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Farmyard, Charles Michel Ange Challe French, Black and white chalk, gray wash, over a black chalk counterproof
Farmyard
Charles Michel Ange Challe
mid-18th century
View Within the Colosseum, Rome, Charles Michel Ange Challe French, Black chalk, heightened with white on gray-blue paper; framing lines in pen and brown ink. Verso: faint black chalk sketch of an arch
View Within the Colosseum, Rome
Charles Michel Ange Challe
18th century
View of the Palazza Madama, Rome (?), Charles Michel Ange Challe French, Black chalk, stumped, with white chalk on gray paper
View of the Palazza Madama, Rome (?)
Attributed to Charles Michel Ange Challe
mid-18th century
An Architectural Capriccio; a View Through a Great Arch with an Obelisk in a Piazza in the Middle Distance, Charles Michel Ange Challe French, Pen and black ink, brush and gray wash
An Architectural Capriccio; a View Through a Great Arch with an Obelisk in a Piazza in the Middle Distance
Charles Michel Ange Challe
18th century
Architectural Fantasy, Charles Michel Ange Challe French, Pen and brown ink, brush and brown, gray and black wash. Creased vertically down the center.
Architectural Fantasy
Charles Michel Ange Challe
18th century
Nymph at a Bath, Charles Michel Ange Challe French, Etching
Nymph at a Bath
Charles Michel Ange Challe
1744
Diana at the Bath, Charles Michel Ange Challe French, Etching
Diana at the Bath
Charles Michel Ange Challe
1744
Les Appas Multiplies, Louis Dennel French, Engraving
Les Appas Multiplies
Louis Dennel
After Charles Michel Ange Challe
1759–1806
Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
Scrapbook containing prints of the catafalque of the Dauphin, 1766
Multiple artists/makers
1766
IIIe Suite de Vases
Jacques Beauvais
Dedicatee Dedicated to Charles Michel Ange Challe
Publisher Published by Jacques François Chereau
[after 1760]
Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
Pyramidal Portal to the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
Geometrical Elevation of a Side of the Catafalque, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
Geometrical and Lateral Elevation of the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774
Lateral Cut-Away of the Catafalque of Louis XV, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774
Multiple artists/makers
1774
Plan of the Ceiling and Base of the Catafalque, from Description des Honneurs Funébres Rendus a la Mémoire de Très-Grand, Très-Haut, Très-Puissant, et Très-Excellent Prince, Louis XV, le Bien-Aimé, Roi de France et de Navarre; Dans l'Église de Notre-Dame de Paris, le 7 Septembre 1774.
Multiple artists/makers
1774

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