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The Tower of Babel, Anton Joseph von Prenner Austrian, Etching
The Tower of Babel
Anton Joseph von Prenner
After Pieter Bruegel the Elder
Flora with Putti in a Garden, Anton Joseph von Prenner Austrian, Etching and engraving
Flora with Putti in a Garden
Multiple artists/makers
A man, possibly a scholar or philosopher, plate 64 from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna, Anton Joseph von Prenner Austrian, Etching
A man, possibly a scholar or philosopher, plate 64 from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna
Anton Joseph von Prenner
After Jusepe de Ribera (called Lo Spagnoletto)
1728
A mathematician seated at a table, working on mathematical equations, plate 34 from a portfolio of prints of the Imperial Gallery of Paintings in Vienna, Anton Joseph von Prenner Austrian, Etching
A mathematician seated at a table, working on mathematical equations, plate 34 from a portfolio of prints of the Imperial Gallery of Paintings in Vienna
Anton Joseph von Prenner
After Jusepe de Ribera (called Lo Spagnoletto)
1728
A saint seated at a table with his right hand resting on a skull, plate 33 from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna, Anton Joseph von Prenner Austrian, Etching
A saint seated at a table with his right hand resting on a skull, plate 33 from a portfolio of reproductions of the Imperial Gallery of Paintings in Vienna
Anton Joseph von Prenner
After Jusepe de Ribera (called Lo Spagnoletto)
1728
Saint Pepin I and his daughter, Saint Begga, Anton Joseph von Prenner Austrian, Etching; reverse copy
Saint Pepin I and his daughter, Saint Begga
Anton Joseph von Prenner
After Franciscus Van Den Steen
After Peter Paul Rubens
1732
Aeneas fleeing Troy, with a group of six figures leaving the city at left, Aeneas carrying his father Anchises on his back, followed by his wife Creusa and his son Ascanius, two servants at far left, Anton Joseph von Prenner Austrian, Etching
Aeneas fleeing Troy, with a group of six figures leaving the city at left, Aeneas carrying his father Anchises on his back, followed by his wife Creusa and his son Ascanius, two servants at far left
Anton Joseph von Prenner
Possibly after Peter Paul Rubens
1728
The Feast of Venus, with groups of satyrs, nymphs, and putti dancing around a statue of Venus, Anton Joseph von Prenner Austrian, Etching
The Feast of Venus, with groups of satyrs, nymphs, and putti dancing around a statue of Venus
Anton Joseph von Prenner
After Peter Paul Rubens
Publisher Frans van Stampart
1732
The Young Bacchus, holding a flute, Anton Joseph von Prenner Austrian, Etching
The Young Bacchus, holding a flute
Anton Joseph von Prenner
After Peter Paul Rubens
1728
Portrait of Cardinal Infante Ferdinand of Austria, Anton Joseph von Prenner Austrian, Etching
Portrait of Cardinal Infante Ferdinand of Austria
Anton Joseph von Prenner
After Peter Paul Rubens
Sitter Cardinal-Infante Ferdinand of Austria
1728
Portrait of Cardinal Infante Ferdinand of Austria, Anton Joseph von Prenner Austrian, Etching and engraving
Portrait of Cardinal Infante Ferdinand of Austria
Anton Joseph von Prenner
After Peter Paul Rubens
Sitter Cardinal-Infante Ferdinand of Austria
1728
The Reconciliation of Jacob and Esau
Anton Joseph von Prenner
After Peter Paul Rubens
1695–1761
Portrait of a man wearing a feathered helmet holding a sword
Anton Joseph von Prenner
After Guercino (Giovanni Francesco Barbieri)
18th century
Portrait of a man wearing a turban holding a sword
Anton Joseph von Prenner
After Guercino (Giovanni Francesco Barbieri)
18th century
Portrait of a white-haired, bearded man seated in an armchair
Anton Joseph von Prenner
After Jacopo Tintoretto (Jacopo Robusti)
1728
The Deposition
Anton Joseph von Prenner
After Jacopo Tintoretto (Jacopo Robusti)
1700–61
Christ healing the sick
Anton Joseph von Prenner
After Jacopo Tintoretto (Jacopo Robusti)
1700–61
Christ carrying the cross
Anton Joseph von Prenner
After Jacopo Tintoretto (Jacopo Robusti)
1700–61
Portrait of Sebastiano Venier in armor
Anton Joseph von Prenner
After Jacopo Tintoretto (Jacopo Robusti)
Sitter Sebastiano Venier, Doge of Venice
1728

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.