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Department
Design of Scroll (Part of a Cartouche ?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over black chalk, on light tan paper
Design of Scroll (Part of a Cartouche ?)
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for One Eighth of an Illusionistic Ceiling of a Dome, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and watercolor, over graphite, with ruled construction
Design for One Eighth of an Illusionistic Ceiling of a Dome
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Curved Ornamental Cove to Support a Dome (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint, with ruled construction; construction outline numbered ("1, 2, 3, 4, 5, 6) in lead point and pen and brown ink
Design for a Curved Ornamental Cove to Support a Dome (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for One Half a Chapel with the Dove of the Holy Ghost above the Main Altar, and a Statue of an Evangelist at right, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and light red chalk wash, over black chalk, with ruled construction
Design for One Half a Chapel with the Dove of the Holy Ghost above the Main Altar, and a Statue of an Evangelist at right
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Coat of Arms with Two Dragons and Initials [?] in center (recto); Three Constructed Circles with Inscriptions (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint on brown washed cream laid paper (still partly visible; recto and verso)
Design for a Coat of Arms with Two Dragons and Initials [?] in center (recto); Three Constructed Circles with Inscriptions (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Ceiling with Cove Showing, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash, over black chalk; framing lines in leadpoint
Design for a Ceiling with Cove Showing
Anonymous, Italian, Piedmontese, 18th century
1700–80
Design for One Half of the Apsidal Space Enclosing an Organ, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint
Design for One Half of the Apsidal Space Enclosing an Organ
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for 1/4 of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over black chalk; framing lines in pen and gray ink
Design for 1/4 of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Designs for One Half of a Cartouche in the Rococo style, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and green and gray wash, over leadpoint or graphite; framing outlines in pen and brown ink
Designs for One Half of a Cartouche in the Rococo style
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Corner of a Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite, some dotted framing outlines
Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Half of a Design for an Overdoor (?) (recto); Two Designs for Altars, one for a Capital (?) (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite (recto); leadpoint or graphite (verso); some framing outlines
One Half of a Design for an Overdoor (?) (recto); Two Designs for Altars, one for a Capital (?) (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Designs for a Capital, and for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction
Designs for a Capital, and for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Designs for One Half of an Overdoor, and One Half of a Pedestal (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of leadpoint or construction in leadpoint or graphite; framing outlines in pen and brown ink
Designs for One Half of an Overdoor, and One Half of a Pedestal (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Designs for Parts of Frames and an Amphora, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction in leadpoint or graphite; dotted framing outline in pen and brown ink
Designs for Parts of Frames and an Amphora
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Sarcophagus or an Urn in a Niche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction; dotted framing outlines in pen and brown ink
Design for a Sarcophagus or an Urn in a Niche
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Quarter of a Design for a Painted Ceiling (recto); Frieze with Putto, Vases, and Other Decorations (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash and watercolor, over leadpoint or graphite, with ruled and compass construction; framing lines in pen and brown ink (recto); pen and brown ink over leadpoint or graphite with ruled construction (verso)
One Quarter of a Design for a Painted Ceiling (recto); Frieze with Putto, Vases, and Other Decorations (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for One Half of a Lunette with a Window and Putto at Left, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and red wash, over leadpoint or graphite; ruled lines in graphite or leadpoint
Design for One Half of a Lunette with a Window and Putto at Left
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Portion of Cornice and Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with red wash, over leadpoint or graphite; ruled lines in leadpoint or graphite
Design for a Portion of Cornice and Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Half of a Design for an Arch, With a Figural Sketch Pasted at lower right, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and green wash, over leadpoint or graphite (recto); red chalk (verso)
One Half of a Design for an Arch, With a Figural Sketch Pasted at lower right
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Designs for Floral Panels of Ornament, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of leadpoint or graphite, with ruled construction; framing outlines in pen and brown ink
Two Designs for Floral Panels of Ornament
Anonymous, Italian, Piedmontese, 18th century
1680–1780
Design for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite; framing outlines in pen and brown ink
Design for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Ornamental Design with Two Urns and a Trophy, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, overlead point or black chalk, with some ruled construction; framing outlines in pen and brown ink
Ornamental Design with Two Urns and a Trophy
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Various Sketches for Cartouches, with Satyr Heads, Putti, etc., Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint
Various Sketches for Cartouches, with Satyr Heads, Putti, etc.
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Quarter of a Design for a Painted Ceiling (recto); Ornaments (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint, with ruled and compass construction (recto); architectural drawing in leadpoint (verso)
One Quarter of a Design for a Painted Ceiling (recto); Ornaments (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
1/4 Design for a Painted Ceiling, architectural perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash over leadpoint or graphite, with ruled and compass construction; scale at bottom of drawing in pen and gray ink over leadpoint
1/4 Design for a Painted Ceiling, architectural perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Arch Surmounted by a Cartouche with a Ducal Crown, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over leadpoint; scale, upper edge of the design, in pen and brown ink
Design for an Arch Surmounted by a Cartouche with a Ducal Crown
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for One Half of an Altar, with an Angel (of the Annunciation) at the left, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint
Design for One Half of an Altar, with an Angel (of the Annunciation) at the left
Anonymous, Italian, Piedmontese, 18th century
1700–80
Two Variant Half Designs for a Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over lead point or graphite; framing lines in pen and brown ink
Two Variant Half Designs for a Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Corner of a Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and light brown ink, brush and gray, light brown wash and watercolor, over leadpoint, with ruled and compass construction
Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for One Half of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk, with ruled and compass construction
Design for One Half of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
18th century
Two Alternate Designs for a Pedentive, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with brown, gray and mauve wash over leadpoint, with ruled and compass construction; framing outlines with pen and brown ink
Two Alternate Designs for a Pedentive
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Corner of a Painted Ceiling seen in Perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite
Design for the Corner of a Painted Ceiling seen in Perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Half Design for a Painted Ceiling with Central Oval Left Blank, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray and black wash, over leadpoint or graphite, with ruled and compass construction. Scale in pen and brown ink over graphite, below the drawing
One Half Design for a Painted Ceiling with Central Oval Left Blank
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Painted Ceiling: Perspective Architectural with a Figure at the Center, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink and red chalk (recto); pricked for transfer in right part of sheet and at all corners; pen and brown ink sketches (verso)
Design for a Painted Ceiling: Perspective Architectural with a Figure at the Center
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush with gray, brown and pink wash, over leadpoint or graphite
Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Entrance to a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and watercolor, over leadpoint; scale at bottom in pen and gray ink
Design for the Entrance to a Chapel
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for 1/4 of a Ceiling, and Ornamentation of a Section of a Vault, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush and gray wash, over leadpoint or graphite, with ruled construction; framing outline at upper, right, and lower borders in brush and black ink; measuring scale on right border in pen and gray ink over graphite or leadpoint
Design for 1/4 of a Ceiling, and Ornamentation of a Section of a Vault
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Cove of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over leadpoint, with ruled and compass construction; framing lines in leadpoint
Design for the Cove of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Corner of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint or graphite
Design for the Corner of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Architectural Fantasy, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and brown wash over black chalk, with ruled construction
Architectural Fantasy
Anonymous, Italian, Piedmontese, 18th century
1700–80
Design for an Altar with the Annunciation in the Central Panel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over lead point or graphite; framing lines in brush and brown wash
Design for an Altar with the Annunciation in the Central Panel
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for Garden Architecture, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, heightened with pen and dark brown ink, over leadpoint or graphite
Design for Garden Architecture
Anonymous, Italian, Piedmontese, 18th century
1700–1780

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.