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Portrait of Edouard Gautier-Dagoty, Carlo Lasinio Italian, Mezzotint
Portrait of Edouard Gautier-Dagoty
Carlo Lasinio
Designed by E. Heinsius
1783
A woman kneels to kiss the foot of Pope Pius VII, with a crowd behind her at left, Carlo Lasinio Italian, Stipple engraving
A woman kneels to kiss the foot of Pope Pius VII, with a crowd behind her at left
Carlo Lasinio
Vincenzo de Bonis
Subject Pope Pius VII
1814–50
Fan leaf of Aurora after the fresco by Guercino, Guercino (Giovanni Francesco Barbieri) Italian, Etching, engraving, and stipple engraving
Fan leaf of Aurora after the fresco by Guercino
After Guercino (Giovanni Francesco Barbieri)
Printer Carlo Lasinio
Publisher Niccolo Pagni
1796
Ornate Presi da Graffiti...
Multiple artists/makers
1789
La Reine Marie Antoinette Conduite publiquement au supplice dans un tombereau (Queen Marie Antoinette taken to her execution in a cart)
Etcher Carlo Lasinio
After Aloisin (?)
Printer M. Darly
1794
Pietro Ghezzi
Carlo Lasinio
After Pier Leone Ghezzi
1789
Plate 1: the story (misfortunes) of Job, after the fresco by Taddeo Gaddi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Taddeo Gaddi
Publisher Molini Publishing House
ca. 1808–12
Plate 2: the story (misfortunes) of Job, after the frescoes by Taddeo Gaddi in the Campo Santo, Pisa, from "Pitture a fresco del Campo Santo di Pisa"
Carlo Lasinio
After Taddeo Gaddi
Publisher Molini Publishing House
ca. 1808–12
Plate 4: the story of the Pisan saints, here combat with saint Ephesus, after the frescoes by Spinello Aretino in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Spinello Aretino (Spinello di Luca Spinelli)
Publisher Molini Publishing House
1810
Plate 5: the story of the Pisan saints, here the martyrdom of saints Ephesus and Polito, after the frescoes by Spinello Aretino in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Spinello Aretino (Spinello di Luca Spinelli)
Publisher Molini Publishing House
ca. 1808–12
Plate 6: the story of the Pisan saints, here the conversion of Saint Ranieri, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
After Carlo Lasinio
Simone Martini
Publisher Molini Publishing House
ca. 1808–12
Plate 7: the story of the Pisan saints, here Saint Ranieri taking the habit of a hermit, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Simone Martini
Publisher Molini Publishing House
ca. 1808–12
Plate 8: the story of the Pisan saints, here a miracle associated with Saint Ranieri, after the frescoes by Simone Memmi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Simone Martini
Publisher Molini Publishing House
ca. 1808–12
Plate 9: the story of the Pisan saints, here a miracle associated with Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Antonio Veneziano
Publisher Molini Publishing House
ca. 1808–12
Plate 10: the story of the Pisan saints, here the death of Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Antonio Veneziano
Publisher Molini Publishing House
ca. 1808–12
Plate 12: the story of the Pisan saints, here the anchorites of Thebaid [Egypt], after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Pietro Lorenzetti
Publisher Molini Publishing House
ca. 1808–12
Plate 11: the story of the Pisan saints, here the miracles associated with Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Antonio Veneziano
Publisher Molini Publishing House
ca. 1808–12
Plate 2: Job and his friends, after the fresco by Taddeo Gaddi in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Taddeo Gaddi
Publisher Molini Publishing House
ca. 1808–12
Plate 13: the Last Judgement after the frescoes by the Orcagna brothers in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Andrea di Cione (Orcagna)
Publisher Molini Publishing House
ca. 1808–12
Plate 14: the Triumph of Death after the frescoes by Andrea Orcagna in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Andrea di Cione (Orcagna)
Publisher Molini Publishing House
ca. 1808–12
Plate 15: the Crucifixion after the frescoes by Buonamico Buffalmacco in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Buonamico Buffalmacco
Publisher Molini Publishing House
ca. 1808–12
Plate 16: the Creation after the frescoes by Buonamico Buffalmacco in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Buonamico Buffalmacco
Publisher Molini Publishing House
ca. 1808–12
Plate 22: Abraham and others adoring false gods after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 18: Abraham and Lot in Egypt after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 19: The birth of Jacob and Esau after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 17: The death of Abel after frescoes by Buffalmacco in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Buonamico Buffalmacco
Publisher Molini Publishing House
ca. 1808–12
Plate 20: The damnation of Ham (Cham) after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 21: The tower of Babel after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 24: Abraham victorious after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
1808
Plate 25: Hagar leaving the house of Abraham after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 28: The marriage of Rebekah and Isaac after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 32: The innocence of Joseph after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 35: crossing the Red Sea after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 38: the fall of Jericho and David and Goliath after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Benozzo Gozzoli (Benozzo di Lese di Sandro)
Publisher Molini Publishing House
ca. 1808–12
Plate 18: Noah's ark and the deluge after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Buonamico Buffalmacco
Publisher Molini Publishing House
ca. 1808–12
Plate 3: the presentation of Saint Efeso after the frescoes by Spinello Arentino in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio
After Spinello Aretino (Spinello di Luca Spinelli)
Publisher Molini Publishing House
ca. 1808–12
Plate 40: the resurrection of Christ and other scenes after the frescoes by Spinello Arentino and Bruno in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (original series published 1812, this plate added after 1816)
Carlo Lasinio
After Spinello Aretino (Spinello di Luca Spinelli)
Publisher Molini Publishing House
after 1816
Plate 2: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802
Plate 3: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802
Plate 5: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802
Plate 6: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802
Plate 8: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio
After Raphael (Raffaello Sanzio or Santi)
ca. 1802

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