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Standing Figure of an Angel, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Figure of an Angel
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Male Saint (an Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink on ivory paper
Standing Male Saint (an Apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Four Figures, Anonymous, Spanish, School of Seville, 17th century Spanish, Two male figures: Brush and brown washes.<br/>Standing female: Pen and dark brown ink with brush and brown wash.<br/>Seated female: Brush and brown washes.<br/>Ground line drawn along bottom of drawing in brush and brown wash. On off-white paper
Four Figures
Anonymous, Spanish, School of Seville, 17th century
17th century
Visitation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Border line drawn along bottom of sheet and suggested at right side of sheet in pen and dark brown ink. On off-white paper
Visitation
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1716–18
The Flight into Egypt, Pedro Duque Cornejo Spanish, Pen and dark brown ink, brush and gray wash, over black chalk underdrawing. Outline of arch-shaped composition in the same pen and brown ink. On off-white paper
The Flight into Egypt
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink over traces of black chalk underdrawing. Outlines of composition later ruled in graphite. On off-white paper
Virgin of the Immaculate Conception
Anonymous, Spanish, School of Seville, 17th century
17th century
Christ Brought Before Pontius Pilate, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, brush and light brown wash, reinforced with pen and dark brown ink, highlighted with white gouache (oxidized) on figure of Pilate and throne, over traces of black chalk underdrawing. Lower border of composition outlined with pen and dark brown ink. On off-white paper
Christ Brought Before Pontius Pilate
Anonymous, Spanish, School of Seville, 17th century
17th century
Figure of a Soldier on Horseback Holding a Flag, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, brush and light brown wash, over traces of black chalk contours. On off-white paper
Figure of a Soldier on Horseback Holding a Flag
Anonymous, Spanish, School of Seville, 17th century
17th century
Figures of Two Music-Making Angels, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink over black chalk underdrawing. Traces of framing outlines ruled in black chalk. On off-white paper
Figures of Two Music-Making Angels
Anonymous, Spanish, School of Seville, 17th century
17th century
Death of Absalom, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink, brush with light brown and gray washes, over black chalk underdrawing. On off-white paper
Death of Absalom
Anonymous, Spanish, School of Seville, 17th century
17th century
Madonna and Child with Angels Playing Lute and Viola da Braccio, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and medium brown ink, brush and light brown wash, over black chalk underdrawing. On off-white paper. Composition broadly outlined in pen and brown ink
Madonna and Child with Angels Playing Lute and Viola da Braccio
Anonymous, Spanish, School of Seville, 17th century
17th century
The Annunciation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Composition outlined in same, by the artist. On ivory paper
The Annunciation
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Composition outlined in the same, by the artist. On off-white paper
The Annunciation
Attributed Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Conversion of Saint Paul, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, reinforced with pen and dark brown ink, over black chalk underdrawing. Traces of outlines along borders of composition in pen and dark brown ink, brush and brown wash. On off-white paper
The Conversion of Saint Paul
Anonymous, Spanish, School of Seville, 17th century
17th century
Two Figures (recto); Standing Figure (Young Hercules?) (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Larger figure: Pen and light brown ink with brush and light brown wash over black chalk underdrawing. Crouching figure: Pen and dark brown ink with brush and light brown wash over black chalk (recto). On off-white paper. Black chalk (verso)
Two Figures (recto); Standing Figure (Young Hercules?) (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century
Agony in the Garden, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink, over black chalk underdrawing, brush with light gray-brown wash over both. Outlines of composition in black chalk at borders of sheet. On off-white paper
Agony in the Garden
Anonymous, Spanish, School of Seville, 17th century
17th century
Kneeling Figure of a Nun, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and light brown wash over black chalk underdrawing. Composition framed with black chalk at borders. On off-white paper
Kneeling Figure of a Nun
Anonymous, Spanish, School of Seville, 17th century
17th century
Standing Saint (Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink. Figure's left foot is reinforced with pen and black ink. On ivory paper
Standing Saint (Apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Male Nude Figure, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk. On light beige paper
Standing Male Nude Figure
Anonymous, Spanish, School of Seville, 17th century
17th century
Infant Christ with the Cross, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink reinforced with pen and dark brown ink. On off-white paper
Infant Christ with the Cross
Anonymous, Spanish, School of Seville, 17th century
17th century
Studies for Five Figures of Angels Standing, and Seated on Clouds, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink over black chalk. On off-white paper
Studies for Five Figures of Angels Standing, and Seated on Clouds
Anonymous, Spanish, School of Seville, 17th century
17th century
Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink reinforced with black chalk (recto). Border line drawn in black chalk along top and left side of sheet. On off-white paper. Composition (unknown) pricked for transfer (verso)
Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century
Two Standing Figures, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and light brown wash. On ivory paper
Two Standing Figures
Anonymous, Spanish, School of Seville, 17th century
17th century
Studies for Figures of Five Angels, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink over black chalk underdrawing. Traces of brush and gray wash. On off-white paper
Studies for Figures of Five Angels
Anonymous, Spanish, School of Seville, 17th century
17th century
Scene of Martyrdom (Crucifixion of Saint Peter?) (recto); Fragment of Design for Ornamental Border (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink over traces of black chalk. On ivory paper
Scene of Martyrdom (Crucifixion of Saint Peter?) (recto); Fragment of Design for Ornamental Border (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century
Awe-struck Saint Jerome, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink over black chalk underdrawing. On off-white paper
Awe-struck Saint Jerome
Anonymous, Spanish, School of Seville, 17th century
17th century
Busts of a Young Woman and an Old Bearded Man, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink. On off-white paper
Busts of a Young Woman and an Old Bearded Man
Anonymous, Spanish, School of Seville, 17th century
17th century
Head of Christ, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Some contours reinforced with pen and darker brown ink. On off-white paper
Head of Christ
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Saint Francis and an Angel with a Viola da Braccio (The Ecstasy of Saint Francis), Anonymous, Spanish, School of Seville, 17th century Spanish, Red chalk; composition outlined on three sides with the same. On off-white paper
Saint Francis and an Angel with a Viola da Braccio (The Ecstasy of Saint Francis)
Anonymous, Spanish, School of Seville, 17th century
17th century
Seated Putto Holding a Basket of Fruit, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk reinforced in some places with pen and dark brown ink. On off-white paper
Seated Putto Holding a Basket of Fruit
Anonymous, Spanish, School of Seville, 17th century
17th century
Study of a Child and Two Angels Holding Trumpets, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink with brush and brown wash over black chalk underdrawing. Composition outlined with black chalk. On light beige paper
Study of a Child and Two Angels Holding Trumpets
Anonymous, Spanish, School of Seville, 17th century
17th century
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Black chalk reinforced in places with pen and dark brown ink. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels, Pedro Duque Cornejo Spanish, Black chalk. Lower angel reinforced with pen and dark brown ink. Traces of outline in black chalk along left and right borders of the composition. On off-white paper
Virgin of the Immaculate Conception Seated on Clouds, Supported by Four Angels
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink, over black chalk
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation (Angel Approaching from Left), Pedro Duque Cornejo Spanish, Black chalk, figure of angel reinforced with pen and light brown ink. Composition outlined in black chalk. On off-white paper
The Annunciation (Angel Approaching from Left)
Attributed Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation (Angel Approaching From the Right), Pedro Duque Cornejo Spanish, Black chalk reinforced with traces of pen and light brown ink. Drawing continues over palimpsest in lower left corner. On off-white paper
The Annunciation (Angel Approaching From the Right)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Two Figures of Evangelists Writing, Pedro Duque Cornejo Spanish, Pen and black ink, brush and gray wash, over black chalk underdrawing on ivory paper
Two Figures of Evangelists Writing
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Figure of the Dead Christ with Mourning Angel (The Lamentation), Pedro Duque Cornejo Spanish, Black chalk. On off-white paper
Figure of the Dead Christ with Mourning Angel (The Lamentation)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Reclining Figure of Saint Holding Cross, Supported by Two Angels (Death of the Magdalene?), Pedro Duque Cornejo Spanish, Black chalk, reclining figure reinforced with pen and dark brown ink. On light beige paper
Reclining Figure of Saint Holding Cross, Supported by Two Angels (Death of the Magdalene?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Triumph of Galatea, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk. Oval composition outlined in black chalk, with decorative black chalk elements in four corners outside this line. On light beige paper
The Triumph of Galatea
Anonymous, Spanish, School of Seville, 17th century
17th century
Kneeling Figure of Saint Catherine of Alexandria, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink. On off-white paper
Kneeling Figure of Saint Catherine of Alexandria
Anonymous, Spanish, School of Seville, 17th century
17th century
Fragment of Nativity Scene with Music-Making Angels on Clouds Above, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink, reinforced in some places with brush and dark brown wash, over black chalk underdrawing. Composition is outlined in pen and dark brown ink. On off-white paper
Fragment of Nativity Scene with Music-Making Angels on Clouds Above
Anonymous, Spanish, School of Seville, 17th century
17th century

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