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The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Designed by Bernard van Orley
Probably woven by Pieter de Pannemaker
ca. 1525–28
Virgin and Child with Angels, Bernard van Orley Netherlandish, Oil on wood
Virgin and Child with Angels
Bernard van Orley
ca. 1518
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, Bernard van Orley Netherlandish, Oil on wood
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
ca. 1514–15
The Martyrdom of Saint John the Baptist, Bernard van Orley Netherlandish, Oil on wood
The Martyrdom of Saint John the Baptist
Bernard van Orley
ca. 1514–15
Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35
October from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
October from a set of Medallion Months
Designer Possibly after a design by Bernard van Orley
ca. 1525–28
Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Adoration of the Kings
Designer Design attributed to Bernard van Orley
Elements of the central group are derived from Tommaso Vincidor (Tommaso di Andrea)
Possibly woven in the workshop directed by Pieter van Aelst the Younger
1525–1535
The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer
Designer Probably after a design by the Workshop of Bernard van Orley
ca. 1515
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter
Designer Probably after a design by the Workshop of Bernard van Orley
ca. 1515
News of the Stag from the series known as the Hunters' Chase, Mortlake Tapestry Manufactory British, Wool (15-16 warps per inch, 6-7 per cm.), British, Mortlake
News of the Stag from the series known as the Hunters' Chase
Manufactory Mortlake Tapestry Manufactory
Related to designs probably by Bernard van Orley
designed before 1645, woven ca. 1645–75
August from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
August from a set of Medallion Months
Designer Possibly after a design by the workshop of Bernard van Orley
ca. 1525–28
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring
Designer Probably after a design by the Workshop of Bernard van Orley
ca. 1515
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
Designer Probably after a design by the Workshop of Bernard van Orley
ca. 1515
Saint Veronica, Bernard van Orley Netherlandish, Wool, silk, gilded silver metal-wrapped threads (18-21 warps per inch, 7-8 per cm.), Netherlandish, probably Brussels
Saint Veronica
Designer Possibly after a design by Bernard van Orley
ca. 1525
The Crucifixion, Bernard van Orley Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels
The Crucifixion
Designer Design attributed to Bernard van Orley
Workshop director Pieter van Aelst the Younger
Workshop director Pieter de Pannemaker
design ca. 1515, woven ca. 1525
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Designer Bernard van Orley
Manufactory Manufacture Nationale des Gobelins
Workshop of Jean de La Croix
designed ca. 1531, woven 1692–93
Four Scenes from the Passion, Bernard van Orley Netherlandish, Oil on wood
Four Scenes from the Passion
Follower of Bernard van Orley
Honor from the series "The Honors", Bernard van Orley and workshop, with collaborators Netherlandish, Wool and silk (wefts); wool (warps): 6-7 warp threads per cm., Netherlandish, probably Brussels
Honor from the series "The Honors"
Designer Design attributed to Bernard van Orley
designed before 1520, woven between 1525 and 1532
The Month of June, Shearing Sheep (recto); Couples Drinking Wine, The Month of October (verso), Master of the Months of Lucas Netherlandish, Pen and brown ink, brush and light gray-brown wash (faded from violet?); framing lines in pen and brown ink
The Month of June, Shearing Sheep (recto); Couples Drinking Wine, The Month of October (verso)
Master of the Months of Lucas
Former Attribution Formerly attributed to Bernard van Orley
ca. 1535
The Resurrection, Bernard van Orley Netherlandish, Pen and black ink, gray wash. Framing line in pen and brown ink (by the artist)
The Resurrection
Bernard van Orley
Former Attribution Formerly attributed to Master of Saint Michael
early 16th century
The Adoration of the Magi, Bernard van Orley Netherlandish, Pen and brown ink, brown wash, over black chalk, on brown-gray (prepared?) paper
The Adoration of the Magi
Circle of Bernard van Orley
early 16th–mid 16th century
Pilate Washing his Hands, Bernard van Orley Netherlandish, Black chalk, squared in red chalk
Pilate Washing his Hands
Bernard van Orley
early 1530s
Seventy-Five Portraits of Celebrated Painters, From "Authentic Originals"
Multiple artists/makers
1817