Tickets
English
DonateMembership
Tickets

Search for Art

1-42 of 148 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
San Francisco, Charles Meryon French, Etching on steel; third state of three
San Francisco
Charles Meryon
1855–56
Native Barns and Huts at Akaroa, Banks Peninsula, 1845, from "The Voyage to New Zealand (1842–46)", Charles Meryon French, Etching
Native Barns and Huts at Akaroa, Banks Peninsula, 1845, from "The Voyage to New Zealand (1842–46)"
Charles Meryon
1860
The Vampire, Charles Meryon French, Etching in brown ink on green laid paper; fifth state of ten
The Vampire
Charles Meryon
1853
Cow and Ass, Charles Meryon French, Etching; second state of two
Cow and Ass
Charles Meryon
After Philippe Jacques de Loutherbourg
1849
Three Pigs Lying in Front of a Shed, Charles Meryon French, Etching; second, final state
Three Pigs Lying in Front of a Shed
Charles Meryon
After Karel Dujardin
1850
Two Horses, Charles Meryon French, Etching
Two Horses
Charles Meryon
After Karel Dujardin
1850
South Sea Fishers; Ewe with Two Lambs, Charles Meryon French, Etching
South Sea Fishers; Ewe with Two Lambs
Charles Meryon
After Reinier Nooms, called Zeeman
After Adriaen van de Velde
1850
Entrance to the Faubourg Saint-Marceau, Paris, Charles Meryon French, Etching on wove paper; second state of two
Entrance to the Faubourg Saint-Marceau, Paris
Charles Meryon
After Reinier Nooms, called Zeeman
1850
Calais Boats in Vlissingen, Charles Meryon French, Etching; second state of two
Calais Boats in Vlissingen
Charles Meryon
After Reinier Nooms, called Zeeman
1850
Coat-of-Arms Symbolizing the City of Paris, from "Etchings of Paris", Charles Meryon French, Etching; fourth state of five
Coat-of-Arms Symbolizing the City of Paris, from "Etchings of Paris"
Charles Meryon
1854
Gallery, Nôtre-Dame Cathedral, Paris, Charles Meryon French, etching on laid paper; fourth state of six
Gallery, Nôtre-Dame Cathedral, Paris
Charles Meryon
1853
Archway, Pont Nôtre-Dame, Paris, Charles Meryon French, Etching; fourth state of four
Archway, Pont Nôtre-Dame, Paris
Charles Meryon
1853
Archway, Pont Nôtre-Dame, Paris, from "Etchings of Paris", Charles Meryon French, Etching on green laid paper; fourth (final) state
Archway, Pont Nôtre-Dame, Paris, from "Etchings of Paris"
Charles Meryon
1853
Archway, Pont Nôtre-Dame, Paris, Edmond Gosselin French, Etching on laid paper
Archway, Pont Nôtre-Dame, Paris
Copied by Edmond Gosselin
After Charles Meryon
1840–1900
The Notre-Dame Pump, Paris, Charles Meryon French, Etching; sixth state of ten
The Notre-Dame Pump, Paris
Charles Meryon
1852
The Clock Tower, Paris, Charles Meryon French, Etching with engraving on laid paper; fifth state of ten
The Clock Tower, Paris
Charles Meryon
1852
Rue des Mauvais Garçons, Paris, Charles Meryon French, Etching on wove paper; first of three states; lines of verse added in pen and ink
Rue des Mauvais Garçons, Paris
Charles Meryon
1854
Rue des Mauvais Garçons, Paris, Charles Meryon French, Etching on heavy wove paper; third (final) state
Rue des Mauvais Garçons, Paris
Charles Meryon
1854
House with a Turret, rue de la Tixéranderie, Paris, Charles Meryon French, Etching on heavy laid paper; third state of four
House with a Turret, rue de la Tixéranderie, Paris
Charles Meryon
1852
House with a Turret, rue de la Tixéranderie, Paris, Edmond Gosselin French, Etching
House with a Turret, rue de la Tixéranderie, Paris
Edmond Gosselin
After Charles Meryon
ca. 1881–82
The Nôtre-Dame Pump (small plate), Charles Meryon French, Etching on heavy machine-laid paper; second state of three
The Nôtre-Dame Pump (small plate)
Charles Meryon
1854
Pont-Neuf, Paris, from "Etchings of Paris", Charles Meryon French, Etching and drypoint; seventh state of eleven
Pont-Neuf, Paris, from "Etchings of Paris"
Charles Meryon
1853
Pont-Neuf, Paris, Charles Meryon French, Etching and drypoint (burnished) on laid paper; eighth state of eleven; with additions in graphite
Pont-Neuf, Paris
Charles Meryon
1853
Frontispiece for the Catalogue of the work of Thomas De Leu, Charles Meryon French, Etching with engraving; sixth state of six
Frontispiece for the Catalogue of the work of Thomas De Leu
Charles Meryon
Subject of book Thomas de Leu
1866
Pont-Neuf, Paris, Charles Meryon French, Etching and drypoint; tenth state of eleven
Pont-Neuf, Paris
Charles Meryon
1853
Regarding One of the Gargoyles of Nôtre-Dame, Paris, Charles Meryon French, Facsimile of a drawing on blue-green laid paper
Regarding One of the Gargoyles of Nôtre-Dame, Paris
Charles Meryon
1853
Molière's tomb, Père-Lachaise Cemetery, Paris, Charles Meryon French, Copper plate
Molière's tomb, Père-Lachaise Cemetery, Paris
Charles Meryon
1854
The Apse of Notre-Dame, Paris, Charles Meryon French, Etching with engraving and drypoint on laid paper; fourth state of nine
The Apse of Notre-Dame, Paris
Charles Meryon
1854
The Apse of Notre-Dame, Paris, Charles Meryon French, Etching with engraving and drypoint on laid paper; fourth state of nine
The Apse of Notre-Dame, Paris
Charles Meryon
1854
The Apse of Notre-Dame, Paris, Charles Meryon French, Etching with engraving and drypoint on laid paper; fourth state of nine
The Apse of Notre-Dame, Paris
Charles Meryon
1854
The Apse of Nôtre-Dame, Paris, Charles Meryon French, Etching with engraving and drypoint on laid paper; fourth state of nine
The Apse of Nôtre-Dame, Paris
Charles Meryon
1854
Le Tombeau de Molière (au Père-Lachaise) (Molière's tomb, Père-Lachaise Cemetery), Paris, from "Etchings of Paris", Charles Meryon French, Etching; first state of two
Le Tombeau de Molière (au Père-Lachaise) (Molière's tomb, Père-Lachaise Cemetery), Paris, from "Etchings of Paris"
Charles Meryon
Subject Jean-Baptiste Poquelin Molière
1854
Molière's Tomb, Père-Lachaise Cemetery, Paris, Charles Meryon French, Etching; first state of two
Molière's Tomb, Père-Lachaise Cemetery, Paris
Charles Meryon
1854
La Rue des Chantres, Paris, Charles Meryon French, Etching
La Rue des Chantres, Paris
Charles Meryon
1862
La Rue des Chantres (Rue des Chantres, Paris), Charles Meryon French, Etching
La Rue des Chantres (Rue des Chantres, Paris)
Charles Meryon
1862
Tourelle Rue de l'Ecole de Médecine, 22 (House with a Turret, No 22, rue de l'Ecole de Médecine, Paris) (called the Turret of Marat), Charles Meryon French, Etching with drypoint
Tourelle Rue de l'Ecole de Médecine, 22 (House with a Turret, No 22, rue de l'Ecole de Médecine, Paris) (called the Turret of Marat)
Charles Meryon
1861 or later
Le Pont-au-Change, vers 1784 (Pont-au-Change, Paris, circa 1784), Charles Meryon French, Etching
Le Pont-au-Change, vers 1784 (Pont-au-Change, Paris, circa 1784)
Charles Meryon
After Victor Jean Nicolle
1855
Passerelle du Pont-au-Change, après l'incendie de 1621 (The Footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621), Charles Meryon French, Etching
Passerelle du Pont-au-Change, après l'incendie de 1621 (The Footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621)
Charles Meryon
After Stefano della Bella
1860
Ruines du Château de Pierrefonds (Ruins of the Château de Pierrefonds), Charles Meryon French, Etching with drypoint; first state of three
Ruines du Château de Pierrefonds (Ruins of the Château de Pierrefonds)
Charles Meryon
After Eugène-Emmanuel Viollet-le-Duc
1858
Le Ministere de la Marine (The Admiralty, Paris), Charles Meryon French, Etching on laid paper
Le Ministere de la Marine (The Admiralty, Paris)
Charles Meryon
1865
Château de Chenonceau, No 1, after Ducerceau, Charles Meryon French, Etching on laid paper; only state
Château de Chenonceau, No 1, after Ducerceau
Charles Meryon
After Jacques Androuet Du Cerceau
1856
Château de Chenonceau, No 2 (Château de Chenonceau, No 2), Charles Meryon French, Etching on laid paper; first state of three
Château de Chenonceau, No 2 (Château de Chenonceau, No 2)
Charles Meryon
1856