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Ornamental Drawing, with St. John the Evangelist Seated in a Columned Niche, with Two Putti, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash.
Ornamental Drawing, with St. John the Evangelist Seated in a Columned Niche, with Two Putti
Attributed to Anonymous, Italian, late 16th century
1550–1600
Design for a Title Page, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush with brown and gray wash
Design for a Title Page
Anonymous, Italian, late 16th century
late 16th century
Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash, over black chalk
Semi-Circular Design of Battle of Sea Gods with Border of Sea Creatures
Anonymous, Italian, late 16th century
Related to Giovanni Andrea Maglioli
1570–1620
Wall Elevation with Three Chapels (recto); Floor Plan with Columns (verso), Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and gray wash, over black chalk (recto); pen and brown ink, over ruled black chalk lines (verso)
Wall Elevation with Three Chapels (recto); Floor Plan with Columns (verso)
Anonymous, Italian, late 16th century
late 16th century
Design for a Façade (unfinished), Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and gray wash, over black chalk
Design for a Façade (unfinished)
Anonymous, Italian, late 16th century
late 16th century
Madonna in Glory with Two Saints, Anonymous, Italian, late 16th century Italian, Pen and brown ink, brush and brown wash; highlighted with white (mostly oxidized)
Madonna in Glory with Two Saints
Anonymous, Italian, late 16th century
late 16th century
Rectangular cartouche with a goat's head in a strapwork frame at bottom center, plate 1, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Oval cartouche with sticks of explosives at top left and right, plate 2, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Square cartouche, with a child sitting in a strapwork loop at top left and right, plate 4, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Rectangular, standing cartouche with mask at bottom center, plate 3, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Square cartouche with oblique inner corners at top, female mask at bottom center, and bunches of fruit hanging at bottom left and right, plate 5, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Small standing cartouche with a mask with open mouth and beard at bottom center, plate 6, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Lozenge-shaped cartouche, with fuming ewers at top left and right, plate 7, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Horizontal cartouche, with a dog's mask at top center and dogs peeping out of pipes at top left and right, plate 8, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Horizontal cartouche irregularly cut out with a parrot at top left and right, plate 11, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Small horizontal cartouche in elaborate strapwork frame with a satyr child sitting on top of a satyr at bottom left and right, plate 12, from Reverse copies of Variarum Protractionum
Multiple artists/makers
Circular cartouche with strapwork vase at left and right, plate 13, from Reverse copies of Variarum Protractionum
Multiple artists/makers
The Annunciation with the Virgin at right and Archangel Gabriel at left
Anonymous, Italian, late 16th century
After Titian (Tiziano Vecellio)
1590–1607

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