ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    API

    Public domain data for this object can also be accessed using the Met's Open Access API

  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 210 results
Sort by:
Antiochus in bed at right while his doctor Erasistratur checks his pulse, Stratonice and Seleucus look on from the left, from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Lambert de Visscher
ca. 1677
Title Page, from "Barberinae aulae fornix"
Anonymous, Italian, 17th century
ca. 1677
Study of Two Figures for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
Laban Seeking His Idols: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1793–98
De Florum Cultura
Giovanni Battista Ferrari
1633
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements, plate 1 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica
Pietro da Cortona (Pietro Berrettini)
1652
Madonna and Child with Saint Catherine
Charles Nicolas Cochin II
ca. 1750–76
Two scenes set inside elaborate frames and sculpture work; at top a triumphal procession with three men at center carrying Goliath's severed head on a spike, David following behind, at bottom King Saul seated at center watching David walk away holding his sling; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Girard Audran
1668
David holding open the mouth of a lion who is attempting to devour a lamb from his flock, plate 7B from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Title page from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Madonna and Child in the Manger
Ferdinand Piloty
early 19th century
Bellerophon wearing a plumed helmet and holding a shield, riding on the back of Pegasus; after Pietro da Cortona's lunette in the Sala di Giove in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1641–1691
Sacrifice of Polyxena, after Pietro da Cortona
Pietro Aquila
ca. 1674–92
Cybele standing before Jupiter, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Landscape with Wine Harvest
Pietro da Cortona (Pietro Berrettini)
ca. 1630
Rebecca and Eleazar at a well at center, with three camels in the background
Pietro da Cortona (Pietro Berrettini)
ca. 1760?–?1800
Bellerophon dressed in armour riding Pegasus, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Charles Delahaye
ca. 1677
Rachel hiding the idols of Laban; with Rachel seated at left, Laban kneeling on the ground, and Jacob lifting the lid of a box
Pellegrino dal Colle
ca. 1757–1812
The Virgin Immaculate
Pietro da Cortona (Pietro Berrettini)
1596–1669
Composition with stucco ornaments surrounding an oval scene depicting Aeneas with a lance and doves, plate 2 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Hercules expelling the Harpies, after Pietro da Cortona
Cornelis Bloemaert
1642
Studies for a Ceiling (recto and verso)
Michel Corneille the Younger
ca. 1660–80
Mercury seen from behind flying in the air towards the left, holding the caduceus in his left hand; trees and architectural elements in the background; after Pietro da Cortona's lunette in the Sala di Giove in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1680–91
Birth of the Virgin, in the foreground with three female attendants, and Saint Anne resting with two attendants in the background at the left; an arched window at the right reveals a distant landscape
Carlo Faucci
1768
Allegory of the Glory of Alexander VII
Giovanni Battista Bonacina
1658
The Sacrifice of Polyxena, after Pietro da Cortona
Jean Robert Ango
ca. 1759–70
Barberinae aulae fornix
Anonymous, Italian, 17th century
ca. 1677
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)
Pietro da Cortona (Pietro Berrettini)
ca. 1635
An allegorical composition with Charity and prisoners in chains
Jacques Blondeau
1677
St. Michael Expurging Heresy
Pietro da Cortona (Pietro Berrettini)
1596–1669
Saul kneeling before Ananias, surrounded by figures and putti; after Pietro da Cortona
Johann Jakob Frey the Elder
1740
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner
Pietro da Cortona (Pietro Berrettini)
17th century
Composition with stucco ornaments of a man and a woman, viewed from the rear, plate 7 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Christ Appearing to Mary in the Garden
Pietro da Cortona (Pietro Berrettini)
1766
Sea Battle
Pietro da Cortona (Pietro Berrettini)
1596–1669
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1792–98
Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from "Barberinae aulae fornix"
Anonymous, Italian, 17th century
ca. 1677
Justice seated at center holding fasces, criminals wait to meet her at right, to her left a woman probably representing Abundance distributes coins to people below, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
The Adoration of the Shepherds
Pietro da Cortona (Pietro Berrettini)
17th century