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Department
The Musicians, Caravaggio (Michelangelo Merisi) Italian, Oil on canvas
The Musicians
Caravaggio (Michelangelo Merisi)
1597
The Denial of Saint Peter, Caravaggio (Michelangelo Merisi) Italian, Oil on canvas
The Denial of Saint Peter
Caravaggio (Michelangelo Merisi)
1610
The Holy Family with the Infant Saint John the Baptist, Caravaggio (Michelangelo Merisi) Italian, Oil on canvas
On loan to The Met
The Holy Family with the Infant Saint John the Baptist
Caravaggio (Michelangelo Merisi)
early 1600s
Study after Caravaggio's 'The Cardsharps' with color notes, Anonymous, Italian Italian, Pen and brown ink, brush and brown wash with white heightening
Study after Caravaggio's 'The Cardsharps' with color notes
Anonymous, Italian
After Caravaggio (Michelangelo Merisi)
1600–1700
The Entombment, Tommaso Piroli Italian, Engraving
The Entombment
Tommaso Piroli
After Caravaggio (Michelangelo Merisi)
1772–1824
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror, Henri Simon Thomassin French, Etching
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
After Caravaggio (Michelangelo Merisi)
1707–41
The Entombment of Christ, Ignazio Bonajuti Italian, Engraving
The Entombment of Christ
Ignazio Bonajuti
After Caravaggio (Michelangelo Merisi)
1817
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror, Henri Simon Thomassin French, Etching
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
After Caravaggio (Michelangelo Merisi)
Sitter Caravaggio (Michelangelo Merisi)
1707–41
Denial of Saint Peter
Attributed to Caravaggio (Michelangelo Merisi)
1603
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Multiple artists/makers
1764–73
Saint Jerome in the Wilderness
Anonymous, Italian, Bolognese
Former Attribution Caravaggio (Michelangelo Merisi)
ca. 1630
Entombment, after Caravaggio, plate 25 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)
Tommaso Piroli
After Caravaggio (Michelangelo Merisi)
Publisher Giovanni Battista Piranesi
1764
Cardsharps, plate 40 from "Schola Italica Picturae"
Giovanni Volpato
After Caravaggio (Michelangelo Merisi)
Publisher Gavin Hamilton
1772
The Virgin of Loreto
Artist and publisher Lucas Vorsterman I
After Caravaggio (Michelangelo Merisi)
1622–28
The Cardsharps
Giovanni Volpato
After Caravaggio (Michelangelo Merisi)
1772
David with the Head of Goliath
Wallerant Vaillant
After Caravaggio (Michelangelo Merisi)
1635–77
The Cardsharps
Pietro Antonio Leone Bettelini
After Caravaggio (Michelangelo Merisi)
1772
The Fortune Teller
Giuseppe Sforza Perini
Intermediary draftsman Giovanni Magnani
After Caravaggio (Michelangelo Merisi)
ca. 1790
Portrait of Alof de Wignacourt, Grand Master of the Order of Malta, and his Page
Nicolas de Larmessin III
After Caravaggio (Michelangelo Merisi)
Subject Alof de Wignacourt, 54th Grand Master of the Knights of St John
ca. 1729
The Entombment
Jonas Suyderhoef
After Peter Paul Rubens
After Caravaggio (Michelangelo Merisi)
1633–86
The Death of Saint Francis
Multiple artists/makers
1743–97
The Fortune Teller (Bohemiene disant la bonne avanture)
Benoît Audran II
After Caravaggio (Michelangelo Merisi)
ca. 1729
Sleeping Cupid, with his head resting on his quiver and his bow in his right hand
Theodor Verkruis
Intermediary draftsman Carlo Sacconi
After Caravaggio (Michelangelo Merisi)
ca. 1729
Plate 25: Laban giving his daughter Rachel to Jacob, from "Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France"
Jacobus Coelemans
After Caravaggio (Michelangelo Merisi)
1704
The Entombment
Multiple artists/makers
1630–86
The Holy Family and John the Baptist
Pierre Daret
After Caravaggio (Michelangelo Merisi)
1624–75
Head of a Village Girl
Antoine Joseph Dézallier d'Argenville
After Caravaggio (Michelangelo Merisi)
1700–65
The Incredulity of Saint Thomas
Anonymous, Italian, 17th century
After Caravaggio (Michelangelo Merisi)
1640–60
The Entombment
Multiple artists/makers
1668–86
Sleeping Cupid, with his head resting on his quiver and his bow in his right hand
Anonymous
After Caravaggio (Michelangelo Merisi)
18th century
Three Apostles
Johann Friedrich Bause
Intermediary draftsman Adam Friedrich Oeser
After Caravaggio (Michelangelo Merisi)
1772
Saint Francis, kneeling in front of a crucifix and a skull
Pieter Soutman
After Caravaggio (Michelangelo Merisi)
1620–57
Plate 24: Jacob seeing Rachel at the well, from "Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France"
Jacobus Coelemans
After Caravaggio (Michelangelo Merisi)
1705
The Entombment
Tommaso Piroli
After Caravaggio (Michelangelo Merisi)
1770–73
Ecce Homo
Pierre François Basan
After Caravaggio (Michelangelo Merisi)
ca. 1754
The Incredulity of Saint Thomas
Anonymous, Italian, 17th century
After Caravaggio (Michelangelo Merisi)
1640–60
The Death of the Virgin
Simon de la Vallée
After Caravaggio (Michelangelo Merisi)
ca. 1729
The Musicians
Anonymous
After (attributed on plate) Caravaggio (Michelangelo Merisi)
18th century?
The Virgin of the Rosary, the Virgin and Child standing between three saints, one of whom holds a rosary, with five members of the laity kneeling in the foreground and a donor at right
Lucas Vorsterman I
After Caravaggio (Michelangelo Merisi)
ca. 1620–40
The Incredulity of Saint Thomas, Christ at left touching the stigmata and taking Saint Thomas' hand, six other disciples behind them
Multiple artists/makers
1782–83
Roman soldiers gathered around a sarcophagus, playing cards and dice
Artist and publisher Franz Hanfstängl
After Bartolomeo Manfredi
Former Attribution Caravaggio (Michelangelo Merisi)
ca. 1835–40
Plate 7: A Concert: three musicians, a man at left playing the guitar, a man at center singing and holding a glass, and a man at right playing the flute
Multiple artists/makers
1764