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Four Figures, Anonymous, Spanish, School of Seville, 17th century Spanish, Two male figures: Brush and brown washes.<br/>Standing female: Pen and dark brown ink with brush and brown wash.<br/>Seated female: Brush and brown washes.<br/>Ground line drawn along bottom of drawing in brush and brown wash. On off-white paper
Four Figures
Anonymous, Spanish, School of Seville, 17th century
17th century
The Flight into Egypt, Pedro Duque Cornejo Spanish, Pen and dark brown ink, brush and gray wash, over black chalk underdrawing. Outline of arch-shaped composition in the same pen and brown ink. On off-white paper
The Flight into Egypt
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink over traces of black chalk underdrawing. Outlines of composition later ruled in graphite. On off-white paper
Virgin of the Immaculate Conception
Anonymous, Spanish, School of Seville, 17th century
17th century
Christ Brought Before Pontius Pilate, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, brush and light brown wash, reinforced with pen and dark brown ink, highlighted with white gouache (oxidized) on figure of Pilate and throne, over traces of black chalk underdrawing. Lower border of composition outlined with pen and dark brown ink. On off-white paper
Christ Brought Before Pontius Pilate
Anonymous, Spanish, School of Seville, 17th century
17th century
Death of Absalom, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink, brush with light brown and gray washes, over black chalk underdrawing. On off-white paper
Death of Absalom
Anonymous, Spanish, School of Seville, 17th century
17th century
Standing Figure of an Angel, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Figure of an Angel
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Madonna and Child with Angels Playing Lute and Viola da Braccio, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and medium brown ink, brush and light brown wash, over black chalk underdrawing. On off-white paper. Composition broadly outlined in pen and brown ink
Madonna and Child with Angels Playing Lute and Viola da Braccio
Anonymous, Spanish, School of Seville, 17th century
17th century
The Annunciation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Composition outlined in same, by the artist. On ivory paper
The Annunciation
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Male Saint (an Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink on ivory paper
Standing Male Saint (an Apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Visitation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Border line drawn along bottom of sheet and suggested at right side of sheet in pen and dark brown ink. On off-white paper
Visitation
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1716–18
Figure of a Soldier on Horseback Holding a Flag, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, brush and light brown wash, over traces of black chalk contours. On off-white paper
Figure of a Soldier on Horseback Holding a Flag
Anonymous, Spanish, School of Seville, 17th century
17th century
Figures of Two Music-Making Angels, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink over black chalk underdrawing. Traces of framing outlines ruled in black chalk. On off-white paper
Figures of Two Music-Making Angels
Anonymous, Spanish, School of Seville, 17th century
17th century
The Conversion of Saint Paul, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, reinforced with pen and dark brown ink, over black chalk underdrawing. Traces of outlines along borders of composition in pen and dark brown ink, brush and brown wash. On off-white paper
The Conversion of Saint Paul
Anonymous, Spanish, School of Seville, 17th century
17th century
The Annunciation (Angel Approaching from Left), Pedro Duque Cornejo Spanish, Black chalk, figure of angel reinforced with pen and light brown ink. Composition outlined in black chalk. On off-white paper
The Annunciation (Angel Approaching from Left)
Attributed Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation (Angel Approaching From the Right), Pedro Duque Cornejo Spanish, Black chalk reinforced with traces of pen and light brown ink. Drawing continues over palimpsest in lower left corner. On off-white paper
The Annunciation (Angel Approaching From the Right)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Two Figures of Evangelists Writing, Pedro Duque Cornejo Spanish, Pen and black ink, brush and gray wash, over black chalk underdrawing on ivory paper
Two Figures of Evangelists Writing
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Reclining Figure of Saint Holding Cross, Supported by Two Angels (Death of the Magdalene?), Pedro Duque Cornejo Spanish, Black chalk, reclining figure reinforced with pen and dark brown ink. On light beige paper
Reclining Figure of Saint Holding Cross, Supported by Two Angels (Death of the Magdalene?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Life Study of Standing Male Nude in Three-Quarter Length, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk, small traces of white chalk (?) highlighting on light brown paper; traces of black chalk framing outline
Life Study of Standing Male Nude in Three-Quarter Length
Anonymous, Spanish, School of Seville, 17th century
17th century
Saint Sebastian (?) Tied to a Tree, Pedro Duque Cornejo Spanish, Pen and light brown ink over black chalk underdrawing. On off-white paper
Saint Sebastian (?) Tied to a Tree
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Figure Holding Cross, Pedro Duque Cornejo Spanish, Pen and dark brown ink over some traces of black chalk underdrawing
Standing Figure Holding Cross
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Angel with Palm Seated on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On off-white paper
Angel with Palm Seated on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
1700–50
Two Figures (recto); Standing Figure (Young Hercules?) (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Larger figure: Pen and light brown ink with brush and light brown wash over black chalk underdrawing. Crouching figure: Pen and dark brown ink with brush and light brown wash over black chalk (recto). On off-white paper. Black chalk (verso)
Two Figures (recto); Standing Figure (Young Hercules?) (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century
Standing Male Nude Figure, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk. On light beige paper
Standing Male Nude Figure
Anonymous, Spanish, School of Seville, 17th century
17th century
Seated Putto Holding a Basket of Fruit, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk reinforced in some places with pen and dark brown ink. On off-white paper
Seated Putto Holding a Basket of Fruit
Anonymous, Spanish, School of Seville, 17th century
17th century
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink, over black chalk underdrawing. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Triumph of Galatea, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk. Oval composition outlined in black chalk, with decorative black chalk elements in four corners outside this line. On light beige paper
The Triumph of Galatea
Anonymous, Spanish, School of Seville, 17th century
17th century
Madonna and Child, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk. On off-white paper
Madonna and Child
Anonymous, Spanish, School of Seville, 17th century
17th century
Holy Family, Pedro Duque Cornejo Spanish, Black chalk; composition outlined in black chalk along left and bottom. On off-white paper
Holy Family
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Kneeling Virgin (Virgin Annunciate) (recto); Writing (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk (recto). On off-white paper. Writing in black chalk by artist (verso)
Kneeling Virgin (Virgin Annunciate) (recto); Writing (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century
Angel Leading Saint Peter out of Prison (?), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink with brush and gray-brown wash over black chalk underdrawing; lines at top and bottom or sheet in black chalk. On off-white paper
Angel Leading Saint Peter out of Prison (?)
Anonymous, Spanish, School of Seville, 17th century
17th century
Saint Sebastian, Pedro Duque Cornejo Spanish, Black chalk underdrawing reinforced with pen and dark brown ink; composition outlined in black chalk. On ivory paper
Saint Sebastian
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Saint (apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Saint (apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Male Figure, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Male Figure
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Figure of Monk Preaching to a Group of Figures, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and brown-gray wash, over black chalk underdrawing. On off-white paper
Figure of Monk Preaching to a Group of Figures
Anonymous, Spanish, School of Seville, 17th century
17th century
Judith Slaying Holofernes, with Old Woman Servant, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash over black chalk underdrawing. On off-white paper
Judith Slaying Holofernes, with Old Woman Servant
Anonymous, Spanish, School of Seville, 17th century
17th century
Standing Figure of a Man (Fisherman?), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink with brush and wash over black chalk underdrawing. On off-white paper
Standing Figure of a Man (Fisherman?)
Anonymous, Spanish, School of Seville, 17th century
17th century
Death of a Male Saint (Joseph?) with Four Secondary Figures, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash over black chalk underdrawing. On off-white paper
Death of a Male Saint (Joseph?) with Four Secondary Figures
Anonymous, Spanish, School of Seville, 17th century
17th century
The Flagellation of Christ (recto); Madonna and Child and Unrelated Figure Studies (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and gray-brown wash over traces of black chalk underdrawing (recto). Composition outlined in black chalk. On off-white paper. Pen and brown ink with brush and gray-brown wash over traces of black chalk underdrawing (verso)
The Flagellation of Christ (recto); Madonna and Child and Unrelated Figure Studies (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century
Standing Figure of Mercury, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash over traces of black chalk underdrawing. Partial reinforcements in pen and dark brown ink. On off-white paper
Standing Figure of Mercury
Anonymous, Spanish, School of Seville, 17th century
17th century
Figure of Fantastic Human-like Creature with Long Tail (recto); Fragment of a Letter or Document (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash over black chalk underdrawing (recto). On ivory paper. Script in pen and dark brown ink (verso)
Figure of Fantastic Human-like Creature with Long Tail (recto); Fragment of a Letter or Document (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century
Infant Christ with the Cross, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink reinforced with pen and dark brown ink. On off-white paper
Infant Christ with the Cross
Anonymous, Spanish, School of Seville, 17th century
17th century
Scene of Martyrdom (Crucifixion of Saint Peter?) (recto); Fragment of Design for Ornamental Border (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink over traces of black chalk. On ivory paper
Scene of Martyrdom (Crucifixion of Saint Peter?) (recto); Fragment of Design for Ornamental Border (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century