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Blown-up Detail of Design in Elevation for Colonnade in the Doric or Tuscan Order (recto); Blown-up Detail of Column on Podium in Elevation, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint; constructed with ruler or compass
Blown-up Detail of Design in Elevation for Colonnade in the Doric or Tuscan Order (recto); Blown-up Detail of Column on Podium in Elevation
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a Fish-Pond in Plan and Section, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, over traces of graphite; brush with green and pink watercolor; framing lines in pen and ink
Design for a Fish-Pond in Plan and Section
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for an Obelisk; Partial Design in Elevation for Colonnade in the Doric or Tuscan Order (recto); Design for Fluted Column on Podium in Elevation (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Leadpoint or graphite; pen and brown ink over graphite; constructed with ruler and compass (recto); pen and brown ink over leadpoint or graphite; constructed with ruler or compass (verso)
Design for an Obelisk; Partial Design in Elevation for Colonnade in the Doric or Tuscan Order (recto); Design for Fluted Column on Podium in Elevation (verso)
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for Altar Frontal, Anonymous, Italian, Piedmontese, 18th century Italian, Pen with brown and black ink, brush and gray wash
Design for Altar Frontal
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a Pediment with Putti and a Blank Escutcheon, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint; some lines constructed with a ruler; some traces of red chalk
Design for a Pediment with Putti and a Blank Escutcheon
Anonymous, Italian, Piedmontese, 18th century
1680–1730
Two alternate projects for a Cornice, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and brown, gray wash over leadpoint, with riled and compass construction; framing lines in pen and brown ink; scale at bottom of design, in pen and brown ink over lead point
Two alternate projects for a Cornice
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray and brown wash, over leadpoint or graphite, with ruled and compass construction
Two Alternate Designs for a Chapel
Anonymous, Italian, Piedmontese, 18th century
1700–80
Elevation for a Building with an Octogonal Cupola and two stoy Pendimenting Façades, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction; framing lines in pen and dark gray ink
Elevation for a Building with an Octogonal Cupola and two stoy Pendimenting Façades
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Quarter of a Design for Corner of a Wall or a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush and gray wash, over leadpoint or graphite, some ruled and compass construction
One Quarter of a Design for Corner of a Wall or a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–80
Design for One Eighth of an Illusionistic Ceiling of a Dome, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and watercolor, over graphite, with ruled construction
Design for One Eighth of an Illusionistic Ceiling of a Dome
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Ceiling with Cove Showing, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash, over black chalk; framing lines in leadpoint
Design for a Ceiling with Cove Showing
Anonymous, Italian, Piedmontese, 18th century
1700–80
Design for One Half of the Apsidal Space Enclosing an Organ, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint
Design for One Half of the Apsidal Space Enclosing an Organ
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Arch Surmounted by a Cartouche with a Ducal Crown, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray and brown wash, over leadpoint; scale, upper edge of the design, in pen and brown ink
Design for an Arch Surmounted by a Cartouche with a Ducal Crown
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for One Half of an Altar, with an Angel (of the Annunciation) at the left, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint
Design for One Half of an Altar, with an Angel (of the Annunciation) at the left
Anonymous, Italian, Piedmontese, 18th century
1700–80
Two Variant Half Designs for a Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over lead point or graphite; framing lines in pen and brown ink
Two Variant Half Designs for a Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Corner of a Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and light brown ink, brush and gray, light brown wash and watercolor, over leadpoint, with ruled and compass construction
Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for One Half of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over black chalk, with ruled and compass construction
Design for One Half of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
18th century
Two Alternate Designs for a Pedentive, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with brown, gray and mauve wash over leadpoint, with ruled and compass construction; framing outlines with pen and brown ink
Two Alternate Designs for a Pedentive
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Corner of a Painted Ceiling seen in Perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite
Design for the Corner of a Painted Ceiling seen in Perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Half Design for a Painted Ceiling with Central Oval Left Blank, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush and gray and black wash, over leadpoint or graphite, with ruled and compass construction. Scale in pen and brown ink over graphite, below the drawing
One Half Design for a Painted Ceiling with Central Oval Left Blank
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Painted Ceiling: Perspective Architectural with a Figure at the Center, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink and red chalk (recto); pricked for transfer in right part of sheet and at all corners; pen and brown ink sketches (verso)
Design for a Painted Ceiling: Perspective Architectural with a Figure at the Center
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and black ink, brush with gray, brown and pink wash, over leadpoint or graphite
Design for the Proscenium Arch of a Theatre with Two Trumpeting Angels Holding a Cartouche
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Altar with the Annunciation in the Central Panel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over lead point or graphite; framing lines in brush and brown wash
Design for an Altar with the Annunciation in the Central Panel
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for Garden Architecture, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, heightened with pen and dark brown ink, over leadpoint or graphite
Design for Garden Architecture
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Decoration over an Arched Opening with an Ornamental Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and green, dark yellow wash, over leadpoint, with ruled construction
Two Alternate Designs for a Decoration over an Arched Opening with an Ornamental Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Arch Through Which Is Seen a Fountain with Two Putti (recto); Design for an Architectural Structure (verso), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and gray wash over leadpoint (recto); sums and scales in lead point; pen and brown ink over leadpoint (verso)
Design for an Arch Through Which Is Seen a Fountain with Two Putti (recto); Design for an Architectural Structure (verso)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Ceiling With an Elaborate Cove, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray and brown ink, brush and gray wash over black chalk underdrawing, with ruled and compass construction in leadpoint; scales at bottom
Design for a Ceiling With an Elaborate Cove
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for the Elevation of a Wall Interior, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction; framing outlines in pen and brown ink
Design for the Elevation of a Wall Interior
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for Two Ornamental Upright Panels, and one Ornamental Basamento (?), Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction
Design for Two Ornamental Upright Panels, and one Ornamental Basamento (?)
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Capriccio with Architectural Ruins in Perspective, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown wash, over leadpoint or graphite
Capriccio with Architectural Ruins in Perspective
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and brown, gray, yellow, and red wash, over leadpoint or graphite
Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century
ca. 1730–60
Sketch for the Rear Arched Area of a Chapel, with an Angel and Three Putti Holding Up a Plate with the Head of the Baptist, Anonymous, Italian, Piedmontese, 18th century Italian, Graphite with compass and ruled constructions; scale below in graphite
Sketch for the Rear Arched Area of a Chapel, with an Angel and Three Putti Holding Up a Plate with the Head of the Baptist
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Half of a Design for a Chapel, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray wash, over leadpoint or graphite; partial dotted framing outlines
One Half of a Design for a Chapel
Anonymous, Italian, Piedmontese, 18th century
18th century
Two Alternate Designs for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash, over ruled and compass constructions in leadpoint or graphite
Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Two Alternate Designs for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Brush and gray wash, over ruled and compass constructions in leadpoint or graphite
Two Alternate Designs for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for an Altar With a Vaulted Chapel Behind, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush with gray (visible on verso), yellow and pink wash, over graphite or leadpoint, with ruled or compass construction; scale at bottom of design in pen and dark brown ink
Design for an Altar With a Vaulted Chapel Behind
Anonymous, Italian, Piedmontese, 18th century
1700–1780
One Half Design for a Doorway, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and gray ink, brush with gray, brown and yellow wash, over ruled and compass construction in graphite or leadpoint
One Half Design for a Doorway
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for a Pedentive Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, over leadpoint
Design for a Pedentive Decoration
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a Pedentive Decoration: two women with musical instruments, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint
Design for a Pedentive Decoration: two women with musical instruments
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a Pedentive Decoration, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink over leadpoint
Design for a Pedentive Decoration
Anonymous, Italian, Piedmontese, 18th century
18th century
Design for a corner of a Painted Ceiling, Architectural "Cove" with a Seated Figure at the Bottom, and a Putto at the Side, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and brown ink, brush and gray and brown wash, over graphite or leadpoint; framing lines in pen and brown ink at left and lower borders; detail sketches in graphite or leadpoint (verso)
Design for a corner of a Painted Ceiling, Architectural "Cove" with a Seated Figure at the Bottom, and a Putto at the Side
Anonymous, Italian, Piedmontese, 18th century
1700–1780
Design for One Quarter of a Ceiling, Anonymous, Italian, Piedmontese, 18th century Italian, Pen and dark brown ink, brush and gray wash, over graphite or leadpoint, with ruled construction; scales, at bottom, in pen and brown ink
Design for One Quarter of a Ceiling
Anonymous, Italian, Piedmontese, 18th century
1700–1780