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Department
Queen Henrietta Maria, Anthony van Dyck Flemish, Oil on canvas
Queen Henrietta Maria
Anthony van Dyck
1636
Lucas van Uffel (died 1637), Anthony van Dyck Flemish, Oil on canvas
Lucas van Uffel (died 1637)
Anthony van Dyck
ca. 1622
Robert Rich (1587–1658), Second Earl of Warwick, Anthony van Dyck Flemish, Oil on canvas
Robert Rich (1587–1658), Second Earl of Warwick
Anthony van Dyck
ca. 1632–35
Study Head of an Old Man with a White Beard, Anthony van Dyck Flemish, Oil on wood
Study Head of an Old Man with a White Beard
Anthony van Dyck
ca. 1617–20
Virgin and Child with Saint Catherine of Alexandria, Anthony van Dyck Flemish, Oil on canvas
Virgin and Child with Saint Catherine of Alexandria
Anthony van Dyck
ca. 1630
Saint Rosalie Interceding for the Plague-stricken of Palermo, Anthony van Dyck Flemish, Oil on canvas
Saint Rosalie Interceding for the Plague-stricken of Palermo
Anthony van Dyck
1624
Self-Portrait, Anthony van Dyck Flemish, Oil on canvas
Self-Portrait
Anthony van Dyck
ca. 1620–21
Study Head of a Young Woman, Anthony van Dyck Flemish, Oil on paper, laid down on wood
Study Head of a Young Woman
Anthony van Dyck
ca. 1618–20
Two Tritons at the Feast of Acheloüs, Anthony van Dyck Flemish, Oil on canvas
Two Tritons at the Feast of Acheloüs
Attributed to Anthony van Dyck
and Attributed to Frans Snyders
James Stuart (1612–1655), Duke of Richmond and Lennox, Anthony van Dyck Flemish, Oil on canvas
James Stuart (1612–1655), Duke of Richmond and Lennox
Anthony van Dyck
ca. 1633–35
Self-Portrait, from "The Iconography", Anthony van Dyck Flemish, Etching; first state of seven
Self-Portrait, from "The Iconography"
Anthony van Dyck
Sitter Anthony van Dyck
ca. 1640
Portrait of a Woman, Called the Marchesa Durazzo, Anthony van Dyck Flemish, Oil on canvas
Portrait of a Woman, Called the Marchesa Durazzo
Anthony van Dyck
probably ca. 1622–25
Virgin and Child, Anthony van Dyck Flemish, Oil on wood
Virgin and Child
Anthony van Dyck
ca. 1620
A Man Mounting a Horse, Anthony van Dyck Flemish, Oil on wood
A Man Mounting a Horse
Attributed to Anthony van Dyck
ca. 1630
A Man Riding a Horse, Anthony van Dyck Flemish, Oil on wood
A Man Riding a Horse
Attributed to Anthony van Dyck
ca. 1630
Sir Peter Paul Rubens (1577–1640), Anthony van Dyck Flemish, Oil on wood
Sir Peter Paul Rubens (1577–1640)
Copy after Anthony van Dyck
Dr. Lazarus Markijzus, Imperial Russian Tapestry Manufactory, Saint Petersburg, Wool, metal thread (20-25 warps per inch, 8-10 per cm.), Russian, St. Petersburg
Dr. Lazarus Markijzus
Manufactory Imperial Russian Tapestry Manufactory, Saint Petersburg
After a painting by Anthony van Dyck
late 18th century
Anthony Van Dyck, Self Portrait, Imperial Russian Tapestry Manufactory, Saint Petersburg, Wool, metal thread (20-25 warps per inch, 8-10 per cm.), Russian, St. Petersburg
Anthony Van Dyck, Self Portrait
Manufactory Imperial Russian Tapestry Manufactory, Saint Petersburg
After a painting by Anthony van Dyck
late 18th century
Jan Malderus, Bishop of Antwerp, Imperial Russian Tapestry Manufactory, Saint Petersburg, Wool, metal thread (20-25 warps per inch, 8-10 per cm.), Russian, St. Petersburg
Jan Malderus, Bishop of Antwerp
Manufactory Imperial Russian Tapestry Manufactory, Saint Petersburg
After a copy of a painting by Anthony van Dyck
late 18th century
Portrait of a Man, Anthony van Dyck Flemish, Oil on wood
Portrait of a Man
Anthony van Dyck
ca. 1618
Palamedes Palamedesz, John Singer Sargent American, Graphite and gouache on tan wove paper, American
Palamedes Palamedesz
John Singer Sargent
After Anthony van Dyck
ca. 1871–72
Charles I & Henrietta Maria
Wenceslaus Hollar
After a painting by Anthony van Dyck
1641
A Young Acolyte Bearing a Staff, Anonymous, Dutch, 17th century Dutch, Black chalk heightened with white on blue paper
A Young Acolyte Bearing a Staff
Anonymous, Dutch, 17th century
Former Attribution Anthony van Dyck
early 17th century
Sheet of Studies of Heads, Anthony van Dyck Flemish, Pen and brown ink
Sheet of Studies of Heads
Anthony van Dyck
1615–41
Study for a Portrait of a Lady, Anthony van Dyck Flemish, Black chalk heightened with white chalk on brown paper
Study for a Portrait of a Lady
Anthony van Dyck
early 17th century
Study for an Equestrian Portrait, Possibly that of Albert de Ligne, Count of Arenberg; verso: Various Studies of Statues and Figures, Including the Venus Pudica and Scipio and his Lictor, Anthony van Dyck Flemish, Pen and brown ink; verso: pen and brown ink, black chalk
Study for an Equestrian Portrait, Possibly that of Albert de Ligne, Count of Arenberg; verso: Various Studies of Statues and Figures, Including the Venus Pudica and Scipio and his Lictor
Anthony van Dyck
ca. 1628–32
Study of the Christ Child and the Hand of the Madonna. Verso; Profile of a Man, Anthony van Dyck Flemish, Pen and brown ink
Study of the Christ Child and the Hand of the Madonna. Verso; Profile of a Man
After Anthony van Dyck
n.d.
A Group a Trees, Anthony van Dyck Flemish, Pen and brown ink, brush and brown wash
A Group a Trees
Attributed to Anthony van Dyck
early 17th century
Portrait of Cornelis de Vos, Anonymous, Flemish, 17th century ? Flemish, Black chalk
Portrait of Cornelis de Vos
Anonymous, Flemish, 17th century
After Anthony van Dyck
Sitter Cornelis de Vos
16th century
Landscape with a Gnarled Tree and a Farm, Anthony van Dyck Flemish, Pen and brown ink
Landscape with a Gnarled Tree and a Farm
Anthony van Dyck
early 17th century
Head of an Apostle, Anthony van Dyck Flemish, Black and white chalk on blue paper
Head of an Apostle
circle of Anthony van Dyck
early 17th century
Albert de Ligne, Count of Arenberg, Prince of Brabançon (1600–1674), Anthony van Dyck Flemish, Watercolor and oil
Albert de Ligne, Count of Arenberg, Prince of Brabançon (1600–1674)
After Anthony van Dyck
17th century
Christ on the Cross; verso: St. Jerome Reading by Candlelight, and Sketch of Male Torso (?), Anthony van Dyck Flemish, Recto and verso: black and white chalk
Christ on the Cross; verso: St. Jerome Reading by Candlelight, and Sketch of Male Torso (?)
After Anthony van Dyck
Former Attribution Formerly attributed to Anthony van Dyck
n.d.
Christ and the Pharisees; verso; Christ and a Pharisee, Anthony van Dyck Flemish, Pen and brown ink, brush and brown wash
Christ and the Pharisees; verso; Christ and a Pharisee
Anthony van Dyck
early 17th century
The Blessed Aloysius Gonzaga in Ecstasy, Anthony van Dyck Flemish, Brush and brown ink; enlarged (probably by Pierre-Jean Mariette) below and at right with strips of ca. 7 mm and completed with brush and gray wash; framing lines in pen and black ink
The Blessed Aloysius Gonzaga in Ecstasy
Anthony van Dyck
ca. 1629
The History and Description of Cassiobury Park, Hertfordshire, the seat of the Earl of Essex, John Britton British, Illustrations: etching
The History and Description of Cassiobury Park, Hertfordshire, the seat of the Earl of Essex
Multiple artists/makers
1837
Portrait of Nicolas Chrystin, Jean Morin French, Etching and engraving
Portrait of Nicolas Chrystin
Jean Morin
After Anthony van Dyck
17th century
Justus Sustermans, from "The Iconography", Anthony van Dyck Flemish, Etching; fifth state of five
Justus Sustermans, from "The Iconography"
Anthony van Dyck
Sitter Justus Sustermans
17th century
Nicolas Chrystin, bourgeois d'Anvers, Jean Morin French, Etching
Nicolas Chrystin, bourgeois d'Anvers
Jean Morin
After Anthony van Dyck
Sheet of Studies, Anthony van Dyck Flemish, Pen and brown ink, brush and brown wash
Sheet of Studies
Anthony van Dyck
1621–27
Cardinal Bentivoglio, Jean Morin French, Etching
Cardinal Bentivoglio
Jean Morin
After Anthony van Dyck
Frans Snyders, from "The Iconography", Anthony van Dyck Flemish, Etching; first state
Frans Snyders, from "The Iconography"
Anthony van Dyck
Sitter Frans Snyders
early 17th century