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Le Pont au Change, Charles Meryon French, Etching with additions in graphite; seventh state
Le Pont au Change
Charles Meryon
1854
The Clock Tower, Charles Meryon French, Graphite with red chalk on laid paper (a narrow strip added at right)
The Clock Tower
Charles Meryon
ca. 1852
A Lyre Bird, Charles Meryon French, Graphite
A Lyre Bird
Charles Meryon
ca. 1846–55
A European Jay, Charles Meryon French, Graphite
A European Jay
Charles Meryon
ca. 1863
A Bird of Paradise, Charles Meryon French, Graphite
A Bird of Paradise
Charles Meryon
1835–68
A Golden Eagle, Charles Meryon French, Graphite
A Golden Eagle
Charles Meryon
after 1859
The Apse of Notre-Dame, Paris, Charles Meryon French, Graphite
The Apse of Notre-Dame, Paris
Charles Meryon
ca. 1852–54
A Raven Perched on a Rail, Charles Meryon French, Graphite on wove paper laid down on blue-green French mat
A Raven Perched on a Rail
Charles Meryon
mid-19th century
Lunar Law, Charles Meryon French, Pen and brown ink, brush and brown and colored washes, graphite, on etching
Lunar Law
Charles Meryon
1856
Native Barns and Huts at Akaroa, Banks Peninsula, 1845, from "The Voyage to New Zealand (1842–46)", Charles Meryon French, Etching
Native Barns and Huts at Akaroa, Banks Peninsula, 1845, from "The Voyage to New Zealand (1842–46)"
Charles Meryon
1860
The Mortuary, Paris (La Morgue), Charles Meryon French, Etching and drypoint, third state of seven
The Mortuary, Paris (La Morgue)
Charles Meryon
1854
The Vampire, Charles Meryon French, Etching in brown ink on green laid paper; fifth state of ten
The Vampire
Charles Meryon
1853
San Francisco, Charles Meryon French, Etching on steel; third state of three
San Francisco
Charles Meryon
1855–56
Regarding One of the Gargoyles of Nôtre-Dame, Paris, Charles Meryon French, Facsimile of a drawing on blue-green laid paper
Regarding One of the Gargoyles of Nôtre-Dame, Paris
Charles Meryon
1853
The Notre-Dame Pump (small plate), Charles Meryon French, Etching; second state of three
The Notre-Dame Pump (small plate)
Charles Meryon
1854
Cow and Ass, Charles Meryon French, Etching; second state of two
Cow and Ass
Charles Meryon
After Philippe Jacques de Loutherbourg
1849
Three Pigs Lying in Front of a Shed, Charles Meryon French, Etching; second, final state
Three Pigs Lying in Front of a Shed
Charles Meryon
After Karel Dujardin
1850
Two Horses, Charles Meryon French, Etching
Two Horses
Charles Meryon
After Karel Dujardin
1850
South Sea Fishers; Ewe with Two Lambs, Charles Meryon French, Etching
South Sea Fishers; Ewe with Two Lambs
Charles Meryon
After Reinier Nooms, called Zeeman
After Adriaen van de Velde
1850
Entrance to the Faubourg Saint-Marceau, Paris, Charles Meryon French, Etching on wove paper; second state of two
Entrance to the Faubourg Saint-Marceau, Paris
Charles Meryon
After Reinier Nooms, called Zeeman
1850
A Water-mill near Saint-Denis, Charles Meryon French, Etching; first state of two
A Water-mill near Saint-Denis
Charles Meryon
After Reinier Nooms, called Zeeman
1850
The Galliot of Jean de Vyl of Rotterdam, Charles Meryon French, Etching; third state of three
The Galliot of Jean de Vyl of Rotterdam
Charles Meryon
After Reinier Nooms, called Zeeman
1850
South Sea Fishers, Charles Meryon French, Etching; first of two states
South Sea Fishers
Charles Meryon
After Reinier Nooms, called Zeeman
1850
Calais Boats in Vlissingen, Charles Meryon French, Etching; second state of two
Calais Boats in Vlissingen
Charles Meryon
After Reinier Nooms, called Zeeman
1850
Etchings of Paris; Title page to the suite, Charles Meryon French, Etching on brown wove paper; first state
Etchings of Paris; Title page to the suite
Charles Meryon
1852
Portrait of Charles Meryon, in profile, Félix Bracquemond French, Etching; second state of three
Portrait of Charles Meryon, in profile
Multiple artists/makers
1854
Dedicatory verses by Meryon to Reiner Nooms, called Zeeman, Charles Meryon French, Etching; only state
Dedicatory verses by Meryon to Reiner Nooms, called Zeeman
Charles Meryon
Dedicatee Reinier Nooms, called Zeeman
1854
The Old Gate of the Palais de Justice, Paris, frontispiece to "Etchings of Paris", Charles Meryon French, Etching and drypoint on laid paper; first state of two
The Old Gate of the Palais de Justice, Paris, frontispiece to "Etchings of Paris"
Charles Meryon
1854
The Old Entrance to the Palais de Justice, Paris, frontispiece to "Etchings of Paris", Charles Meryon French, Etching and drypoint; second (final) state (Schneiderman)
The Old Entrance to the Palais de Justice, Paris, frontispiece to "Etchings of Paris"
Charles Meryon
1854
The Old Entrance to the Palais de Justice, Paris, Charles Meryon French, Etching and drypoint printed in brown ink on laid paper; second (final) state
The Old Entrance to the Palais de Justice, Paris
Charles Meryon
1854
Coat-of-Arms Symbolizing the City of Paris, from "Etchings of Paris", Charles Meryon French, Etching; fourth state of five
Coat-of-Arms Symbolizing the City of Paris, from "Etchings of Paris"
Charles Meryon
1854
Coat-of-Arms Symbolizing the City of Paris; Bookplate of Bella C. Landauer, Charles Meryon French, Etching on laid paper
Coat-of-Arms Symbolizing the City of Paris; Bookplate of Bella C. Landauer
Charles Meryon
Dedicatee Dedicated to Mrs. Bella C. Landauer
19th century
Coat-of-Arms Symbolic of the City of Paris with the motto: It Rocks But Does Not Sink, Charles Meryon French, Woodcut on china paper
Coat-of-Arms Symbolic of the City of Paris with the motto: It Rocks But Does Not Sink
After Charles Meryon
1854
The Petit Pont, Paris, Charles Meryon French, Etching and engraving on wove paper; first of nine states
The Petit Pont, Paris
Charles Meryon
1850 or later
The Petit Pont, Paris, Charles Meryon French, Etching and engraving on wove paper; first state (of nine)
The Petit Pont, Paris
Charles Meryon
1850 and later
The Petit Pont, Paris, Charles Meryon French, Etching and engraving on green laid paper; fourth state (of nine)
The Petit Pont, Paris
Charles Meryon
1850 and later
The Gallery, Nôtre-Dame Cathedral, Paris, from "Etchings of Paris", Charles Meryon French, Etching on laid paper; fourth state of six
The Gallery, Nôtre-Dame Cathedral, Paris, from "Etchings of Paris"
Charles Meryon
1853
Gallery, Nôtre-Dame Cathedral, Paris, Charles Meryon French, etching on laid paper; fourth state of six
Gallery, Nôtre-Dame Cathedral, Paris
Charles Meryon
1853
Archway, Pont Nôtre-Dame, Paris, Charles Meryon French, Etching; fourth state of four
Archway, Pont Nôtre-Dame, Paris
Charles Meryon
1853
Archway, Pont Nôtre-Dame, Paris, from "Etchings of Paris", Charles Meryon French, Etching on green laid paper; fourth (final) state
Archway, Pont Nôtre-Dame, Paris, from "Etchings of Paris"
Charles Meryon
1853
Archway, Pont Nôtre-Dame, Paris, Edmond Gosselin French, Etching on laid paper
Archway, Pont Nôtre-Dame, Paris
Copied by Edmond Gosselin
After Charles Meryon
1840–1900
The Nôtre-Dame Pump, from "Etchings of Paris", Charles Meryon French, Etching on green laid paper; sixth state of nine
The Nôtre-Dame Pump, from "Etchings of Paris"
Charles Meryon
1852

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