ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 210 results
Sort by:
God the Father with Angels Holding Symbols of the Passion
Pietro da Cortona (Pietro Berrettini)
1647–51
Neptune subduing the storm created by Aeolus to destroy the fleet of Aeneas, plate 5 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Sisygambis kneeling before Alexander the Great, surrounded by female attendants and soldiers, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Conrad Lauwers
ca. 1677
Castor and Pollux holding the reins of two horses, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
The triumph of Bacchus; a procession of maenads and fauns led by Silenus, Bacchus in a chariot behind; after Pietro da Cortona
Pietro Aquila
1670–92
Satyrs Supporting an Ornamental Motif
Pietro da Cortona (Pietro Berrettini)
1596–1669
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)
Pietro da Cortona (Pietro Berrettini)
ca. 1635
Portraits of Celebrated Painters with Medallions from Their Best Performances
John M. Corner
1825
A shepherd cradles an infant boy in his cloak, ushering him to his wife sitting under a thatched shelter with her arms outstretched; a young boy and a female attendant also are present; in the distance on the left side, the other twin suckles from the wolf
Robert Strange
ca. 1739–92
Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love; from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Reduced copy in reverse of the Battle of Aeneas and Turnus; plate 14 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio", after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Allegory with the symbols of Justice, including the griffon of Manlius Torquatus at right, plate 7 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
The nymphs Florilla and Melissa at left, with Melissa fainting in Florilla's arms, Apollo and the Muses at right, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
St. Michael Expurging Heresy
Pietro da Cortona (Pietro Berrettini)
1596–1669
David slaying Goliath; David stands over the defeated Goliath with his sword raised above his head; another battle is taking place in the background on the right
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
The Holy Family in a landscape, with ancient buildings in the background; Mary reclines against a stone bench, dangling a piece of fruit over the infant Jesus who sits on her lap; Joseph is seated on the ground to the left reading
Pietro da Cortona (Pietro Berrettini)
ca. 1700–1750
Birth of the Virgin, in the foreground with three female attendants, and Saint Anne resting with two attendants in the background at the left; an arched window at the right reveals a distant landscape
Carlo Faucci
1768
Reduced copy in reverse of the dedication of the series to Prince Camillo Pamphili; plate 16 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Bellerophon dressed in armour riding Pegasus, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Charles Delahaye
ca. 1677
Venus requesting armor from Vulcan for her son, Aeneas, plate 11 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Selene in a carriage, pointing at the constellations of Scorpio and Libra, with Flora presenting her with a bulb to the left and Night flying below, from "De Florum Cultura Libri IV"
Renato Guerineau
ca. 1633
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')
Pietro da Cortona (Pietro Berrettini)
ca. 1633
Allegorical scene with a sacrificial lamb
Giovanni Battista Bonacina
1640–70
Adoration of the Shepherd; after Pietro da Cortona
François Langot
ca. 1641–79
Plate 7: Allegory of Justice with griffin of Manlius Toquatus, from "Barberinae aulae fornix"
Anonymous, Italian, 17th century
ca. 1677
Mercury seen from behind flying in the air towards the left, holding the caduceus in his left hand; trees and architectural elements in the background; after Pietro da Cortona's lunette in the Sala di Giove in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1680–91
Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love, plate 2 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Allegory of the Glory of Alexander VII
Giovanni Battista Bonacina
1658
Martyrdom of Saint Lawrence, after Pietro da Cortona
Jacques Blondeau
ca. 1675–98
Madonna and Child in the Manger
Ferdinand Piloty
early 19th century
Saint Martina sitting before the Virgin and Child
François Spierre
before 1679
Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from "Barberinae aulae fornix"
Anonymous, Italian, 17th century
ca. 1677
Cleopatra on the left with three female attendants, Augustus on the right with two soldiers behind him; after Pietro da Cortona's lunette in the Sala di Venere in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1656–79
Allegory with the symbols of Prudence, including two bears at the bottom and Fabius Cunctator above, plate 10 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti wrestle over a hare as a third watches, all framed by grotesque friezes and architectural elements, plate 4 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Study for the Allegory of Religion
Pietro da Cortona (Pietro Berrettini)
1629–39
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Two women writing an inscription on the pedestal of a statue of Anne of Austria, from Le Moyne's 'La Gallerie des femmes fortes'
Charles Audran
ca. 1647
A kneeling saint, facing frontally with his head slightly tilted looking upward; he cradles a lily stalk in his left arm and his right arm is outstretched
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Allegory with symbols of Temperance, with a unicorn and Publius Scipio Africanus; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1677