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Flying Putti, Surrounding Archangel Raphael, Conrad Meyer Swiss, Pen and brown and black ink, brush and gray and brown wash, heightened with white — Flying Putti, Surrounding Archangel Raphael
Conrad Meyer
Former Attribution Formerly attributed to Rudolf Meyer
1631–32

The Wild Man, Conrad Meyer Swiss, Pen and black and white ink, brush and brown wash, heightened with white gouache, over traces of graphite — The Wild Man
Conrad Meyer
1649

The Devil's Kitchen Visited by an Angel, Conrad Meyer Swiss, Pen and gray ink, brush and gray wash — The Devil's Kitchen Visited by an Angel
Conrad Meyer
mid-17th–late 17th century

Allegory of the Transience of Life, Conrad Meyer Swiss, Pen and black ink — Allegory of the Transience of Life
Conrad Meyer
1651

(Rudolf Meyer's Todten-dants. Ergäntzet und herausgegeben von C. Meyern, Malern in Zürich, im Jahre 1650) Sterbensspiegel, das ist sonnenklare Vorstellung menschlicher Nichtigkeit durch alle Ständ' und Geschlechter

Multiple artists/makers

1650

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