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Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green
Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
Frescoes from the Villa Stati-Mattei, Baldassarre Tommaso Peruzzi Italian, Fresco, transferred to canvas
Frescoes from the Villa Stati-Mattei
Baldassarre Tommaso Peruzzi
Portrait of an Olivetan Monk, Baldassarre Tommaso Peruzzi Italian, Oil on canvas
Portrait of an Olivetan Monk
Attributed to Baldassarre Tommaso Peruzzi
Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures, Giovanni Antonio da Brescia Italian, Engraving
Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures
Giovanni Antonio da Brescia
After Baldassarre Tommaso Peruzzi
ca. 1520–25
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne', Master of the Die Italian, Engraving
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne'
Master of the Die
After Baldassarre Tommaso Peruzzi
Publisher Philippe Thomassin
1530–60
Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from the "Story of Apollo and Daphne", Master of the Die Italian, Engraving
Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from the "Story of Apollo and Daphne"
Master of the Die
After Baldassarre Tommaso Peruzzi
1530–60
Envy or Avarice at the right being driven from the temple of the Muses by Hercules who raises a club, the muses watching from the left, Master of the Die Italian, Engraving
Envy or Avarice at the right being driven from the temple of the Muses by Hercules who raises a club, the muses watching from the left
Multiple artists/makers
1530–60
Cybele in her chariot drawn by two lions, Master of the Die Italian, Engraving
Cybele in her chariot drawn by two lions
Master of the Die
After Baldassarre Tommaso Peruzzi
Publisher Antonio Salamanca
1530–60
River gods consoling Peneus for the Loss of his Daughter, Daphne from 'The Story of Apollo and Daphne', Master of the Die Italian, Engraving
River gods consoling Peneus for the Loss of his Daughter, Daphne from 'The Story of Apollo and Daphne'
Master of the Die
After Baldassarre Tommaso Peruzzi
1530–60
Venus at left in the company of cupids playing, Ugo da Carpi Italian, Chiaroscuro woodcut in black and three tone blocks in beige, brown and dark brown
Venus at left in the company of cupids playing
Attributed to Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
Apollo chasing Daphne who throws her arms up, in the background at right shows the moment she turns in a laurel, from "Story of Apollo and Daphne", Master of the Die Italian, Engraving
Apollo chasing Daphne who throws her arms up, in the background at right shows the moment she turns in a laurel, from "Story of Apollo and Daphne"
Engraved by Master of the Die
Designed by Baldassarre Tommaso Peruzzi
1530–60
Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from "Story of Apollo and Daphne", Master of the Die Italian, Engraving
Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from "Story of Apollo and Daphne"
Master of the Die
After Baldassarre Tommaso Peruzzi
1530–60
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from "Story of Apollo and Daphne", Master of the Die Italian, Engraving
Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from "Story of Apollo and Daphne"
Master of the Die
After Baldassarre Tommaso Peruzzi
1530–60
Cybele in her chariot drawn by two lions, Master of the Die Italian, Engraving
Cybele in her chariot drawn by two lions
Master of the Die
After Baldassarre Tommaso Peruzzi
Publisher Antonio Salamanca
1530–60
Design for the Right-hand Section of the Tomb of Cardinal Francesco Armellini, Baldassarre Tommaso Peruzzi or workshop Italian, Pen and brown ink, over faint traces of leadpoint, or black chalk, and stylus-ruling
Design for the Right-hand Section of the Tomb of Cardinal Francesco Armellini
Baldassarre Tommaso Peruzzi
ca. 1523–27
Crouching Figure of Atlas, Baldassarre Tommaso Peruzzi Italian, Pen and brown ink, over leadpoint or black chalk
Crouching Figure of Atlas
Baldassarre Tommaso Peruzzi
1501–36
Design for an Elaborate Barrel-Vaulted Chapel, Baldassarre Tommaso Peruzzi Italian, Pen and brown ink, over graphite; ruler and compass construction
Design for an Elaborate Barrel-Vaulted Chapel
Attributed to Baldassarre Tommaso Peruzzi
1481–1536
River gods consoling Peneus for the Loss of his Daughter, Daphne, from "Story of Apollo and Daphne", Master of the Die Italian, Engraving
River gods consoling Peneus for the Loss of his Daughter, Daphne, from "Story of Apollo and Daphne"
Engraved by Master of the Die
Designed by Baldassarre Tommaso Peruzzi
1530–60
Hercules chasing Avarice from the temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in brown
Hercules chasing Avarice from the temple of the Muses
Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
Study for a Colonnade in Perspective, Baldassarre Tommaso Peruzzi , or workshop Italian, Pen and brown ink, over an armature of leadpoint, ruling, pin-pricks and compass work, on six fragments of paper
Study for a Colonnade in Perspective
Attributed to Baldassarre Tommaso Peruzzi
ca. 1530
A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi, Anne Claude Philippe de Tubières, comte de Caylus French, Etching and aquatint with tone woodblock
A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi
Anne Claude Philippe de Tubières, comte de Caylus
Nicolas Le Sueur
After Baldassarre Tommaso Peruzzi
ca. 1729–64
A hermit, Monogrammist YHS Italian, Chiaroscuro woodcut from two blocks in blue-green ink
A hermit
Monogrammist YHS
After Baldassarre Tommaso Peruzzi
16th century
Saint Jerome seated by a tree looking up at a crucifix, a lion drinking water from a stream to his right, Nicolas Chasteau French, Etching and engraving
Saint Jerome seated by a tree looking up at a crucifix, a lion drinking water from a stream to his right
Nicolas Chasteau
Louis Surugue
After Baldassarre Tommaso Peruzzi
1728
Palazzo de signori Massimi alle Valle
Draftsman Pietro Ferrerio
Architect Baldassarre Tommaso Peruzzi
Publisher Giovanni Giacomo De Rossi
1655
Palazzo de Ghigi alla Lungara (Villa Farnesina)
Draftsman Pietro Ferrerio
Architect Baldassarre Tommaso Peruzzi
Publisher Giovanni Giacomo De Rossi
1655
Solomon and the Queen of Sheba
Attributed to Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
or after Baldassarre Tommaso Peruzzi
ca. 1520–25
Two of seven plates of a scene showing the Adoration of the Magi
Agostino Carracci
After Baldassarre Tommaso Peruzzi
1579
Mucius Scaevola about to put his hand in the fire
Andrea Andreani
After Baldassarre Tommaso Peruzzi
1608
Dance of the Muses, with Apollo at center and a musician at each end
Philippe Thomassin
After Baldassarre Tommaso Peruzzi
1615
Baldassare Peruzzi
Multiple artists/makers
1682–95
Saints Peter and John the Baptist in a Landscape (Cartoon for a Painting?), Baldassarre Tommaso Peruzzi Italian, Pen and brown ink, brush and light brown wash, over extensive black-chalk underdrawing; stylus-incised outlines of the arch-shaped composition (arch incised with compass); outlines of the figures and silhouetted framing lines pricked for transfer of the design
On loan to The Met
Saints Peter and John the Baptist in a Landscape (Cartoon for a Painting?)
Baldassarre Tommaso Peruzzi
ca. 1510-15