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Soup plate, Bernard Picart French, Hard-paste porcelain, Chinese, possibly for Dutch market
Soup plate
After a print by Bernard Picart
1750–60
Presumed Portrait of Alexander the Great, Bernard Picart French, Red chalk; framing lines in black chalk
Presumed Portrait of Alexander the Great
Bernard Picart
1719
Presumed Portrait of Phocion, Bernard Picart French, Red chalk; faintly squared in red chalk; framing lines in black chalk
Presumed Portrait of Phocion
Bernard Picart
n.d.
Figures before an Altar, Bernard Picart French, Red chalk; framing lines in red chalk
Figures before an Altar
Bernard Picart
n.d.
A Muse, Bernard Picart French, Red chalk; faintly squared in red chalk; framing lines in black chalk
A Muse
Bernard Picart
n.d.
Feast of the Gods, Bernard Picart (?) French, Pen and brown ink, brush and brown wash, heightened with white, on blue paper
Feast of the Gods
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura), Andrea Palladio Italian, Illustrations: etching and engraving
The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura)
Multiple artists/makers
1715 [1716–20]
A Muse, Bernard Picart French, Red chalk; faintly squared in red chalk; framing lines in black chalk. Horizontal line in graphite at lower margin
A Muse
Bernard Picart
n.d.
Mexican Sacrifice to the God of Hunting, Bernard Picart French, Pen and gray ink, brush and gray wash, over traces of graphite and red chalk, heightened with white. Contours incised. Verso reddened for transfer.
Mexican Sacrifice to the God of Hunting
Bernard Picart
1722
King Midas Feasting At The Arrival of Silenus, Bernard Picart (?) French, Pen and brown ink, brown wash, heightened with white (slightly oxidized) on blue paper
King Midas Feasting At The Arrival of Silenus
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Nymphs And Satyrs, Bernard Picart (?) French, Pen and brown ink, brush and brown wash, heightened with white (slightly oxidized) on blue paper
Nymphs And Satyrs
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Dancing Nymphs in a Glade, Bernard Picart (?) French, Pen and brown ink, brush and brown wash, heightened with white, on blue paper
Dancing Nymphs in a Glade
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Fall of the Giants, Bernard Picart (?) French, Pen and brown ink, brown wash, heightened with white, on blue paper
Fall of the Giants
Circle of Bernard Picart
After Guglielmo della Porta
Attributed to Peter Paul Rubens
late 17th–early 18th century
Hunt of the Calydonian Boar, Bernard Picart (?) French, Pen and brown ink, brown wash, heightened with white, on blue paper
Hunt of the Calydonian Boar
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Death of Niobe and Her Children, Bernard Picart (?) French, Pen and brown ink, brush and brown wash, heightened with white on blue paper. Later retouched with brush and gray ink
Death of Niobe and Her Children
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Fight Between Perseus And Phineus in the Palace of Cephus, Bernard Picart (?) French, Pen and brown ink, brush and brown wash, heightened with white
Fight Between Perseus And Phineus in the Palace of Cephus
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Vignette from the Galerie des Glaces, Versailles, Bernard Picart French, Pen and brown ink, brush and gray wash
Vignette from the Galerie des Glaces, Versailles
Bernard Picart
After Charles Le Brun
early 18th century
Vignette from the Galerie des Glaces, Versailles, Bernard Picart French, Pen and brown ink, brush and gray wash
Vignette from the Galerie des Glaces, Versailles
Bernard Picart
After Charles Le Brun
early 18th century
Plate 27: Doña Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue, s'entretenant de nuit avec Don Quichotte, est suprise par les Demoiselles de las Duchesse), Bernard Picart French, Etching and engraving
Plate 27: Doña Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue, s'entretenant de nuit avec Don Quichotte, est suprise par les Demoiselles de las Duchesse)
Bernard Picart
After Charles Antoine Coypel
1745
Plate 17: Don Quixote is served by the ladies of the Duchess (Don Quichotte est servi par les Demoiselles de la Duchesse), Bernard Picart French, Etching and engraving
Plate 17: Don Quixote is served by the ladies of the Duchess (Don Quichotte est servi par les Demoiselles de la Duchesse)
Bernard Picart
After Charles Antoine Coypel
1745
Vitam Mortuis Reddo (I Restore Life to the Dead), Bernard Picart French, Etching
Vitam Mortuis Reddo (I Restore Life to the Dead)
Bernard Picart
1721
Design for a Frontispiece, Bernard Picart French, Pen and black ink, brush and gray wash; framing lines in pen and black ink
Design for a Frontispiece
Bernard Picart
1720
Lady with a Mirror, Claude Simpol French, Pen and gray ink, brush and gray wash, heightened with white, over traces of graphite, contours incised
Lady with a Mirror
Claude Simpol
Former Attribution Formerly attributed to Bernard Picart
1716
Ladies Bathing, Claude Simpol French, Pen and gray ink, brush and gray wash, heightened with white, over traces of graphite; contours incised
Ladies Bathing
Claude Simpol
Former Attribution Formerly attributed to Bernard Picart
1717
A Picnic Party, Claude Simpol French, Pen and gray ink, brush and gray wash, heightened with white, over traces of graphite; contours incised
A Picnic Party
Claude Simpol
Former Attribution Formerly attributed to Bernard Picart
1716
Les Métamorphoses d'Ovide, Vol. I and II, Ovid Roman
Les Métamorphoses d'Ovide, Vol. I and II
Multiple artists/makers
1732
Portrait of Andrea Palladio in half-length within an oval frame; a compass, carpenter's square, and plumb line rest on the plinth below the oval, from an unidentified edition of "Architecture de Palladio", revised by Giacomo Leoni and translated by Nicholas du Bois, Bernard Picart French, Engraving
Portrait of Andrea Palladio in half-length within an oval frame; a compass, carpenter's square, and plumb line rest on the plinth below the oval, from an unidentified edition of "Architecture de Palladio", revised by Giacomo Leoni and translated by Nicholas du Bois
Bernard Picart
After Paolo Veronese (Paolo Caliari)
Sitter Andrea Palladio
1716
Allegory of Time, Bernard Picart French, Engraving
Allegory of Time
Bernard Picart
After Carlo Maratti
1690–1733
Epithalamium, Bernard Picart French, Etching
Epithalamium
Bernard Picart
1726
Roman Alphabet letter I with Louis XIV decoration, Bernard Picart French, Engraving
Roman Alphabet letter I with Louis XIV decoration
Bernard Picart
18th century
Roman Alphabet letter N with Louis XIV decoration, Bernard Picart French, Engraving
Roman Alphabet letter N with Louis XIV decoration
Bernard Picart
18th century
Roman Alphabet letter O with Louis XIV decoration, Bernard Picart French, Engraving
Roman Alphabet letter O with Louis XIV decoration
Bernard Picart
18th century
Roman Alphabet letter P with Louis XIV decoration, Bernard Picart French, Engraving
Roman Alphabet letter P with Louis XIV decoration
Bernard Picart
18th century
Roman Alphabet letter T with Louis XIV decoration, Bernard Picart French, Engraving
Roman Alphabet letter T with Louis XIV decoration
Bernard Picart
18th century
Roman Alphabet letter V with Louis XIV decoration, Bernard Picart French, Engraving
Roman Alphabet letter V with Louis XIV decoration
Bernard Picart
18th century
Villa Rotunda, in The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura) (Volume 1, book 2, plate 15), Andrea Palladio Italian, Illustrations: etching and engraving
Villa Rotunda, in The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura) (Volume 1, book 2, plate 15)
Multiple artists/makers
1715 [1716–20]
Design for a Corinthian Hall, in The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura) (Volume 1, book 2, plate 28), Andrea Palladio Italian, Illustrations: etching and engraving
Design for a Corinthian Hall, in The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura) (Volume 1, book 2, plate 28)
Multiple artists/makers
1715 [1716–20]
The Death of Mary Queen of Scots (from "European Magazine and London Review," volume I), William Walker British, Etching
The Death of Mary Queen of Scots (from "European Magazine and London Review," volume I)
Multiple artists/makers
June 1, 1782
Vignette from the Galerie des Glaces, Versailles, Bernard Picart French, Pen and brown ink, brush and gray wash
Vignette from the Galerie des Glaces, Versailles
Bernard Picart
After Charles Le Brun
early 18th century
Vignette, from "The Battle of Milvian", Bernard Picart French, Pen and black ink, brush and gray wash
Vignette, from "The Battle of Milvian"
Bernard Picart
After Charles Le Brun
early 18th century
Vignette, from "The Battle of Milvian", Bernard Picart French, Pen and black ink, brush and gray wash
Vignette, from "The Battle of Milvian"
Bernard Picart
After Charles Le Brun
early 18th century
Vignette, from "The Battle of Milvian", Bernard Picart French, Pen and black ink, brush and gray wash
Vignette, from "The Battle of Milvian"
Bernard Picart
After Charles Le Brun
early 18th century