame with Armorial Trophies, the Medici Coat of Arms and a Second Coat of Arms, possibly of the Alberighi Family (?)
Anonymous, Italian, 16th century
16th century
Design for a Cassone, Anonymous, Italian, 16th century Italian, Pen and brown ink, with brown wash, over traces of metalpoint ruled lines
Design for a Cassone
Anonymous, Italian, 16th century
early 16th century
Design for Wall Decoration with a Funeral Monument Decorated with Columns and Putti Holding Garlands, Anonymous, Italian, 16th century (Genoese?) Italian, Pen and light brown ink, brush and brown wash
Design for Wall Decoration with a Funeral Monument Decorated with Columns and Putti Holding Garlands
Anonymous, Italian, 16th century
1540–50
Design for Vessels, Anonymous, Italian, 16th century Italian, Ink, outline
Design for Vessels
Anonymous, Italian, 16th century
early 16th century
Three Warriors after Raphael, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over black and red chalk, light brown and gray oil paint
Three Warriors after Raphael
Anonymous, Italian, 16th century
After Raphael (Raffaello Sanzio or Santi)
Retouched by Peter Paul Rubens
n.d.
Studies for Consoles, Anonymous, Italian, 16th century Italian, Pen and ink
Studies for Consoles
Anonymous, Italian, 16th century
16th century
Four Studies of Consoles and a Mask, Anonymous, Italian, 16th century Italian, Pen and ink
Four Studies of Consoles and a Mask
Anonymous, Italian, 16th century
16th century
Design for a Façade with Sgraffito Decorations, Anonymous, Italian, 16th century Italian, Pen and brown ink, over black chalk
Design for a Façade with Sgraffito Decorations
Anonymous, Italian, 16th century
Circle of Bernardino Poccetti
16th century
Design for a Frame (recto); Design for a Cassone (verso), Anonymous, Italian, 16th century Italian, Pen, brown ink and wash
Design for a Frame (recto); Design for a Cassone (verso)
Anonymous, Italian, 16th century
early 16th century
Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and gray-brown wash (recto); pen and brown ink, brush and brown wash (verso)
Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso)
Anonymous, Italian, 16th century
ca. 1530–60
Antique-Style Ornamental Frieze Designs: Grotesques with Winged Infant, Masks, and Fantastic Animals, Anonymous, Italian, 16th century Italian, Pen and brown ink, over leadpoint
Antique-Style Ornamental Frieze Designs: Grotesques with Winged Infant, Masks, and Fantastic Animals
Anonymous, Italian, 16th century
early 16th century
Ornament design after the antique; half-vase with Harpy and Entablature Handle, Anonymous, Italian, 16th century ? Italian, Pen and brown ink, brush and brown wash, over charcoal
Ornament design after the antique; half-vase with Harpy and Entablature Handle
Anonymous, Italian, 16th century
16th century
Reclining Female Figure on a Chariot drawn by Two Centaurs, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Reclining Female Figure on a Chariot drawn by Two Centaurs, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Man Grappling with Winged Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Man Grappling with Winged Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Two Lovers with Pan, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Two Lovers with Pan, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Sacrifice of a Swan, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Sacrifice of a Swan, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Head of Woman in Profile; Apollo and Daphne, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Head of Woman in Profile; Apollo and Daphne, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Figure with Pig and Serpent, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Figure with Pig and Serpent, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
A Woman and Man Sacrificing in the Presence of Cupid, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
A Woman and Man Sacrificing in the Presence of Cupid, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Man Playing Two Flutes and Woman on Lionskin, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Man Playing Two Flutes and Woman on Lionskin, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Woman with Shield Seated on Seamonster, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Woman with Shield Seated on Seamonster, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Woman and Man Seated on Lionskin, Man Pouring Wine, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Woman and Man Seated on Lionskin, Man Pouring Wine, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Man with Wing; Man with Vase and Dog, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Man with Wing; Man with Vase and Dog, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Woman on Rearing Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving; third state
Woman on Rearing Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Satyr Leading Goat on which a Infant Rides, from "Ex Antiquis Cameorum et Gemmae Delineata", Anonymous, Italian, 16th century Italian, Engraving; third state
Satyr Leading Goat on which a Infant Rides, from "Ex Antiquis Cameorum et Gemmae Delineata"
Multiple artists/makers
published ca. 1599–1622
Figure on Seagoat; Man Carving Wing, from "Ex Antiquis Cameorum et Gemmae Delineata", Anonymous, Italian, 16th century Italian, Engraving; third state
Figure on Seagoat; Man Carving Wing, from "Ex Antiquis Cameorum et Gemmae Delineata"
Multiple artists/makers
published ca. 1599–1622
The Prison, Anonymous, Italian, 16th century Italian, Engraving; copy
The Prison
Anonymous, Italian, 16th century
Former Attribution Giorgio Ghisi
After Giulio Romano
1550–1600
Design for the Decoration of a Façade in Fresco or Sgraffito, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Design for the Decoration of a Façade in Fresco or Sgraffito
Anonymous, Italian, 16th century
early 16th century
Ornament design after the antique, Anonymous, Italian, 16th century Italian, Pen and brown ink over leadpoint
Ornament design after the antique
Anonymous, Italian, 16th century
early 16th century
Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae", Anonymous, Italian, 16th century Italian, Engraving
Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova), from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1553
Design for Tools Relating to the Maintenance of Fire Arms, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush with brown and gray wash; framing line in pen and brown ink; maximum sheet comprised of three fragments, possibly cut by the hand that drew the designs.
Design for Tools Relating to the Maintenance of Fire Arms
Anonymous, Italian, 16th century
1580–1620
Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis", Anonymous, Italian, 16th century Italian, Engraving
Warrior Pulling a Rider from His Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Multiple artists/makers
published ca. 1599–1622
Adoration of the Shepherds(?), Anonymous, Italian, 16th century Italian, Brush and brown wash, highlighted with brush and white gouache, over traces of charcoal underdrawings, on light brown laid paper
Adoration of the Shepherds(?)
Anonymous, Italian, 16th century
16th century
Bust of a Man, His Gaze Directed Toward the Spectator, Anonymous, Italian, 16th century , ca. 1500 Italian, Black chalk, stumped, on cream-colored paper. Traces of pen and brown ink. Paper extensively rubbed with black chalk or charcoal
Bust of a Man, His Gaze Directed Toward the Spectator
Anonymous, Italian, 16th century
ca. 1500 (?)
Europa, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash
Europa
Anonymous, Italian, 16th century
16th century
Design for Pediments with the Resurrected Christ surmounted by a Crucifix, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, traces of leadpoint
Design for Pediments with the Resurrected Christ surmounted by a Crucifix
Anonymous, Italian, 16th century
16th century
Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso)
Anonymous, Italian, 16th century
Former Attribution Niccolò dell' Abate
16th century
Study of a Scene of Martyrdom (recto); Study of Three Figures (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on red washed paper (recto); pen and brown ink (verso)
Study of a Scene of Martyrdom (recto); Study of Three Figures (verso)
Anonymous, Italian, 16th century
16th century
Study of a Scene of Martyrdom, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash on red washed paper
Study of a Scene of Martyrdom
Anonymous, Italian, 16th century
16th century
Madonna and Child Adored by Two Saints, Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and blue wash, over black chalk
Madonna and Child Adored by Two Saints
Anonymous, Italian, 16th century
Previously attributed to Francesco Vanni
16th century
Design for a Ceiling: Male Figure with a Trident and Another Figure in a Horse Drawn Chariot, Anonymous, Italian, 16th century Italian, Brush and brown wash, highlighted with white, on brown washed paper
Design for a Ceiling: Male Figure with a Trident and Another Figure in a Horse Drawn Chariot
Anonymous, Italian, 16th century
16th century
Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso), Anonymous, Italian, 16th century Italian, Pen and brown ink, brush and brown wash, squared for transfer (recto); graphite, pen, and brown ink (verso)
Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso)
Anonymous, Italian, 16th century
16th century