Tickets
English
DonateMembership
Tickets

Search for Art

1-42 of 158 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Design for a Painted Perspective Wall Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray and yellow wash, over black chalk, with ruled construction; measuring scale in pen and brown ink
Design for a Painted Perspective Wall Decoration
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Three Designs for the Ornamentation of Vaults, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over leadpoint or graphite, with ruled and compass construction; scales at bottom in pen and brown ink
Three Designs for the Ornamentation of Vaults
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Elevation of a Palace Interior, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash on dark tan paper; ruled and compass construction in pen and gray ink
Design for the Elevation of a Palace Interior
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Elaborate Cornice with a Cartouche and Figures Supporting a Ceiling, with Two Arched Openings, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash over traces of leadpoint or graphite; scales at bottom in pen and brown ink; construction lines in stylus-incised (rule and compass)
Design for an Elaborate Cornice with a Cartouche and Figures Supporting a Ceiling, with Two Arched Openings
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for one Half of an Altar: Elevation and Ground Plan, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, with watercolor, over leadpoint or graphite, with ruled and compass construction (recto); scales, at bottom, in pen and brown ink over graphite (recto); upper part of sheet covered with brown wash (verso)
Design for one Half of an Altar: Elevation and Ground Plan
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash over graphite; ruled and compass constructions in stylus-incised; partly reworked in pen and black ink
Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two halved variants for a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, with ruled and compass construction in pen and brown ink on cream laid paper covered with brown wash. Scale at bottom of drawing in pen and and brown ink
Two halved variants for a Chapel
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Attic Window and an Interior, with the Frame of the Ceiling Shown, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, brown and yellow wash, over leadpoint or graphite; scales at bottom in pen and brown ink
Design for an Attic Window and an Interior, with the Frame of the Ceiling Shown
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Interior Wall Elevation, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush with black, gray, pink, and yellow wash, over ruled and compass constructions in pen and gray ink; framing outlines in pen and brown ink; scale, below the design, in pen and black ink, brush and gray and pink wash
Design for an Interior Wall Elevation
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Altar: Two Halved Variants, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, red chalk and yellow wash, over leadpoint or graphite, with ruled and compass construction. Scale at bottom of drawing in pen and brown ink
Design for an Altar: Two Halved Variants
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Painted Wall Decoration: Architectural Perspective Seen Through an Arch, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with watercolor; framing lines in pen and brown ink; traces of lead point or graphite
Design for a Painted Wall Decoration: Architectural Perspective Seen Through an Arch
Anonymous, Italian, Piedmontese, 18th century
1700–1780
1/4 Design for a Painted Ceiling, with the Arms of a Cardinal in the Corner, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint, with ruled and compass construction
1/4 Design for a Painted Ceiling, with the Arms of a Cardinal in the Corner
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Stage Set of a Room Interior with Receding Perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash
Stage Set of a Room Interior with Receding Perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, traces of leadpoint; scale in pen and brown ink at bottom of the drawing
Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Partial View of an Architectural Interior (recto); Undecipherable Sketches (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, heightened with dark brown ink over traces of graphite; framing outlines in brush and gray wash (recto); black chalk sketches (verso)
Partial View of an Architectural Interior (recto); Undecipherable Sketches (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for Altar Decorations for a Liturgical Celebration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, partially laid down on blue paper
Design for Altar Decorations for a Liturgical Celebration
Anonymous, Italian, Piedmontese, 18th century
1750–75
Two Alternate Designs for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash, over ruled and compass constructions in leadpoint or graphite
Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash, over ruled and compass constructions in leadpoint or graphite
Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for one half of an Altar with a Pilastered Wall at the Right, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over graphite, with ruled and compass construction. Scales at bottom in pen and brown ink; framing lines in pen and brown ink
Design for one half of an Altar with a Pilastered Wall at the Right
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Elevation and Plan for an Altar, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and pink (only at plan drawing) wash, over graphite (recto); scales at bottom in pen and brown ink over graphite
Elevation and Plan for an Altar
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Cartouche on a Base, Surmounted by a Crown, with Arms with the Initials OL, G, G, and OI, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and two shades of brown wash, over leadpoint or graphite
Design for a Cartouche on a Base, Surmounted by a Crown, with Arms with the Initials OL, G, G, and OI
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Part of a Painted Vaulted Ceiling with a Coat of Arms in Form of a Cross, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, brown and red chalk wash, over graphite or leadpoint, with compass and ruled construction; stylus-incised construction outlines
Design for a Part of a Painted Vaulted Ceiling with a Coat of Arms in Form of a Cross
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Altar With a Vaulted Chapel Behind, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray (visible on verso), yellow and pink wash, over graphite or leadpoint, with ruled or compass construction; scale at bottom of design in pen and dark brown ink
Design for an Altar With a Vaulted Chapel Behind
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Half Design for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush with gray, brown and yellow wash, over ruled and compass construction in graphite or leadpoint
One Half Design for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Pedentive Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint
Design for a Pedentive Decoration
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a Pedentive Decoration: two women with musical instruments, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint
Design for a Pedentive Decoration: two women with musical instruments
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a Pedentive Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint
Design for a Pedentive Decoration
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a corner of a Painted Ceiling, Architectural "Cove" with a Seated Figure at the Bottom, and a Putto at the Side, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray and brown wash, over graphite or leadpoint; framing lines in pen and brown ink at left and lower borders; detail sketches in graphite or leadpoint (verso)
Design for a corner of a Painted Ceiling, Architectural "Cove" with a Seated Figure at the Bottom, and a Putto at the Side
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for One Quarter of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and gray wash, over graphite or leadpoint, with ruled construction; scales, at bottom, in pen and brown ink
Design for One Quarter of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Cartouche with Two Putti Heads inside a Shell, Atop an Arch, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite, with ruled construction (recto); black chalk sketches (verso)
Design for a Cartouche with Two Putti Heads inside a Shell, Atop an Arch
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Elaborate Doorway with a Vaulted Ceiling Behind, and a Curtain Drawn Across the Opening, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray, mauve, and yellow wash, over ruled and compass constructions in lead point or graphite; framing lines in graphite or leadpoint
Design for an Elaborate Doorway with a Vaulted Ceiling Behind, and a Curtain Drawn Across the Opening
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a corner of painting ceiling, architectural perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash over leadpoint, with ruled and compass construction (recto); framing lines in leadpoint (verso)
Design for a corner of painting ceiling, architectural perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design of architectural constructions (fantasy), Anonymous, Italian, Piedmontese, 18th century Italian, Red chalk, brush and red chalk wash over leadpoint, with ruled and compass construction. Scale at bottom of drawing in pen and dark brown ink
Design of architectural constructions (fantasy)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for Wall Decoration with Doors on both Sides of a Tall and Narrow Frame, Anonymous, Italian, Piedmontese, 18th century Italian, Graphite, brush and gray wash, with ruled construction
Design for Wall Decoration with Doors on both Sides of a Tall and Narrow Frame
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Project for the decoration of an Altar, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown, blue and yellow wash, over leadpoint, with ruled construction
Project for the decoration of an Altar
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two One Half Variants of a Design for Painted Wall Decoration with Arch and Perspective View Inside (recto); Negligible diagrams and compass drawn circle (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray, red-chalk, and yellow wash, over leadpoint or graphite, with ruled construction (recto); compass construction in leadpoint or graphite, at top (verso); scribble in black chalk towards bottom (verso)
Two One Half Variants of a Design for Painted Wall Decoration with Arch and Perspective View Inside (recto); Negligible diagrams and compass drawn circle (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–80
Two One Half Variant Designs for an Altar and a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction
Two One Half Variant Designs for an Altar and a Chapel
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Ornamental Design, Anonymous, Italian, Piedmontese, 18th century Italian, Red chalk, brush and red chalk wash, over framing lines in red chalk
Ornamental Design
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Project for a painted ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Red chalk, brush and red chalk wash over red chalk, with ruled and compass construction
Project for a painted ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Interior Wall, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush with gray wash and watercolor, over graphite or leadpoint, with ruled and compass construction; framing outlines in pen and dark brown ink
Design for an Interior Wall
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for an Altar (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and red-chalk wash, over graphite or leadpoint, with ruled and compass construction; framing lines in pen and brown ink; scale, at bottom, in pen and brown ink
Two Alternate Designs for an Altar (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Wall with a Frame for a Painting, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over graphite or leadpoint, with ruled and compass construction; framing lines in pen and dark gray ink; scale, at bottom, in pen and gray ink
Two Alternate Designs for a Wall with a Frame for a Painting
Anonymous, Italian, Piedmontese, 18th century
1700–1780