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Standing Figure of an Angel, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Figure of an Angel
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink over traces of black chalk underdrawing. Outlines of composition later ruled in graphite. On off-white paper
Virgin of the Immaculate Conception
Anonymous, Spanish, School of Seville, 17th century
17th century
Christ Brought Before Pontius Pilate, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, brush and light brown wash, reinforced with pen and dark brown ink, highlighted with white gouache (oxidized) on figure of Pilate and throne, over traces of black chalk underdrawing. Lower border of composition outlined with pen and dark brown ink. On off-white paper
Christ Brought Before Pontius Pilate
Anonymous, Spanish, School of Seville, 17th century
17th century
Figure of a Soldier on Horseback Holding a Flag, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, brush and light brown wash, over traces of black chalk contours. On off-white paper
Figure of a Soldier on Horseback Holding a Flag
Anonymous, Spanish, School of Seville, 17th century
17th century
Figures of Two Music-Making Angels, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink over black chalk underdrawing. Traces of framing outlines ruled in black chalk. On off-white paper
Figures of Two Music-Making Angels
Anonymous, Spanish, School of Seville, 17th century
17th century
Death of Absalom, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink, brush with light brown and gray washes, over black chalk underdrawing. On off-white paper
Death of Absalom
Anonymous, Spanish, School of Seville, 17th century
17th century
Madonna and Child with Angels Playing Lute and Viola da Braccio, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and medium brown ink, brush and light brown wash, over black chalk underdrawing. On off-white paper. Composition broadly outlined in pen and brown ink
Madonna and Child with Angels Playing Lute and Viola da Braccio
Anonymous, Spanish, School of Seville, 17th century
17th century
The Conversion of Saint Paul, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink, reinforced with pen and dark brown ink, over black chalk underdrawing. Traces of outlines along borders of composition in pen and dark brown ink, brush and brown wash. On off-white paper
The Conversion of Saint Paul
Anonymous, Spanish, School of Seville, 17th century
17th century
Two Figures (recto); Standing Figure (Young Hercules?) (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Larger figure: Pen and light brown ink with brush and light brown wash over black chalk underdrawing. Crouching figure: Pen and dark brown ink with brush and light brown wash over black chalk (recto). On off-white paper. Black chalk (verso)
Two Figures (recto); Standing Figure (Young Hercules?) (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century
Agony in the Garden, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink, over black chalk underdrawing, brush with light gray-brown wash over both. Outlines of composition in black chalk at borders of sheet. On off-white paper
Agony in the Garden
Anonymous, Spanish, School of Seville, 17th century
17th century
Kneeling Figure of a Nun, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and light brown wash over black chalk underdrawing. Composition framed with black chalk at borders. On off-white paper
Kneeling Figure of a Nun
Anonymous, Spanish, School of Seville, 17th century
17th century
Seated Male Nude with Open Book, Pedro Duque Cornejo Spanish, Black chalk partly reinforced with pen and dark brown ink; black chalk lines along right and left borders of sheet. On ivory paper
Seated Male Nude with Open Book
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Saint Sebastian (?) Tied to a Tree, Pedro Duque Cornejo Spanish, Pen and light brown ink over black chalk underdrawing. On off-white paper
Saint Sebastian (?) Tied to a Tree
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Saint Sebastian, Pedro Duque Cornejo Spanish, Black chalk underdrawing reinforced with pen and dark brown ink; composition outlined in black chalk. On ivory paper
Saint Sebastian
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink, with brush and gray wash, over black chalk underdrawing. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Black chalk reinforced with pen and dark brown ink; composition outlined with black chalk. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Virgin of the Immaculate Conception Standing on Clouds, Pedro Duque Cornejo Spanish, Pen and light brown ink over black chalk underdrawing; composition outlined with traces of black chalk. On off-white paper
Virgin of the Immaculate Conception Standing on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Figure Holding Cross, Pedro Duque Cornejo Spanish, Pen and dark brown ink over some traces of black chalk underdrawing
Standing Figure Holding Cross
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Male Saint (an Apostle?) Standing on a Pedestal with Arms Extended (recto); Standing or Kneeling Male Saint (verso), Pedro Duque Cornejo Spanish, Pen and dark brown ink over black chalk underdrawing (recto); black chalk drawing in the same hand (verso). On off-white paper
Male Saint (an Apostle?) Standing on a Pedestal with Arms Extended (recto); Standing or Kneeling Male Saint (verso)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Angel Seated on Clouds, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On off-white paper
Angel Seated on Clouds
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Saint (apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Saint (apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Saint (Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Saint (Apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Male Figure, Pedro Duque Cornejo Spanish, Pen and dark brown ink. On ivory paper
Standing Male Figure
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Startled Figure of a Soldier Seated on a Block, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and light brown wash over black chalk underdrawing. On off-white paper
Startled Figure of a Soldier Seated on a Block
Anonymous, Spanish, School of Seville, 17th century
17th century
Standing Soldier with a Spear, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and brown wash over black chalk on off-white paper; spear ruled in black chalk; traces of framing lines in black chalk
Standing Soldier with a Spear
Anonymous, Spanish, School of Seville, 17th century
17th century
Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash, over black chalk underdrawing (recto). On off-white paper. Pen and brown ink with brush and brown wash over black chalk underdrawing (verso)
Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century
Judith Slaying Holofernes, with Old Woman Servant, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash over black chalk underdrawing. On off-white paper
Judith Slaying Holofernes, with Old Woman Servant
Anonymous, Spanish, School of Seville, 17th century
17th century
Pygmalion and Galatea, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink with brush and brown wash over black chalk underdrawing. On off-white paper
Pygmalion and Galatea
Anonymous, Spanish, School of Seville, 17th century
17th century
An Angel Appearing to Saint Catherine of Alexandria in Prison (recto); Volute (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash, highlighted with white gouache (now mostly oxidized) over traces of black chalk (recto). Composition outlined with graphite. On light beige paper. Red chalk (verso)
An Angel Appearing to Saint Catherine of Alexandria in Prison (recto); Volute (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century
Two Dogs, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and brown ink with brush and brown wash over black chalk underdrawing. On off-white paper
Two Dogs
Anonymous, Spanish, School of Seville, 17th century
17th century
Standing Figure of a Man (Fisherman?), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and dark brown ink with brush and wash over black chalk underdrawing. On off-white paper
Standing Figure of a Man (Fisherman?)
Anonymous, Spanish, School of Seville, 17th century
17th century
Standing Male Saint (an Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink on ivory paper
Standing Male Saint (an Apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Four Figures, Anonymous, Spanish, School of Seville, 17th century Spanish, Two male figures: Brush and brown washes.<br/>Standing female: Pen and dark brown ink with brush and brown wash.<br/>Seated female: Brush and brown washes.<br/>Ground line drawn along bottom of drawing in brush and brown wash. On off-white paper
Four Figures
Anonymous, Spanish, School of Seville, 17th century
17th century
Visitation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Border line drawn along bottom of sheet and suggested at right side of sheet in pen and dark brown ink. On off-white paper
Visitation
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1716–18
The Flight into Egypt, Pedro Duque Cornejo Spanish, Pen and dark brown ink, brush and gray wash, over black chalk underdrawing. Outline of arch-shaped composition in the same pen and brown ink. On off-white paper
The Flight into Egypt
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Composition outlined in same, by the artist. On ivory paper
The Annunciation
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
The Annunciation, Pedro Duque Cornejo Spanish, Pen and dark brown ink. Composition outlined in the same, by the artist. On off-white paper
The Annunciation
Attributed Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Saint (Apostle?), Pedro Duque Cornejo Spanish, Pen and dark brown ink. Figure's left foot is reinforced with pen and black ink. On ivory paper
Standing Saint (Apostle?)
Attributed to Pedro Duque Cornejo
Former Attribution Anonymous, Spanish, School of Seville, 17th century
ca. 1700–50
Standing Male Nude Figure, Anonymous, Spanish, School of Seville, 17th century Spanish, Black chalk. On light beige paper
Standing Male Nude Figure
Anonymous, Spanish, School of Seville, 17th century
17th century
Infant Christ with the Cross, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink reinforced with pen and dark brown ink. On off-white paper
Infant Christ with the Cross
Anonymous, Spanish, School of Seville, 17th century
17th century
Studies for Five Figures of Angels Standing, and Seated on Clouds, Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink over black chalk. On off-white paper
Studies for Five Figures of Angels Standing, and Seated on Clouds
Anonymous, Spanish, School of Seville, 17th century
17th century
Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso), Anonymous, Spanish, School of Seville, 17th century Spanish, Pen and light brown ink reinforced with black chalk (recto). Border line drawn in black chalk along top and left side of sheet. On off-white paper. Composition (unknown) pricked for transfer (verso)
Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso)
Anonymous, Spanish, School of Seville, 17th century
17th century