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Studies for a Nude Woman Seen from the Front (recto); Four Standing Male Nudes, Venus, and Cupid (verso), Anonymous, Italian, Florentine, 16th century Italian, Pen and brown ink — Studies for a Nude Woman Seen from the Front (recto); Four Standing Male Nudes, Venus, and Cupid (verso)
Anonymous, Italian, Florentine, 16th century
16th century

Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes, Anonymous, Italian, Florentine, 16th century Italian, Black and red chalks with slight reworking by the artist in pen and brown ink on off-white paper — Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes
Anonymous, Italian, Florentine, 16th century
1550–1600

Three Men, Anonymous, Italian, Florentine, 16th century Italian, Pen and brown ink on gray paper — Three Men
Anonymous, Italian, Florentine, 16th century
16th century

Rearing Horse in Rear Three-Quarter View, Anonymous, Italian, Florentine, 16th century Italian, Black and white chalk prepared with violet wash — Rearing Horse in Rear Three-Quarter View
Anonymous, Italian, Florentine, 16th century
16th century

Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso), Anonymous, Italian, Florentine, 16th century Italian, Pen and dark brown ink over black chalk (recto); pen and dark brown ink (verso). Later framing outline in pen and dark brown ink on recto — Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso)
Anonymous, Italian, Florentine, 16th century
16th century

Drawing for a Standard with Christ in Glory Flanked by Putti, Anonymous, Italian, Florentine, 16th century Italian, Black chalk highlighted with white gouache, with some brown ink wash on blue paper, laid down — Drawing for a Standard with Christ in Glory Flanked by Putti
Anonymous, Italian, Florentine, 16th century
16th century

Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso), Anonymous, Italian, Florentine, 16th century (ca. 1530-1540) Italian, Red chalk, over a faint study of a hand in black chalk (recto); pen and brown ink (verso) — Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso)
Anonymous, Italian, Florentine, 16th century
1530–40

Noli me tangere, Anonymous, Italian, Florentine, 16th century Italian, Black chalk, highlighted with white chalk, on blue paper — Noli me tangere
Anonymous, Italian, Florentine, 16th century
1580–1610

Design for an Altar Surmounted by a Crucifix in Four Different Views, Vincenzo de' Rossi Italian, Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work — Design for an Altar Surmounted by a Crucifix in Four Different Views
Vincenzo de' Rossi
Former Attribution Anonymous, Italian, Florentine, 16th century
1546–47

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