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Vessel with grotesque masks, griffins, and a frieze populated by a bull and men in bas-relief, reverse copy after Cherubino Alberti, in turn after Polidoro da Caravaggio, Anonymous, Engraving
Vessel with grotesque masks, griffins, and a frieze populated by a bull and men in bas-relief, reverse copy after Cherubino Alberti, in turn after Polidoro da Caravaggio
Multiple artists/makers
ca. 1550–1600
Jupiter, seated above two eagles and embracing Cupid, a round composition from a series of mythological scenes after Polidoro da Caravaggio, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Jupiter, seated above two eagles and embracing Cupid, a round composition from a series of mythological scenes after Polidoro da Caravaggio
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
ca. 1590
Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
The Sacrifice of Isaac set in a landscape with a flock of sheep at left and an angel guiding Abraham's sword at upper left, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
The Sacrifice of Isaac set in a landscape with a flock of sheep at left and an angel guiding Abraham's sword at upper left
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1570–1615
The Expulsion from Paradise with an Angel wielding a sword behind Adam and Eve, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
The Expulsion from Paradise with an Angel wielding a sword behind Adam and Eve
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1570–1615
Two tritons embracing, one playing a panpipe, the second holding a conch shell set within a recessed space, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Two tritons embracing, one playing a panpipe, the second holding a conch shell set within a recessed space
Cherubino Alberti (Zaccaria Mattia)
After Raphael (Raffaello Sanzio or Santi)
1579
A Man Shooting a Crossbow, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A Man Shooting a Crossbow
Cherubino Alberti (Zaccaria Mattia)
after Lelio Orsi (called Lelio da Novellara)
Former Attribution Cornelis Cort
1579
Triumphal car from the marriage of Ferdinand de' Medici and Christine of Lorraine, Cherubino Alberti (Zaccaria Mattia) Italian, Etching
Triumphal car from the marriage of Ferdinand de' Medici and Christine of Lorraine
Possibly by Cherubino Alberti (Zaccaria Mattia)
Possibly by Orazio Scarabelli
1589
Portion of the Ceiling of the Sistine Chapel with the Libyan Sibyl, Prophet Daniel, Jesse, David, and Solomon, from Sibyls and Prophets from the Sistine Chapel Vaults, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Portion of the Ceiling of the Sistine Chapel with the Libyan Sibyl, Prophet Daniel, Jesse, David, and Solomon, from Sibyls and Prophets from the Sistine Chapel Vaults
Cherubino Alberti (Zaccaria Mattia)
After Michelangelo Buonarroti
1577 (republished in 1628)
Perseus in the Garden of the Hesperides, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Perseus in the Garden of the Hesperides
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1628
Le due regole della prospettiva practica di M. Iacomo Barozzi da Vignola, Jacopo [Giacomo] Barozzi da Vignola Italian, Printed book with woodcut, etched, and engraved illustrations
Le due regole della prospettiva practica di M. Iacomo Barozzi da Vignola
Multiple artists/makers
1611
Design for Two Knife Handles, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Design for Two Knife Handles
Cherubino Alberti (Zaccaria Mattia)
After Francesco Salviati (Francesco de' Rossi)
1553–1615
Le due regole della prospettiva pratica di M. Iacomo Barozzi da Vignola, Jacopo [Giacomo] Barozzi da Vignola Italian, Printed book with woodcut, etched, and engraved illustrations
Le due regole della prospettiva pratica di M. Iacomo Barozzi da Vignola
Multiple artists/makers
1583
Allegorical Figure of Religion (recto); Study of a Griffon and of a Seated Figure (verso), Cherubino Alberti (Zaccaria Mattia) Italian, Red chalk with some black chalk
Allegorical Figure of Religion (recto); Study of a Griffon and of a Seated Figure (verso)
attributed to Cherubino Alberti (Zaccaria Mattia)
1553–1615
Design for Two Knife Handles, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Design for Two Knife Handles
Cherubino Alberti (Zaccaria Mattia)
After Francesco Salviati (Francesco de' Rossi)
1553–1615
Two Studies of a Seated Male Nude Seen from the Back, Cherubino Alberti (Zaccaria Mattia) Italian, Red chalk, with some contours reinforced in pen and brown ink. Upper right corner replaced
Two Studies of a Seated Male Nude Seen from the Back
attributed to Cherubino Alberti (Zaccaria Mattia)
1596–1602
Torture of Prometheus set within a cornice, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Torture of Prometheus set within a cornice
Cherubino Alberti (Zaccaria Mattia)
1580
Vase with a monster at center, two cornucopias, and two flanking winged female figures, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Vase with a monster at center, two cornucopias, and two flanking winged female figures
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1565–1615
Winged Victory holding a trophy of arms in her right hand and a shield in her left, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving (reverse copy)
Winged Victory holding a trophy of arms in her right hand and a shield in her left
After Cherubino Alberti (Zaccaria Mattia)
17th century
Mary Magdalen standing on clouds, being transported to heaven by angels, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Mary Magdalen standing on clouds, being transported to heaven by angels
Cherubino Alberti (Zaccaria Mattia)
1570–1615
A winged figure of Fame standing facing left and sounding a trumpet, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A winged figure of Fame standing facing left and sounding a trumpet
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Christ supported by an angel standing on a cloud, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Christ supported by an angel standing on a cloud
Cherubino Alberti (Zaccaria Mattia)
1600–1610
A naked man (Ignudo) with a garland with acorns over his shoulders, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
A naked man (Ignudo) with a garland with acorns over his shoulders, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel
Cherubino Alberti (Zaccaria Mattia)
After Michelangelo Buonarroti
1580–90
The Martyrdom of Saint Cristina di Bolsena with God the Father above, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
The Martyrdom of Saint Cristina di Bolsena with God the Father above
Cherubino Alberti (Zaccaria Mattia)
1570–1615
Female figure standing in the right-hand margin of the third sheet of the Rape of the Sabine Women, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Female figure standing in the right-hand margin of the third sheet of the Rape of the Sabine Women
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1570–1615
Winged genius holding a tableau, standing on a sphere with three bees, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Winged genius holding a tableau, standing on a sphere with three bees
Cherubino Alberti (Zaccaria Mattia)
1570–1615
The Birth of Christ, who is held by the Virgin against a penumbra of light, adoring angels, and Joseph leading a donkey at left , Cherubino Alberti (Zaccaria Mattia) Italian, Engraving

The Birth of Christ, who is held by the Virgin against a penumbra of light, adoring angels, and Joseph leading a donkey at left

Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
1570–1615
Plate 10: Lidded Vase With a Handle in the Shape of a Griffin and A Frieze With Draped Dancing Figures, from "Antique Vases" (Vasa a Polydoro Caravagino), Aegidius Sadeler II Netherlandish, Etching and engraving; second state of three (Bartsch)
Plate 10: Lidded Vase With a Handle in the Shape of a Griffin and A Frieze With Draped Dancing Figures, from "Antique Vases" (Vasa a Polydoro Caravagino)
Multiple artists/makers
1605
Plate 7: Vase or Ewer Decorated With a Vase Flanked by Putti and Two Large Female figures whose legs morph into griffin claws, from "Antique Vases" (Vasa a Polydoro Caravagino), Aegidius Sadeler II Netherlandish, Etching and engraving; second state of three (Bartsch)
Plate 7: Vase or Ewer Decorated With a Vase Flanked by Putti and Two Large Female figures whose legs morph into griffin claws, from "Antique Vases" (Vasa a Polydoro Caravagino)
Multiple artists/makers
1605
Plate 3: Vase with a satyr's mask and garlands, from "Antique Vases" (Vasa a Polydoro Caravagino), Aegidius Sadeler II Netherlandish, Etching and engraving; second state of three (Bartsch)
Plate 3: Vase with a satyr's mask and garlands, from "Antique Vases" (Vasa a Polydoro Caravagino)
Multiple artists/makers
1605
Christ supported by an angel standing on a cloud with light radiating behind them, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Christ supported by an angel standing on a cloud with light radiating behind them
Cherubino Alberti (Zaccaria Mattia)
1570–1615
The Adoration of the Shepherds with the Christ Child at center and angels above, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving; proof before letters
The Adoration of the Shepherds with the Christ Child at center and angels above
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1570–1600
Neptune rising from the sea and bearing a staff, accompanied by two horse-headed sea creatures, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio, Anonymous, Engraving
Neptune rising from the sea and bearing a staff, accompanied by two horse-headed sea creatures, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio
Anonymous
After Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
ca. 1550–1600
Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
Two putti draped with a garland the one at right holding a mask, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Two putti draped with a garland the one at right holding a mask
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1596
Apollo pursuing Daphne, whose toes take the form of tree roots, a round composition, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio, Anonymous, Engraving
Apollo pursuing Daphne, whose toes take the form of tree roots, a round composition, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio
Multiple artists/makers
ca. 1550–1600
Winged female figure, draped and carrying a staff, striding behind a winged putto, who twists to look over his left shoulder, a round composition, Anonymous, Engraving
Winged female figure, draped and carrying a staff, striding behind a winged putto, who twists to look over his left shoulder, a round composition
Anonymous
After Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
ca. 1550–1600
Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
The Expulsion of Adam and Eve with an angel wielding a sword behind them, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving (reverse copy)
The Expulsion of Adam and Eve with an angel wielding a sword behind them
After Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
Publisher Antonio Caranzano
1591
The Israelites fleeing Egypt with Moses at right extending his right hand and with a woman carrying an urn prostrate before him, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
The Israelites fleeing Egypt with Moses at right extending his right hand and with a woman carrying an urn prostrate before him
Cherubino Alberti (Zaccaria Mattia)
After Polidoro da Caravaggio
1576
Bust portrait of Pope Leo XI set within a cartouche decorated with allegorical figures and objects pertaining to his office, Alexander Mair German, Engraving (reverse copy)
Bust portrait of Pope Leo XI set within a cartouche decorated with allegorical figures and objects pertaining to his office
Alexander Mair
After (?) Cherubino Alberti (Zaccaria Mattia)
1575–1620