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Soup plate, Bernard Picart  French, Hard-paste porcelain, Chinese, possibly for Dutch market
After a print by Bernard Picart
1750–60
Presumed Portrait of Alexander the Great, Bernard Picart  French, Red chalk; framing lines in black chalk
Bernard Picart
1719
Presumed Portrait of Phocion, Bernard Picart  French, Red chalk; faintly squared in red chalk; framing lines in black chalk
Bernard Picart
n.d.
Figures before an Altar, Bernard Picart  French, Red chalk; framing lines in red chalk
Bernard Picart
n.d.
A Muse, Bernard Picart  French, Red chalk; faintly squared in red chalk; framing lines in black chalk
Bernard Picart
n.d.
A Muse, Bernard Picart  French, Red chalk; faintly squared in red chalk; framing lines in black chalk. Horizontal line in graphite at lower margin
Bernard Picart
n.d.
Mexican Sacrifice to the God of Hunting, Bernard Picart  French, Pen and gray ink, brush and gray wash, over traces of graphite and red chalk, heightened with white. Contours incised. Verso reddened for transfer.
Bernard Picart
1722
Lady with a Mirror, Claude Simpol  French, Pen and gray ink, brush and gray wash, heightened with white, over traces of graphite, contours incised
Claude Simpol
Former Attribution Formerly attributed to Bernard Picart
1716
Ladies Bathing, Claude Simpol  French, Pen and gray ink, brush and gray wash, heightened with white, over traces of graphite; contours incised
Claude Simpol
Former Attribution Formerly attributed to Bernard Picart
1717
A Picnic Party, Claude Simpol  French, Pen and gray ink, brush and gray wash, heightened with white, over traces of graphite; contours incised
Claude Simpol
Former Attribution Formerly attributed to Bernard Picart
1716
Les Métamorphoses d'Ovide, Vol. I and II, Ovid  Roman
Multiple artists/makers
1732
King Midas Feasting At The Arrival of Silenus, Bernard Picart (?) French, Pen and brown ink, brown wash, heightened with white (slightly oxidized) on blue paper
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Nymphs And Satyrs, Bernard Picart (?) French, Pen and brown ink, brush and brown wash, heightened with white (slightly oxidized) on blue paper
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Dancing Nymphs in a Glade, Bernard Picart (?) French, Pen and brown ink, brush and brown wash, heightened with white, on blue paper
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Feast of the Gods, Bernard Picart (?) French, Pen and brown ink, brush and brown wash, heightened with white, on blue paper
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Fall of the Giants, Bernard Picart (?) French, Pen and brown ink, brown wash, heightened with white, on blue paper
Circle of Bernard Picart
After Guglielmo della Porta
Attributed to Peter Paul Rubens
late 17th–early 18th century
Hunt of the Calydonian Boar, Bernard Picart (?) French, Pen and brown ink, brown wash, heightened with white, on blue paper
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Death of Niobe and Her Children, Bernard Picart (?) French, Pen and brown ink, brush and brown wash, heightened with white on blue paper. Later retouched with brush and gray ink
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
Fight Between Perseus And Phineus in the Palace of Cephus, Bernard Picart (?) French, Pen and brown ink, brush and brown wash, heightened with white
Circle of Bernard Picart
After Guglielmo della Porta
Former Attribution Peter Paul Rubens
late 17th–early 18th century
The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura), Andrea Palladio  Italian, Illustrations: etching and engraving
Multiple artists/makers
1715 [1716–20]
Design for a Frontispiece, Bernard Picart  French, Pen and black ink, brush and gray wash; framing lines in pen and black ink
Bernard Picart
1720
Vitam Mortuis Reddo (I Restore Life to the Dead), Bernard Picart  French, Etching
Bernard Picart
1721
Portrait of Andrea Palladio in half-length within an oval frame; a compass, carpenter's square, and plumb line rest on the plinth below the oval, from an unidentified edition of "Architecture de Palladio", revised by Giacomo Leoni and translated by Nicholas du Bois, Bernard Picart  French, Engraving
Bernard Picart
After Paolo Veronese (Paolo Caliari)
Sitter Andrea Palladio
1716
Epithalamium, Bernard Picart  French, Etching
Bernard Picart
1726
Allegory of Time, Bernard Picart  French, Engraving
Bernard Picart
After Carlo Maratti
1690–1733
The Death of Mary Queen of Scots (from "European Magazine and London Review," volume I), William Walker  British, Etching
Multiple artists/makers
June 1, 1782
Villa Rotunda, in The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura) (Volume 1, book 2, plate 15), Andrea Palladio  Italian, Illustrations: etching and engraving
Multiple artists/makers
1715 [1716–20]
Design for a Corinthian Hall, in The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura) (Volume 1, book 2, plate 28), Andrea Palladio  Italian, Illustrations: etching and engraving
Multiple artists/makers
1715 [1716–20]
Roman Alphabet letter I with Louis XIV decoration, Bernard Picart  French, Engraving
Bernard Picart
18th century
Roman Alphabet letter N with Louis XIV decoration, Bernard Picart  French, Engraving
Bernard Picart
18th century
Roman Alphabet letter O with Louis XIV decoration, Bernard Picart  French, Engraving
Bernard Picart
18th century
Roman Alphabet letter P with Louis XIV decoration, Bernard Picart  French, Engraving
Bernard Picart
18th century
Roman Alphabet letter T with Louis XIV decoration, Bernard Picart  French, Engraving
Bernard Picart
18th century
Roman Alphabet letter V with Louis XIV decoration, Bernard Picart  French, Engraving
Bernard Picart
18th century
Vignette from the Galerie des Glaces, Versailles, Bernard Picart  French, Pen and brown ink, brush and gray wash
Bernard Picart
After Charles Le Brun
early 18th century
Vignette from the Galerie des Glaces, Versailles, Bernard Picart  French, Pen and brown ink, brush and gray wash
Bernard Picart
After Charles Le Brun
early 18th century
Vignette from the Galerie des Glaces, Versailles, Bernard Picart  French, Pen and brown ink, brush and gray wash
Bernard Picart
After Charles Le Brun
early 18th century
Vignette, from "The Battle of Milvian", Bernard Picart  French, Pen and black ink, brush and gray wash
Bernard Picart
After Charles Le Brun
early 18th century
Vignette, from "The Battle of Milvian", Bernard Picart  French, Pen and black ink, brush and gray wash
Bernard Picart
After Charles Le Brun
early 18th century
Vignette, from "The Battle of Milvian", Bernard Picart  French, Pen and black ink, brush and gray wash
Bernard Picart
After Charles Le Brun
early 18th century
Plate 17: Don Quixote is served by the ladies of the Duchess (Don Quichotte est servi par les Demoiselles de la Duchesse), Bernard Picart  French, Etching and engraving
Bernard Picart
After Charles Antoine Coypel
1745
Plate 27: Doña Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue, s'entretenant de nuit avec Don Quichotte, est suprise par les Demoiselles de las Duchesse), Bernard Picart  French, Etching and engraving
Bernard Picart
After Charles Antoine Coypel
1745

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