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Design for Altar Decorations for a Liturgical Celebration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, partially laid down on blue paper
Design for Altar Decorations for a Liturgical Celebration
Anonymous, Italian, Piedmontese, 18th century
1750–75
Two alternate Design for a wall elevation, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray, mauve wash over leadpoint, with ruled and compass construction; vertical line on the center of the sheet in leadpoint on recto, and in black chalk on verso
Two alternate Design for a wall elevation
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for an Altar, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction
Two Alternate Designs for an Altar
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate designs for a Frame, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush and gray, yellow, and red wash over leadpoint, with ruled and compass construction
Two Alternate designs for a Frame
Anonymous, Italian, Piedmontese, 18th century
1700–80
Design for sculpted angeli, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and red chalk wash over red chalk
Design for sculpted angeli
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Decorative Scheme of a Wall, Anonymous, Italian, Piedmontese, 18th century Italian, Red chalk, brush and red wash over red chalk; ruled construction in leadpoint
Design for the Decorative Scheme of a Wall
Anonymous, Italian, Piedmontese, 18th century
ca. 1700–40
Designs for Two Reliquary Caskets; at top Bishop; at bottom: Skulls and Bones, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite with ruled construction (recto); negligible scribbles in lead point or graphite (verso)
Designs for Two Reliquary Caskets; at top Bishop; at bottom: Skulls and Bones
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Designs for Trophies, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush and gray-brown wash, over leadpoint or graphite
Two Designs for Trophies
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two One Half Variant Designs for an Altar and a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction
Two One Half Variant Designs for an Altar and a Chapel
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Frame or an Altar (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and light brown wash, over leadpoint or graphite, with ruled and compass construction; framing outlines in pen and brown ink over graphite or lead point
Two Alternate Designs for a Frame or an Altar (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Door Frame, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint or graphite, with ruled construction (recto); leadpoint or graphite (verso)
Two Alternate Designs for a Door Frame
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for Left Side of an Altarpiece Frame, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction
Design for Left Side of an Altarpiece Frame
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for One Quarter of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction
Design for One Quarter of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Quarter of Stucco Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, over black chalk, with ruled and compass construction; some dotted and some continuous framing lines in pen and gray ink over black chalk
Design for a Quarter of Stucco Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Church Façade, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint or graphite, with ruled and compass construction
Two Alternate Designs for a Church Façade
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for Corner of a Cove (recto); Designs for a Ceiling (?) (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, over leadpoint or graphite, with ruled construction; framing outlines in pen and brown ink, over lead point or graphite (recto); graphite or leadpoint (verso)
Design for Corner of a Cove (recto); Designs for a Ceiling (?) (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for One Half of an Overdoor, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction
Design for One Half of an Overdoor
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Pediment with Putti and a Blank Escutcheon, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint; some lines constructed with a ruler; some traces of red chalk
Design for a Pediment with Putti and a Blank Escutcheon
Anonymous, Italian, Piedmontese, 18th century
1680–1730
Design for Altar Frontal, Anonymous, Italian, Piedmontese, 18th century Italian, Pen with brown and black ink, brush and gray wash
Design for Altar Frontal
Anonymous, Italian, Piedmontese, 18th century
18th century
Elevation for a Building with an Octogonal Cupola and two stoy Pendimenting Façades, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction; framing lines in pen and dark gray ink
Elevation for a Building with an Octogonal Cupola and two stoy Pendimenting Façades
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Architectural project for door, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint, with ruled and compass construction
Architectural project for door
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Balcony, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over fine black chalk in two sheets glued together (recto); construction lines in leadpoint (verso)
Design for a Balcony
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for Wall Decoration with Doors on both Sides of a Tall and Narrow Frame, Anonymous, Italian, Piedmontese, 18th century Italian, Graphite, brush and gray wash, with ruled construction
Design for Wall Decoration with Doors on both Sides of a Tall and Narrow Frame
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Project for the decoration of an Altar, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown, blue and yellow wash, over leadpoint, with ruled construction
Project for the decoration of an Altar
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two One Half Variants of a Design for Painted Wall Decoration with Arch and Perspective View Inside (recto); Negligible diagrams and compass drawn circle (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray, red-chalk, and yellow wash, over leadpoint or graphite, with ruled construction (recto); compass construction in leadpoint or graphite, at top (verso); scribble in black chalk towards bottom (verso)
Two One Half Variants of a Design for Painted Wall Decoration with Arch and Perspective View Inside (recto); Negligible diagrams and compass drawn circle (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–80
Design for Elevation for Elaborate Wall and Vault with the Savoya Arms, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash and watercolor, over leadpoint or graphite, with ruled and compass construction; scale, at bottom, in pen and brown ink; framing lines in pen and dark brown ink
Design for Elevation for Elaborate Wall and Vault with the Savoya Arms
Anonymous, Italian, Piedmontese, 18th century
1700–80
Design for half Ceiling in stucco, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash over graphite, with ruled and compass construction
Design for half Ceiling in stucco
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash over leadpoint, with ruled construction
Design for a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two alternate Designs for a frame of door, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash over leadpoint, with ruled and compass construction
Two alternate Designs for a frame of door
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Halved Design for an Altar with Angel and Putti, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk or graphite, with ruled and compass construction
Halved Design for an Altar with Angel and Putti
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Balustrade with Architectural Perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with brown, gray wash and watercolor, over leadpoint or graphite, with ruled and compass construction; some dotted framing lines in pen and brown ink
Two Alternate Designs for a Balustrade with Architectural Perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two One Half Variant Designs for a Catafalque, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite, with ruled construction
Two One Half Variant Designs for a Catafalque
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for one Half of a Frame, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink over graphite, with ruled and compass construction
Design for one Half of a Frame
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Half design for the decoration of an Altar with Putti, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and ink over graphite; framing outlines in graphite (recto); pen and ink (verso)
Half design for the decoration of an Altar with Putti
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Altar With Six Large Candelabra, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and light brown-gray wash over graphite; framing lines in pen and dark brown ink and brush and dark brown ink
Design for an Altar With Six Large Candelabra
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two alternate projects for a Cornice, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and brown, gray wash over leadpoint, with riled and compass construction; framing lines in pen and brown ink; scale at bottom of design, in pen and brown ink over lead point
Two alternate projects for a Cornice
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Fragmentary design for Base or Pedestal (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite, with some ruled construction
Fragmentary design for Base or Pedestal (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Crest with Drapery and Two Putti, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite
Design for a Crest with Drapery and Two Putti
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Architectural Perspective: Design for Painted Wall Decoration (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and yellow wash, over leadpoint or graphite, with ruled construction in leadpoint or graphite; framing outlines in pen and brown ink and leadpoint or graphite
Architectural Perspective: Design for Painted Wall Decoration (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Halved Design for an Altar in a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over graphite with ruled and compass construction
Halved Design for an Altar in a Chapel
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Project for a painted ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Red chalk, brush and red chalk wash over red chalk, with ruled and compass construction
Project for a painted ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for Corner of Painting Ceiling with architectural perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray wash and watercolor, over graphite or leadpoint, with ruled and compass construction
Design for Corner of Painting Ceiling with architectural perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780