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Title page vignette for 'Doctoris Martae Neapolitani', Charles Audran French, Etching
Title page vignette for 'Doctoris Martae Neapolitani'
Charles Audran
1627
Frontispiece for 'Angélique des excellences de l'âme', Charles Audran French, Etching
Frontispiece for 'Angélique des excellences de l'âme'
Charles Audran
1626
Frontispiece for "Commentarij in Quator Libros Regum" by F. de Monoça, Charles Audran French, Etching
Frontispiece for "Commentarij in Quator Libros Regum" by F. de Monoça
Charles Audran
1622
Frontispiece for Evangelicus Concionatoris, et Novi Hominis Institutionis, Charles Audran French, Etching
Frontispiece for Evangelicus Concionatoris, et Novi Hominis Institutionis
Charles Audran
1622
Frontispiece for Vnuiersa Historia Profana, Charles Audran French, Etching
Frontispiece for Vnuiersa Historia Profana
Charles Audran
ca. 1630–70
Frontispiece for 'Opus morale in praecepta Decalogi', Charles Audran French, Etching
Frontispiece for 'Opus morale in praecepta Decalogi'
Charles Audran
1637
Frontispiece for 'Adversaria sacra', Charles Audran French, Etching
Frontispiece for 'Adversaria sacra'
Charles Audran
1626
Autumn, Charles Audran French, Etching
Autumn
Charles Audran
1634
Winter, Charles Audran French, Etching
Winter
Charles Audran
1634
Two women writing an inscription on the pedestal of a statue of Anne of Austria, from Le Moyne's 'La Gallerie des femmes fortes'
Charles Audran
After Pietro da Cortona (Pietro Berrettini)
ca. 1647
Two women writing an inscription on the pedestal of a statue of Anne of Austria, from Le Moyne's 'La Gallerie des femmes fortes'
Charles Audran
After Pietro da Cortona (Pietro Berrettini)
ca. 1647

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.