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The Naming of St. John the Baptist, plate 7 from "Schola Italica Picturae"
Camillo Tinti
After Andrea del Sarto (Andrea d'Agnolo)
Publisher Gavin Hamilton
1771
The Marriage of Meleager and Atalanta, plate 14 from "Schola Italica Picturae"
Camillo Tinti
After Polidoro da Caravaggio
Publisher Gavin Hamilton
1772
The Mystic Marriage of St. Catherine of Alexandria, plate 15 from "Schola Italica Picturae"
Camillo Tinti
After Parmigianino (Girolamo Francesco Maria Mazzola)
Publisher Gavin Hamilton
1771
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Multiple artists/makers
1764–73
The Agony in the Garden, Christ at top with arms outstretched towards an angel holding a cup, the disciples asleep below, after a painting (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel, San Giovanni de' Fiorentini, Rome
Camillo Tinti
After Giovanni Lanfranco
Publisher Domenico Cunego
1776
The marriage of Meleager and Atalanta; three decorated pedastals holding fires, a group of men and women surrounding them, after Polidoro da Caravaggio
Camillo Tinti
After Polidoro da Caravaggio
1772
The Marriage of St. Catherine of Alexandria
Camillo Tinti
After Parmigianino (Girolamo Francesco Maria Mazzola)
18th century