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François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795), Charles Antoine Coypel French, Pastel, black chalk, watercolor, and traces of black chalk underdrawing on four joined sheets of handmade blue laid paper, mounted on canvas and adhered to a keyed stretcher
François de Jullienne (1722–1754) and Marie Elisabeth de Jullienne (Marie Elisabeth de Séré de Rieux, 1724–1795)
Charles Antoine Coypel
1743
Teapot, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Augsburg decoration
Teapot
Manufactory Meissen Manufactory
Decorator Decoration attributed to the workshop of Abraham Seuter
After scenes by Charles Antoine Coypel
ca. 1725, decorated ca. 1740
The Memorable Judgment of Sancho Panza from a series of tapestries with scenes from Don Quixote (number twenty-four in a series of twenty-eight), Manufacture Nationale des Gobelins French, Wool, silk (18-21 warps per inch, 8 per cm.), French, Paris
The Memorable Judgment of Sancho Panza from a series of tapestries with scenes from Don Quixote (number twenty-four in a series of twenty-eight)
Multiple artists/makers
designed 1727–55, woven April 1752–Dec. 24, 1754
Ecce Homo, Charles Antoine Coypel French, Pen and brown ink, brush and gray wash
Ecce Homo
After Charles Antoine Coypel
early 18th century
Allegorical Figure of Painting, Charles Antoine Coypel French, Black, white, and touches of red chalk on blue paper; squared in black chalk
Allegorical Figure of Painting
Charles Antoine Coypel
early 18th century
Portrait of Cornelius Galle, Jr., Charles Antoine Coypel French, Black and red chalk, graphite, pen and brown ink, brush and brown wash
Portrait of Cornelius Galle, Jr.
Charles Antoine Coypel
18th century
The Daughter of Jephthah, Charles Antoine Coypel French, Black chalk and stumping, heightened with white chalk, on blue paper; squared in black chalk
The Daughter of Jephthah
Charles Antoine Coypel
1710–50
Study of a Reclining Female Nude, Charles Antoine Coypel French, Black chalk and stumping, heightened with white chalk, on blue paper; squared in black chalk
Study of a Reclining Female Nude
Charles Antoine Coypel
1710–50
Cupid teaching (L'Amour-Précepteur), Bernard Lepicié French, Engraving
Cupid teaching (L'Amour-Précepteur)
Bernard Lepicié
After Charles Antoine Coypel
1730
Aymon Premier, Anne Claude Philippe de Tubières, comte de Caylus French, Etching and engraving; third state of four
Aymon Premier
Anne Claude Philippe de Tubières, comte de Caylus
Charles-Francois Jouillan
After Charles Antoine Coypel
1726
Design for a Tapestry Seat of a Sofa, Charles Antoine Coypel French, Gouache with oil; silhouetted and laid down on mount with soft yellow wash surround within two black-ink border lines
Design for a Tapestry Seat of a Sofa
Charles Antoine Coypel
1721
Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière], Jean-Baptiste Mauzaisse in graphite, frontispiece French, Graphite, etching, engraving, mezzotint
Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Multiple artists/makers
mid-18th century
River God and Another Male Figure, Charles Antoine Coypel French, Black chalk (stumped) with touches of red chalk, heightened with white; squared in black chalk; framing lines in pen and brown ink
River God and Another Male Figure
Charles Antoine Coypel
18th century
Medea, Charles Antoine Coypel French, Pastel on brown paper; framing lines in pen and brown ink
Medea
Charles Antoine Coypel
Former Attribution Formerly attributed to Charles Le Brun
ca. 1715
Grand Escalier du Chateau de Versailles dit Escalier des Ambassadeurs, Charles Le Brun French, Engraving, etching
Grand Escalier du Chateau de Versailles dit Escalier des Ambassadeurs
Multiple artists/makers
1725
Joseph Recognized by his Brothers, Charles Antoine Coypel French, Red and black chalk, watercolor, and gouache; squared in pen and black ink
Joseph Recognized by his Brothers
Charles Antoine Coypel
18th century
Children's Games (Jeux des Enfants), Bernard Lepicié French, Etching and engraving
Children's Games (Jeux des Enfants)
Bernard Lepicié
After Charles Antoine Coypel
1731
The Coquettish Widow, Bernard Lepicié French, Etching and engraving
The Coquettish Widow
Bernard Lepicié
After Charles Antoine Coypel
1724
The Fabulist Truth (La Vérité Fabuliste), Laurent Cars French, Etching
The Fabulist Truth (La Vérité Fabuliste)
Laurent Cars
After Charles Antoine Coypel
1720–71
Portrait of Adrienne Lecouvreur as Cornelia in Corneille's "La Mort de Pompée", Pierre Imbert Drevet French, Engraving; third state of three
Portrait of Adrienne Lecouvreur as Cornelia in Corneille's "La Mort de Pompée"
Pierre Imbert Drevet
After Charles Antoine Coypel
Subject Adrienne Lecouvreur
1730
Cupid, Jean Daullé French, Engraving
Cupid
Jean Daullé
After Charles Antoine Coypel
1755
Apollo, Mercury, and the Shepherdesses, Fable X in "Fables Nouvelles", Charles Nicolas Cochin I French, Etching
Apollo, Mercury, and the Shepherdesses, Fable X in "Fables Nouvelles"
Charles Nicolas Cochin I
After Charles Antoine Coypel
Author Lamotte-Houdar
1719
Frontispiece for "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Frontispiece for "Fables Nouvelles"
Nicolas Henry Tardieu
After Charles Antoine Coypel
1719
Bold satire in the depths of the forest (Satire audacieux, dans le fond des forets), Louis Desplaces French, Hand-colored engraving
Bold satire in the depths of the forest (Satire audacieux, dans le fond des forets)
Louis Desplaces
After Charles Antoine Coypel
1714–39
Book 1, Fable 11: Bags of Destinies (Les Sacs des Destinées), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 1, Fable 11: Bags of Destinies (Les Sacs des Destinées), from "Fables Nouvelles"
Multiple artists/makers
1719
Book 1, Fable 13: the Lottery of Jupiter (La Lotterie de Jupiter), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 1, Fable 13: the Lottery of Jupiter (La Lotterie de Jupiter), from "Fables Nouvelles"
Multiple artists/makers
1719
Heads after the Ecce Homo, François Joullain French, Etching and engraving
Heads after the Ecce Homo
François Joullain
After Charles Antoine Coypel
1720–78
Age adorned by folly with the clothes of youth, Louis Surugue French, Engraving
Age adorned by folly with the clothes of youth
Louis Surugue
After Charles Antoine Coypel
1745
Music, Nicolas Etienne Edelinck French, Etching and engraving
Music
Nicolas Etienne Edelinck
After Charles Antoine Coypel
1714–67
Woman looking at a portrait of her lover, Louis Surugue French, Engraving
Woman looking at a portrait of her lover
Louis Surugue
After Charles Antoine Coypel
1747
Don Quixote on horseback with a barber's bowl on his head as a hat, Louis Surugue French, Etching and engraving
Don Quixote on horseback with a barber's bowl on his head as a hat
Artist and publisher Louis Surugue
After Charles Antoine Coypel
1723–24
The Coquettish Widow, Simon Nicolas Duflos French, Etching and engraving
The Coquettish Widow
Artist and publisher Simon Nicolas Duflos
After Charles Antoine Coypel
1747
Book 1, Fable 16: The Magician (La Magicienne), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 1, Fable 16: The Magician (La Magicienne), from "Fables Nouvelles"
Multiple artists/makers
1719
Book 3, Fable 4: The Two Pigeons (Les Deux Pigeons), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 3, Fable 4: The Two Pigeons (Les Deux Pigeons), from "Fables Nouvelles"
Multiple artists/makers
1719
Book 3, Fable 12: Pluto and Proserpina, from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 3, Fable 12: Pluto and Proserpina, from "Fables Nouvelles"
Multiple artists/makers
1719
Book 4, Fable 3: the Opinion (L'Opinion), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 4, Fable 3: the Opinion (L'Opinion), from "Fables Nouvelles"
Multiple artists/makers
1719
Plate 13: entrance of Love and Wealth to Gamache's wedding (Entrée de L'amour et de la Richesse aux Noces de Gamache), Pieter Tanjé Dutch, Etching and engraving
Plate 13: entrance of Love and Wealth to Gamache's wedding (Entrée de L'amour et de la Richesse aux Noces de Gamache)
Pieter Tanjé
After Charles Antoine Coypel
1745
Plate 17: Don Quixote is served by the ladies of the Duchess (Don Quichotte est servi par les Demoiselles de la Duchesse), Bernard Picart French, Etching and engraving
Plate 17: Don Quixote is served by the ladies of the Duchess (Don Quichotte est servi par les Demoiselles de la Duchesse)
Bernard Picart
After Charles Antoine Coypel
1745
Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house (Don Quichotte consulte la teste enchantée chez Don Antonio Mereno), Jakob van Schley Dutch, Etching and engraving
Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house (Don Quichotte consulte la teste enchantée chez Don Antonio Mereno)
Jakob van Schley
After Charles Antoine Coypel
1745
The Virgin and Child, Charles Antoine Coypel French, Etching
The Virgin and Child
Charles Antoine Coypel
1714–52
Book 2, Fable 9: the Chameleon (Le Camelon), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 2, Fable 9: the Chameleon (Le Camelon), from "Fables Nouvelles"
Multiple artists/makers
1719
Book 2, Fable 17: the Man and the Siren (L'Homme et la Sirene), from "Fables Nouvelles", Nicolas Henry Tardieu French, Etching and engraving
Book 2, Fable 17: the Man and the Siren (L'Homme et la Sirene), from "Fables Nouvelles"
Multiple artists/makers
1719