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François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795), Charles Antoine Coypel French, Pastel, black chalk, watercolor, and traces of black chalk underdrawing on four joined sheets of handmade blue laid paper, mounted on canvas and adhered to a keyed stretcher
François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795)
Charles Antoine Coypel
1743
Teapot, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration
Teapot
Manufactory Meissen Manufactory
Decorator Decoration attributed to the workshop of Abraham Seuter
After scenes by Charles Antoine Coypel
ca. 1725, decorated ca. 1740
The Memorable Judgment of Sancho Panza from a series of tapestries with scenes from Don Quixote (number twenty-four in a series of twenty-eight), Manufacture Nationale des Gobelins French, Wool, silk (18-21 warps per inch, 8 per cm.), French, Paris
The Memorable Judgment of Sancho Panza from a series of tapestries with scenes from Don Quixote (number twenty-four in a series of twenty-eight)
Multiple artists/makers
designed 1727–55, woven April 1752–Dec. 24, 1754
Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière], Jean-Baptiste Mauzaisse in graphite, frontispiece French, Graphite, etching, engraving, mezzotint
Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Multiple artists/makers
mid-18th century
Grand Escalier du Chateau de Versailles dit Escalier des Ambassadeurs, Charles Le Brun French, Engraving, etching
Grand Escalier du Chateau de Versailles dit Escalier des Ambassadeurs
Multiple artists/makers
1725
The Daughter of Jephthah, Charles Antoine Coypel French, Black chalk and stumping, heightened with white chalk, on blue paper; squared in black chalk
The Daughter of Jephthah
Charles Antoine Coypel
1710–50
Study of a Reclining Female Nude, Charles Antoine Coypel French, Black chalk and stumping, heightened with white chalk, on blue paper; squared in black chalk
Study of a Reclining Female Nude
Charles Antoine Coypel
1710–50
Design for a Tapestry Seat of a Sofa, Charles Antoine Coypel French, Gouache with oil; silhouetted and laid down on mount with soft yellow wash surround within two black-ink border lines
Design for a Tapestry Seat of a Sofa
Charles Antoine Coypel
1721
Joseph Recognized by his Brothers, Charles Antoine Coypel French, Red and black chalk, watercolor, and gouache; squared in pen and black ink
Joseph Recognized by his Brothers
Charles Antoine Coypel
18th century
Medea, Charles Antoine Coypel French, Pastel on brown paper; framing lines in pen and brown ink
Medea
Charles Antoine Coypel
Former Attribution Formerly attributed to Charles Le Brun
ca. 1715
Children's Games (Jeux des Enfants), Bernard Lepicié French, Etching and engraving
Children's Games (Jeux des Enfants)
Bernard Lepicié
After Charles Antoine Coypel
1731
Aymon Premier, Anne Claude Philippe de Tubières, comte de Caylus French, Etching and engraving; third state of four
Aymon Premier
Anne Claude Philippe de Tubières, comte de Caylus
Charles-Francois Jouillan
After Charles Antoine Coypel
1726
Cupid teaching (L'Amour-Précepteur), Bernard Lepicié French, Engraving
Cupid teaching (L'Amour-Précepteur)
Bernard Lepicié
After Charles Antoine Coypel
1730
Ecce Homo, Charles Antoine Coypel French, Pen and brown ink, brush and gray wash
Ecce Homo
After Charles Antoine Coypel
early 18th century
Allegorical Figure of Painting, Charles Antoine Coypel French, Black, white, and touches of red chalk on blue paper; squared in black chalk
Allegorical Figure of Painting
Charles Antoine Coypel
early 18th century
River God and Another Male Figure, Charles Antoine Coypel French, Black chalk (stumped) with touches of red chalk, heightened with white; squared in black chalk; framing lines in pen and brown ink
River God and Another Male Figure
Charles Antoine Coypel
18th century
Portrait of Cornelius Galle, Jr., Charles Antoine Coypel French, Black and red chalk, graphite, pen and brown ink, brush and brown wash
Portrait of Cornelius Galle, Jr.
Charles Antoine Coypel
18th century
Youth under the clothing of decrepitude (La jeunesse sous les habillements de la décrépitude), Renée Elizabeth Marlie Lépicié French, Engraving
Youth under the clothing of decrepitude (La jeunesse sous les habillements de la décrépitude)
Renée Elizabeth Marlie Lépicié
After Charles Antoine Coypel
Publisher Louis Surugue
1751
The Coquettish Widow, Bernard Lepicié French, Etching and engraving
The Coquettish Widow
Bernard Lepicié
After Charles Antoine Coypel
1724
The Coquettish Widow, Bernard Lepicié French, Etching and engraving
The Coquettish Widow
Bernard Lepicié
After Charles Antoine Coypel
Publisher Louis Surugue
1724
An old man crying into a tunic while his sons pull it away from him, Francois de Poilly French, Etching and engraving
An old man crying into a tunic while his sons pull it away from him
Francois de Poilly
After Charles Antoine Coypel
1724
The Fabulist Truth (La Vérité Fabuliste), Laurent Cars French, Etching
The Fabulist Truth (La Vérité Fabuliste)
Laurent Cars
After Charles Antoine Coypel
1720–71
Blacksmith Cupids, Louis Desplaces French, Engraving
Blacksmith Cupids
Louis Desplaces
After Charles Antoine Coypel
1714–39
The dry and forbidding education given by a prude (Education seche et rebutante donnée par un prude), Louis Desplaces French, Etching and engraving
The dry and forbidding education given by a prude (Education seche et rebutante donnée par un prude)
Louis Desplaces
After Charles Antoine Coypel
Publisher Nicolas Henry Tardieu
1700–39
Portrait of Charles d'Orleans, Abbe of Rothelin, Nicolas Henry Tardieu French, Etching and engraving
Portrait of Charles d'Orleans, Abbe of Rothelin
Nicolas Henry Tardieu
After Charles Antoine Coypel
Subject Charles d'Orléans de Rothelin
1744–49
Spring (Le Printemps), Simon Francis Ravenet, the elder French, Etching and engraving
Spring (Le Printemps)
Simon Francis Ravenet, the elder
After Charles Antoine Coypel
Publisher Louis Surugue
1742–62
Book 2, Fable 1: the Two Oracles (Les Deux Oracles), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 2, Fable 1: the Two Oracles (Les Deux Oracles), from "Fables Nouvelles"
Multiple artists/makers
1719
Book 2, Fable 17: the Man and the Siren (L'Homme et la Sirene), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 2, Fable 17: the Man and the Siren (L'Homme et la Sirene), from "Fables Nouvelles"
Multiple artists/makers
1719
Book 2, Fable 20: Minos and Death (Minos et la Mort), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 2, Fable 20: Minos and Death (Minos et la Mort), from "Fables Nouvelles"
Multiple artists/makers
1719
Book 3, Fable 4: The Two Pigeons (Les Deux Pigeons), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 3, Fable 4: The Two Pigeons (Les Deux Pigeons), from "Fables Nouvelles"
Multiple artists/makers
1719
Book 3, Fable 12: Pluto and Proserpina, from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 3, Fable 12: Pluto and Proserpina, from "Fables Nouvelles"
Multiple artists/makers
1719
Book 4, Fable 3: the Opinion (L'Opinion), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 4, Fable 3: the Opinion (L'Opinion), from "Fables Nouvelles"
Multiple artists/makers
1719
Book 4, Fable 7: Pandora, from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 4, Fable 7: Pandora, from "Fables Nouvelles"
Multiple artists/makers
1719
Plate 27: Doña Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue, s'entretenant de nuit avec Don Quichotte, est suprise par les Demoiselles de las Duchesse), Bernard Picart French, Etching and engraving
Plate 27: Doña Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue, s'entretenant de nuit avec Don Quichotte, est suprise par les Demoiselles de las Duchesse)
Bernard Picart
After Charles Antoine Coypel
1745
Heads after the Ecce Homo, François Joullain French, Etching and engraving
Heads after the Ecce Homo
François Joullain
After Charles Antoine Coypel
1720–78
The Virgin and Child, Charles Antoine Coypel French, Etching
The Virgin and Child
Charles Antoine Coypel
1714–52
The Story that Stops Time (L'Histoire qui arrête le temps), Charles Nicolas Cochin I French, Etching and engraving
The Story that Stops Time (L'Histoire qui arrête le temps)
Charles Nicolas Cochin I
After Charles Antoine Coypel
1708–54
Venus stopping love, Charles Antoine Coypel French, Etching
Venus stopping love
Charles Antoine Coypel
1714–52
Portrait of Adrienne Lecouvreur as Cornelia in Corneille's "La Mort de Pompée", Pierre Imbert Drevet French, Engraving; third state of three
Portrait of Adrienne Lecouvreur as Cornelia in Corneille's "La Mort de Pompée"
Pierre Imbert Drevet
After Charles Antoine Coypel
Subject Adrienne Lecouvreur
1730
Cupid, Jean Daullé French, Engraving
Cupid
Jean Daullé
After Charles Antoine Coypel
1755
Rinaldo abandoning Armida, François Joullain French, Engraving
Rinaldo abandoning Armida
François Joullain
After Charles Antoine Coypel
Publisher Louis Surugue
1720–62
Apollo, Mercury, and the Shepherdesses, Fable X in "Fables Nouvelles", Charles Nicolas Cochin I French, Etching
Apollo, Mercury, and the Shepherdesses, Fable X in "Fables Nouvelles"
Charles Nicolas Cochin I
After Charles Antoine Coypel
Author Lamotte-Houdar
1719