ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 210 results
Sort by:
Seventy-Five Portraits of Celebrated Painters, From "Authentic Originals"
John Girtin
1817
Flora and two nymphs pointing to Bacchus who dances with putti to the left, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Adoration of the Shepherd; after Pietro da Cortona
François Langot
ca. 1641–79
Two women writing an inscription on the pedestal of a statue of Anne of Austria, from Le Moyne's 'La Gallerie des femmes fortes'
Charles Audran
ca. 1647
Marriage of the Virgin; Mary and Joseph stand at the top of the stairs in the center of the print, with their hands joined by the priest; numerous attendants appear at the left and right along the staircase; cupids and an angel float above amongst clouds
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Reduced copy in reverse of the Battle of Aeneas and Turnus; plate 14 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio", after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Triumphal procession with three men at center carrying Goliath's severed head on a spike, David follows behind, scene set inside an architectural frame, plate 5 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso)
Pietro da Cortona (Pietro Berrettini)
1596–1669
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Section of stucco and frescoed frieze above the cornice from the Camera of Venus in the Pitti Palace, Florence, stitched together with "Barberinae aulae fornix"
Charles Delahaye
ca. 1677
Reduced copy in reverse of the dedication of the series to Prince Camillo Pamphili; plate 16 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Satyrs Supporting an Ornamental Motif
Pietro da Cortona (Pietro Berrettini)
1596–1669
Cybele standing before Jupiter; from Giovanni Battista Ferrari's "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
The triumph of Bacchus; a procession of maenads and fauns led by Silenus, Bacchus in a chariot behind; after Pietro da Cortona
Pietro Aquila
1670–92
An allegorical composition with Charity and prisoners in chains
Jacques Blondeau
1677
Bellerophon dressed in armour riding Pegasus, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Charles Delahaye
ca. 1677
The Judgment of Hercules: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Giuseppe Zocchi
1793–98
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Two putti playing with a small bird on a string at top, David holding open the mouth of a lion at center, and two putti playing with a hare at bottom, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Girard Audran
1668
Story of Laocoon and His Sons: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1793–98
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements, plate 1 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Composition with stucco ornaments from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Barend de Bailliu
ca. 1677
Birth of the Virgin Mary, who is being held by a maid in the left foreground, surrounded by three female attendants; St. Anne rests in bed and a female servant tends to her
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Neptune arriving in his chariot, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Diana asleep, resting on a tree trunk, two dogs at left, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Pallas Athena abducting a youth, from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Lambert de Visscher
ca. 1677
Studies for a Ceiling (recto and verso)
Michel Corneille the Younger
ca. 1660–80
God the Father with Angels Holding Symbols of the Passion
Pietro da Cortona (Pietro Berrettini)
1647–51
The arrival of Aeneas and his fleet in Italy, plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Christ Appearing to Mary in the Garden
Pietro da Cortona (Pietro Berrettini)
1766
Justice seated at center holding fasces, criminals wait to meet her at right, to her left a woman probably representing Abundance distributes coins to people below, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Mary Magdalene reaching out to Christ in a garden after his resurrection
Pietro da Cortona (Pietro Berrettini)
ca. 1700–40
Reduced copy in reverse of the arrival of Aeneas and his fleet in Italy; plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio", after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Abraham expelling Hagar from their home, an angel appears behind her; Sarah reclines on the right in front of the dwelling with a curtain drawn
Pietro da Cortona (Pietro Berrettini)
1776
The young prince leads warriors toward their enemy's ships and into battle, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
The Holy Family in a landscape, with ancient buildings in the background; Mary reclines against a stone bench, dangling a piece of fruit over the infant Jesus who sits on her lap; Joseph is seated on the ground to the left reading
Pietro da Cortona (Pietro Berrettini)
ca. 1700–1750
King Cyrus sitting on a throne at left, while Panthea is presented to him by two solders at right, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
François Spierre
ca. 1677
King Saul seated at center watching David walk away holding his sling, set inside an architectural frame, plate 2 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Saul kneeling before Ananias, surrounded by figures and putti; after Pietro da Cortona
Johann Jakob Frey the Elder
1740
Moses rescued from the Nile by Pharaoh's daughter and female attendants, two of whom lift his craddle onto the banks of the river; a walled city appears in the distance on the left
Pietro da Cortona (Pietro Berrettini)
after 1596