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Allegorical Figure of Religion (recto); Study of a Griffon and of a Seated Figure (verso), Cherubino Alberti (Zaccaria Mattia) Italian, Red chalk with some black chalk
Allegorical Figure of Religion (recto); Study of a Griffon and of a Seated Figure (verso)
attributed to Cherubino Alberti (Zaccaria Mattia)
1553–1615
Two Studies of a Seated Male Nude Seen from the Back, Cherubino Alberti (Zaccaria Mattia) Italian, Red chalk, with some contours reinforced in pen and brown ink. Upper right corner replaced
Two Studies of a Seated Male Nude Seen from the Back
attributed to Cherubino Alberti (Zaccaria Mattia)
1596–1602
Design for Two Knife Handles, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Design for Two Knife Handles
Cherubino Alberti (Zaccaria Mattia)
After Francesco Salviati (Francesco de' Rossi)
1553–1615
Design for Two Knife Handles, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Design for Two Knife Handles
Cherubino Alberti (Zaccaria Mattia)
After Francesco Salviati (Francesco de' Rossi)
1553–1615
Le due regole della prospettiva practica di M. Iacomo Barozzi da Vignola, Jacopo [Giacomo] Barozzi da Vignola Italian, Printed book with woodcut, etched, and engraved illustrations
Le due regole della prospettiva practica di M. Iacomo Barozzi da Vignola
Multiple artists/makers
1611
Torture of Prometheus set within a cornice, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Torture of Prometheus set within a cornice
Cherubino Alberti (Zaccaria Mattia)
1580
Portion of the Ceiling of the Sistine Chapel with the Libyan Sibyl, Prophet Daniel, Jesse, David, and Solomon, from Sibyls and Prophets from the Sistine Chapel Vaults, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Portion of the Ceiling of the Sistine Chapel with the Libyan Sibyl, Prophet Daniel, Jesse, David, and Solomon, from Sibyls and Prophets from the Sistine Chapel Vaults
Cherubino Alberti (Zaccaria Mattia)
After Michelangelo Buonarroti
1577 (republished in 1628)
Triumphal car from the marriage of Ferdinand de' Medici and Christine of Lorraine, Cherubino Alberti (Zaccaria Mattia) Italian, Etching
Triumphal car from the marriage of Ferdinand de' Medici and Christine of Lorraine
Possibly by Cherubino Alberti (Zaccaria Mattia)
Possibly by Orazio Scarabelli
1589
Perseus in the Garden of the Hesperides, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Perseus in the Garden of the Hesperides
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1628
Le due regole della prospettiva pratica di M. Iacomo Barozzi da Vignola, Jacopo [Giacomo] Barozzi da Vignola Italian, Printed book with woodcut, etched, and engraved illustrations
Le due regole della prospettiva pratica di M. Iacomo Barozzi da Vignola
Multiple artists/makers
1583
Vase with a monster at center, two cornucopias, and two flanking winged female figures, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Vase with a monster at center, two cornucopias, and two flanking winged female figures
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1565–1615
The Expulsion from Paradise with an Angel wielding a sword behind Adam and Eve, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
The Expulsion from Paradise with an Angel wielding a sword behind Adam and Eve
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1570–1615
The Sacrifice of Isaac set in a landscape with a flock of sheep at left and an angel guiding Abraham's sword at upper left, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
The Sacrifice of Isaac set in a landscape with a flock of sheep at left and an angel guiding Abraham's sword at upper left
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1570–1615
Two putti draped with a garland the one at right holding a mask, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Two putti draped with a garland the one at right holding a mask
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1596
Vessel with grotesque masks, griffins, and a frieze populated by a bull and men in bas-relief, reverse copy after Cherubino Alberti, in turn after Polidoro da Caravaggio, Anonymous, Engraving
Vessel with grotesque masks, griffins, and a frieze populated by a bull and men in bas-relief, reverse copy after Cherubino Alberti, in turn after Polidoro da Caravaggio
Multiple artists/makers
ca. 1550–1600
Apollo pursuing Daphne, whose toes take the form of tree roots, a round composition, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio, Anonymous, Engraving
Apollo pursuing Daphne, whose toes take the form of tree roots, a round composition, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio
Multiple artists/makers
ca. 1550–1600
Neptune rising from the sea and bearing a staff, accompanied by two horse-headed sea creatures, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio, Anonymous, Engraving
Neptune rising from the sea and bearing a staff, accompanied by two horse-headed sea creatures, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio
Anonymous
After Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
ca. 1550–1600
Winged female figure, draped and carrying a staff, striding behind a winged putto, who twists to look over his left shoulder, a round composition, Anonymous, Engraving
Winged female figure, draped and carrying a staff, striding behind a winged putto, who twists to look over his left shoulder, a round composition
Anonymous
After Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
ca. 1550–1600
Jupiter, seated above two eagles and embracing Cupid, a round composition from a series of mythological scenes after Polidoro da Caravaggio, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Jupiter, seated above two eagles and embracing Cupid, a round composition from a series of mythological scenes after Polidoro da Caravaggio
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
ca. 1590
Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
Two tritons embracing, one playing a panpipe, the second holding a conch shell set within a recessed space, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Two tritons embracing, one playing a panpipe, the second holding a conch shell set within a recessed space
Cherubino Alberti (Zaccaria Mattia)
After Raphael (Raffaello Sanzio or Santi)
1579
A Man Shooting a Crossbow, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A Man Shooting a Crossbow
Cherubino Alberti (Zaccaria Mattia)
after Lelio Orsi (called Lelio da Novellara)
Former Attribution Cornelis Cort
1579
Neptune standing in a niche holding a trident in his left hand, foliage in his right, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving; second state of two (Bartsch)
Neptune standing in a niche holding a trident in his left hand, foliage in his right
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1570–1615
Two damned souls fighting, after Michelangelo's "The Last Judgment" fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Two damned souls fighting, after Michelangelo's "The Last Judgment" fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
After Michelangelo Buonarroti
1580
A naked man (Ignudo), seated facing left, holding a piece of fabric, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A naked man (Ignudo), seated facing left, holding a piece of fabric, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
After Michelangelo Buonarroti
Publisher Philippe Thomassin
1580–90
Mary Magdalen standing on clouds, being transported to heaven by angels, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Mary Magdalen standing on clouds, being transported to heaven by angels
Cherubino Alberti (Zaccaria Mattia)
1570–1615
A winged figure of Fame standing facing left and sounding a trumpet, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving, the plate has been cut deleting details from the upper section that are made up in graphite
A winged figure of Fame standing facing left and sounding a trumpet
After Cherubino Alberti (Zaccaria Mattia)
1570–1615
Saint Susanna in an interior holding an open book in her left hand, a palm in her right, a landscape visible through a window at right and at bottom center a coat of arms, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Saint Susanna in an interior holding an open book in her left hand, a palm in her right, a landscape visible through a window at right and at bottom center a coat of arms
Cherubino Alberti (Zaccaria Mattia)
After Alessandro Alberti
1578
A winged figure of Fame standing facing left and sounding a trumpet, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A winged figure of Fame standing facing left and sounding a trumpet
Cherubino Alberti (Zaccaria Mattia)
1570–1615
An Allegory of Truth and Justice; a naked woman in the center seated on a cloud holding a set of scales, a putto above, the Medici Coat of Arms at lower right, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving, proof before lettering on the banderoles
An Allegory of Truth and Justice; a naked woman in the center seated on a cloud holding a set of scales, a putto above, the Medici Coat of Arms at lower right
Cherubino Alberti (Zaccaria Mattia)
1628
Allegory of the Medici Family with river gods in the foreground and in the clouds at right, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Allegory of the Medici Family with river gods in the foreground and in the clouds at right
Cherubino Alberti (Zaccaria Mattia)
After Jacopo Ligozzi
1589
Christ supported by an angel standing on a cloud, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Christ supported by an angel standing on a cloud
Cherubino Alberti (Zaccaria Mattia)
1600–1610
A naked man (Ignudo) with a garland with acorns over his shoulders, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A naked man (Ignudo) with a garland with acorns over his shoulders, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
After Michelangelo Buonarroti
1580–90
A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A naked man (Ignudo), seated and facing left, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
After Michelangelo Buonarroti
Publisher Philippe Thomassin
1580–90
The Creation of Adam who reclines at left and touching the hand of God, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
The Creation of Adam who reclines at left and touching the hand of God
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1570–1615
The Holy Family with Saint Anne and the young Saint John the Baptist, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
The Holy Family with Saint Anne and the young Saint John the Baptist
Attributed to Cherubino Alberti (Zaccaria Mattia)
1570–1615
The Good Thief, after Michelangelo's "The Last Judgment" fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
The Good Thief, after Michelangelo's "The Last Judgment" fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
After Michelangelo Buonarroti
1580
Angel supporting Christ, who is also resting on clouds, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Angel supporting Christ, who is also resting on clouds
Cherubino Alberti (Zaccaria Mattia)
1570–1615
The Martyrdom of Saint Cristina di Bolsena with God the Father above, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
The Martyrdom of Saint Cristina di Bolsena with God the Father above
Cherubino Alberti (Zaccaria Mattia)
1570–1615

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