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Three Men, Anonymous, Italian, Florentine, 16th century  Italian, Pen and brown ink on gray paper
Anonymous, Italian, Florentine, 16th century
16th century
Rearing Horse in Rear Three-Quarter View, Anonymous, Italian, Florentine, 16th century  Italian, Black and white chalk prepared with violet wash
Anonymous, Italian, Florentine, 16th century
16th century
Two Women with Sun and Bird (recto); Two Men Fighting and a Fallen Horse (verso), Anonymous, Italian, Florentine, 16th century  Italian, Pen and dark brown ink over black chalk (recto); pen and dark brown ink (verso).  Later framing outline in pen and dark brown ink on recto
Anonymous, Italian, Florentine, 16th century
16th century
Design for an Altar Surmounted by a Crucifix in Four Different Views, Vincenzo de' Rossi  Italian, Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work
Vincenzo de' Rossi
Former Attribution Anonymous, Italian, Florentine, 16th century
1546–47
Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso), Anonymous, Italian, Florentine, 16th century (ca. 1530-1540) Italian, Red chalk, over a faint study of a hand in black chalk (recto); pen and brown ink (verso)
Anonymous, Italian, Florentine, 16th century
1530–40
Noli me tangere, Anonymous, Italian, Florentine, 16th century  Italian, Black chalk, highlighted with white chalk, on blue paper
Anonymous, Italian, Florentine, 16th century
1580–1610
Drawing for a Standard with Christ in Glory Flanked by Putti, Anonymous, Italian, Florentine, 16th century  Italian, Black chalk highlighted with white gouache, with some brown ink wash on blue paper, laid down
Anonymous, Italian, Florentine, 16th century
16th century
Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes, Anonymous, Italian, Florentine, 16th century  Italian, Black and red chalks with slight reworking by the artist in pen and brown ink on off-white paper
Anonymous, Italian, Florentine, 16th century
1550–1600