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Pirna: The Obertor from the South, Bernardo Bellotto  Italian, Oil on canvas
Bernardo Bellotto
mid-1750s
Vaprio d'Adda, Bernardo Bellotto  Italian, Oil on canvas
Bernardo Bellotto
1744
The Grand Canal from Ca'Moro-Lin and Ca'Foscari to the Carità, Bernardo Bellotto  Italian, Pen and brown ink, gray wash
Bernardo Bellotto
ca. 1736–37
The Grand Canal from the Carità to the Dogana da Mar, Bernardo Bellotto  Italian, Pen and brown ink, gray wash
Bernardo Bellotto
ca. 1736–37
The Entrance to the Grand Canal, with the Dogana da Mar and Santa Maria della Salute on the Left, Bernardo Bellotto  Italian, Pen and brown ink, gray wash
Bernardo Bellotto
ca. 1736–37
The Grand Canal with the Rialto Bridge, from the North, Bernardo Bellotto  Italian, Pen and brown ink, gray wash
Bernardo Bellotto
ca. 1736–37
The Grand Canal, with the Fabbriche Nuove on the Left and Campanile of Santi Apostoli on the Right, Bernardo Bellotto  Italian, Pen and brown ink, gray wash
Bernardo Bellotto
ca. 1736–37
View of Dolo, Bernardo Bellotto  Italian, Pen and brown ink, gray wash
Bernardo Bellotto
ca. 1740–41
A Village on the Brenta, Bernardo Bellotto  Italian, Pen and brown ink, gray wash
Bernardo Bellotto
ca. 1740–41
The Tower of Marghera, Bernardo Bellotto  Italian, Pen and brownish black ink, gray wash, over graphite
Bernardo Bellotto
ca. 1740–41
View of Mestre, Bernardo Bellotto  Italian, Pen and brownish black ink, gray wash, over traces of graphite
Bernardo Bellotto
ca. 1740–41
Santa Giustina and the Prato della Valle at Padua, Bernardo Bellotto  Italian, Pen and brown ink, gray wash
Bernardo Bellotto
ca. 1740–41
The Prato della Valle at Padua, Bernardo Bellotto  Italian, Pen and brown ink, gray wash
Bernardo Bellotto
ca. 1740–41
Imaginary View of Padua, Bernardo Bellotto  Italian, Pen and black ink, gray wash
Bernardo Bellotto
ca. 1740–41
A Venetian Villa, Bernardo Bellotto  Italian, Pen and brown ink, gray wash
Bernardo Bellotto
ca. 1741–80
A Group of Figures Surrounding Two Bird-coops, Bernardo Bellotto  Italian, Pen and brown ink over lead or graphite
Bernardo Bellotto
1742–68
Padua from the East, with San Francesco and the Salone, Bernardo Bellotto  Italian, Pen and brown ink, over constructed outline drawing in graphite or lead
Bernardo Bellotto
1721–80
San Simeone Piccolo, Venice, Seen from the Grand Canal, Bernardo Bellotto  Italian, Pen and brown ink, over constructed outline drawing in graphite or lead and black chalk
Bernardo Bellotto
1721–80
Bernardo Bellotto
1741–42
Bernardo Bellotto
1741–42
Bernardo Bellotto
1741–42
Bernardo Bellotto
1741–42
Bernardo Bellotto
1741–42
Bernardo Bellotto
1741–42
Bernardo Bellotto
1741–42
Bernardo Bellotto
1741–42
Bernardo Bellotto
ca. 1745–50
Bernardo Bellotto
1750
Bernardo Bellotto
1750
Bernardo Bellotto
1749
Bernardo Bellotto
1750
Bernardo Bellotto
1748
Bernardo Bellotto
1747
Etcher Bernardo Bellotto
1748
Bernardo Bellotto
1747
Bernardo Bellotto
Jan van der Heyden
ca. 1745
Bernardo Bellotto
1765
Bernardo Bellotto
ca. 1760–65
Bernardo Bellotto
ca. 1753–63
Bernardo Bellotto
1752
Bernardo Bellotto
1752
Decorated by Reginald John Whistler
Bernardo Bellotto
ca. 1753–63

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.