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Saints Peter, Martha, Mary Magdalen, and Leonard, Correggio (Antonio Allegri) Italian, Oil on canvas
Saints Peter, Martha, Mary Magdalen, and Leonard
Correggio (Antonio Allegri)
ca. 1515
The Annunciation, Correggio (Antonio Allegri) Italian, Pen and brown ink, brush and gray-brown wash, highlighted with white gouache, squared in red chalk, on paper tinted with reddish wash
The Annunciation
Correggio (Antonio Allegri)
ca. 1522–25
Ecce Homo, Agostino Carracci Italian, Engraving
Ecce Homo
Agostino Carracci
After Correggio (Antonio Allegri)
1587
Standing Nude Child Surrounded by Women and Children, Correggio (Antonio Allegri) Italian, Red chalk, partly reworked with black chalk; glued onto secondary paper support
Standing Nude Child Surrounded by Women and Children
School of Correggio (Antonio Allegri)
1489–1534
Study of Four Saints, Correggio (Antonio Allegri) Italian, Red chalk; squared in red chalk
Study of Four Saints
Correggio (Antonio Allegri)
1525–34
The Adoration of the Magi, Correggio (Antonio Allegri) Italian, Red chalk, highlighted with white gouache
The Adoration of the Magi
Correggio (Antonio Allegri)
ca. 1517
The Mystic marriage of St. Catherine, Giorgio Ghisi Italian, Engraving
The Mystic marriage of St. Catherine
Giorgio Ghisi
After Correggio (Antonio Allegri)
by 1575
Adoration of the Shepherds, Giuseppe Maria Mitelli Italian, Etching
Adoration of the Shepherds
Giuseppe Maria Mitelli
After Correggio (Antonio Allegri)
Publisher Giovanni Giacomo De Rossi
1654–1718
Virgin and Child, with Saints Jerome and Mary Magdalene and angels, Anonymous, Etching; reverse copy
Virgin and Child, with Saints Jerome and Mary Magdalene and angels
Anonymous
After Correggio (Antonio Allegri)
17th century
The rest on the flight into Egypt, Francesco Brizio Italian, Engraving
The rest on the flight into Egypt
Francesco Brizio
After Correggio (Antonio Allegri)
1600–23
The Holy Family, Pietro Bonato Italian, Engraving
The Holy Family
Pietro Bonato
Intermediary draftsman Giovanni Tognolli
After Correggio (Antonio Allegri)
1811
Venus, recumbent on a shell, surrounded by sea gods, Anonymous, Etching
Venus, recumbent on a shell, surrounded by sea gods
Anonymous
After Correggio (Antonio Allegri)
1520–1600
Cupid sharpening his bow, Franciscus Van Den Steen Netherlandish, Engraving
Cupid sharpening his bow
Franciscus Van Den Steen
After Correggio (Antonio Allegri)
1645–72
Ecce Homo, with Pontius Pilate behind him at left, the Virgin fainting at lower left, and a soldier at right, Pietro Antonio Leone Bettelini Italian, Engraving
Ecce Homo, with Pontius Pilate behind him at left, the Virgin fainting at lower left, and a soldier at right
Pietro Antonio Leone Bettelini
Intermediary draftsman Stephano Tofanelli
After Correggio (Antonio Allegri)
1783–1812
Mary Magdalene in penitence in the desert, Giuseppe Longhi Italian, Engraving
Mary Magdalene in penitence in the desert
Giuseppe Longhi
After Correggio (Antonio Allegri)
ca. 1810
Charity with three small children, Raphael Morghen Italian, Engraving
Charity with three small children
Raphael Morghen
After Correggio (Antonio Allegri)
Inscription by Alexander Day
1795
Diana on her chariot, Albert Henry Payne British, Engraving
Diana on her chariot
Albert Henry Payne
After Correggio (Antonio Allegri)
Publisher Selmar Hess
1832–1902
The Virgin adoring the Christ child, Vincenzo Della Bruna Italian, Engraving
The Virgin adoring the Christ child
Vincenzo Della Bruna
Intermediary draftsman Francesco Pieraccini
After Correggio (Antonio Allegri)
1824–70
The Holy Family with infant Saint John the Baptist kneeling at right, Anonymous, Engraving
The Holy Family with infant Saint John the Baptist kneeling at right
Anonymous
Possbily after Correggio (Antonio Allegri)
1550–1600
Christ on the Mount of Olives, with an angel at upper left, Pietro Antonio Leone Bettelini Italian, Engraving
Christ on the Mount of Olives, with an angel at upper left
Pietro Antonio Leone Bettelini
Intermediary draftsman Stephano Tofanelli
After Correggio (Antonio Allegri)
1783–1812
Ecce Homo, with Pontius Pilate behind him at left, the Virgin fainting at lower left, and a soldier at right, George Thomas Doo British, Etching and engraving
Ecce Homo, with Pontius Pilate behind him at left, the Virgin fainting at lower left, and a soldier at right
Artist and publisher George Thomas Doo
After Correggio (Antonio Allegri)
Publisher Joseph Hogarth
1850
A satyr discovering the sleeping Venus, with Cupid lying at her side, Pierre Audouin French, Etching and engraving
A satyr discovering the sleeping Venus, with Cupid lying at her side
Artist and publisher Pierre Audouin
After Correggio (Antonio Allegri)
Printer Ramboz
1801
The mystic marriage of Saint Catherine, Georg Jacob Felsing German, Engraving
The mystic marriage of Saint Catherine
Possibly by Georg Jacob Felsing
After Correggio (Antonio Allegri)
ca. 1831
Madonna and Child, Johann Heinrich Friedrich Ludwig Knolle German, Engraving
Madonna and Child
Artist and publisher Johann Heinrich Friedrich Ludwig Knolle
After Correggio (Antonio Allegri)
Printer F. Chardon, Ainé
1830–60
Mary Magdalene reading in the desert, Johann Heinrich Friedrich Ludwig Knolle German, Engraving
Mary Magdalene reading in the desert
Multiple artists/makers
1827–75
Jupiter and Danae, Philippe Trière French, Engraving
Jupiter and Danae
Philippe Trière
Intermediary draftsman Antoine Borel
After Correggio (Antonio Allegri)
ca. 1786
Virgin and Child (La Vierge du Musée de Parme), Jean Marie Leroux French, Engraving
Virgin and Child (La Vierge du Musée de Parme)
Multiple artists/makers
1837
The Virgin and child with two angels, Andrea Scacciati Italian, Etching with sanguine tone
The Virgin and child with two angels
Andrea Scacciati
After Correggio (Antonio Allegri)
1766
Virgin and Child, with the Christ child leaning against an orb, Lucas Vorsterman I Flemish, Engraving
Virgin and Child, with the Christ child leaning against an orb
Lucas Vorsterman I
After Correggio (Antonio Allegri)
1628
The Holy Family with Saint John the Baptist, Friedrich Fleischmann German, Engraving
The Holy Family with Saint John the Baptist
Friedrich Fleischmann
After Correggio (Antonio Allegri)
1810–34
The Madonna of Saint Sebastian, with the Virgin and Child, surrounded by angels, looking down at Saint Sebastian, Saint Germinianus, and Saint Roch, Achille Désiré Lefèvre French, Engraving
The Madonna of Saint Sebastian, with the Virgin and Child, surrounded by angels, looking down at Saint Sebastian, Saint Germinianus, and Saint Roch
Achille Désiré Lefèvre
After Correggio (Antonio Allegri)
1847
Virgin and Child with Saint Jerome at left, Francesco Bartolozzi Italian, Engraving
Virgin and Child with Saint Jerome at left
Francesco Bartolozzi
Henri-Charles Müller
After Correggio (Antonio Allegri)
1822
Virgin with the sleeping Christ child, Nicolas Etienne Edelinck French, Engraving
Virgin with the sleeping Christ child
Nicolas Etienne Edelinck
After Correggio (Antonio Allegri)
1708
The Annunciation, with Gabriel at left and the Virgin at right, Benigno Bossi Italian, Etching and engraving in red ink
The Annunciation, with Gabriel at left and the Virgin at right
Benigno Bossi
After Correggio (Antonio Allegri)
1784
The Holy Family in Egypt, with Joseph as a carpenter in the background at left, Diana Scultori Italian, Engraving
The Holy Family in Egypt, with Joseph as a carpenter in the background at left
Diana Scultori
After Correggio (Antonio Allegri)
Publisher Carlo Losi
[1577], republished 1774
Ecce Homo
Agostino Carracci
After Correggio (Antonio Allegri)
1587
Madonna and Child with Saint Jerome and the Magdalen
Agostino Carracci
After Correggio (Antonio Allegri)
1586
Mystic Marriage of Saint Catherine
Constant-Louis-Antoine Lorichon
After Correggio (Antonio Allegri)
1825
One Hundred Examples of Engravings by Francesco Bartolozzi, R. A. [Parts I-IV]
Multiple artists/makers
[1885]
The Works of Jonathan Richardson, Containing I: The Theory of Painting. II: Essay on the Art of Criticism, (So far as it relates to Painting). III: The Science of a Connoisseur
Multiple artists/makers
1792
Arcolano Armafrodito
Multiple artists/makers
1650
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Multiple artists/makers
1764–73

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