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Department
Oriental Head, Charles Heath  British, Lithograph (polyautograph)
Charles Heath
After John Hamilton Mortimer
ca. 1803
Hostess and Sly (Shakespeare, Taming of the Shrew, Induction, Scene 1), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After Henry Corbould
Subject William Shakespeare
1825–40
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After Richard Westall
Subject William Shakespeare
1825–33
Anne Page, Slender and Simple (Shakespeare, Merry Wives of Windsor, Act 1, Scene 1), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After Robert Smirke
Subject William Shakespeare
1825–40
Silvia, Proteus, Valentine and Julia (Shakespeare, Two Gentlemen of Verona, Act 5, Scene 4), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Titania and Bottom (Shakespeare, Midsummer Night's Dream, Act 3, Scene 1), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After Philip Francis Stephanoff
Subject William Shakespeare
1825–40
Coriolanus and Aufidius (Shakespeare, Coriolanus, Act 4, Scene 5), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After Henry Corbould
Subject William Shakespeare
1825–40
Dumain, Biron, the King, and Longaville (Shakespeare, Love's Labour's Lost, Act 4, Scene 3), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Boar's Head Tavern: Prince Hal, Falstaff and Poins (Shakespeare, First Part of Henry IV, Act 2, Scene 4), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After Robert Smirke
Subject William Shakespeare
1825–40
The Lover, from the Seven Ages of Man (Shakespeare, As You Like It, Act 2, scene 7), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After Robert Smirke
Subject William Shakespeare
1825–40
Aaron and Tamora (Shakespeare, Titus Andronicus, Act 2, Scene 3), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After Henry Corbould
Subject William Shakespeare
1825–40
Suffolk and Margaret (Shakespeare, King Henry VI, Part I, Act 5, Scene 3), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Cordelia and King Lear (Shakespeare, King Lear, Act 4, Scene 7), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Beatrice and Benedick (Shakespeare, Much Ado About Nothing, Act 2, Scene 3), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After Philip Francis Stephanoff
Subject William Shakespeare
1825–40
Queen Margaret and Suffolk (Shakespeare, Henry VI, Part II, Act 3, Scene 2), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Malvolio (Twelfth Night, Act 2, Scene 5), Charles Heath  British, Etching and engraving
Engraver Charles Heath
After John Massey Wright
Subject William Shakespeare
1825–40
Multiple artists/makers
[1844]
Multiple artists/makers
[1853] (?)
Author Sir Walter Scott
Editor Engraved under the supervision of Charles Heath
Publisher D. Appleton & Co.
1860
Multiple artists/makers
1816
Multiple artists/makers
1812
Multiple artists/makers
ca. 1830
Etcher Charles Heath
After Conrad Martin Metz
Sitter George, Prince of Wales
1778–1800
Charles Heath
Publisher Georg Jacob Vollweiler
1804–6