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Design for a Frieze with Central Cartouche Containing Medici Arms with Papal Tiara, Anonymous, Italian, second half of the 16th century  Italian, Pen, brown ink and wash, highlighted with white, on blue paper
Anonymous, Italian, second half of the 16th century
1550–99
Design for a Wall Elevation with Grotesques, Anonymous, Italian, second half of the 16th century  Italian, Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper
Anonymous, Italian, second half of the 16th century
Circle of Pellegrino Tibaldi
ca. 1540–70
Frieze with Acanthus Rinceau with Grotesques, Anonymous, Italian, second half of the 16th century  Italian, Pen and black ink with traces of metalpoint and red chalk
Anonymous, Italian, second half of the 16th century
16th century
Design for a Frame with Putti and Sirens, Anonymous, Italian, second half of the 16th century  Italian, Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer
Anonymous, Italian, second half of the 16th century
1550–1600
Flora, Anonymous, Italian, second half of the 16th century  Italian, Engraving
Multiple artists/makers
ca. 1560–70
Standing Bearded Man Holding a Book, Anonymous, Italian, second half of the 16th century  Italian, Red chalk, highlighted with white gouache, on blue-green paper
Anonymous, Italian, second half of the 16th century
1530–60
Anonymous, Italian, second half of the 16th century
Former Attribution Formerly attributed to Enea Vico
Publisher Antonio Lafreri
ca. 1550–53
Anonymous, Italian, second half of the 16th century
Sitter Publius Virgilius Maro
1550–1600

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