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Landscape with Wine Harvest
Pietro da Cortona (Pietro Berrettini)
ca. 1630
Plate 5: Allegory with symbols of Fortitude, with a lion and Mucius Scaevola at lower left; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Erminia and the Shepherds
Pietro da Cortona (Pietro Berrettini)
ca. 1781
Vulcan seated at center, his head resting on his arm, with two cyclopes at far left; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Triumph of Divine Providence, plate 5 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1645–50
Assembly of the Gods at Olympus; Jupiter at center with Venus to his left, introducing Aeneas at far left, plate 9 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Apollo as a young man, naked and reclining holding a lyre, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Minerva battling the giants, plate 4 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Study for the Allegory of Religion
Pietro da Cortona (Pietro Berrettini)
1629–39
St. Barbara (?) on the left, stepping down from a colonnaded porch, with a chalice and the host in her outstretched left hand and crucifix raised above her head in her right hand, chasing away a terrified figure holding a book with serpents for hair
Pietro da Cortona (Pietro Berrettini)
after 1596
Composition with stucco ornaments of a man and a woman, viewed from the rear, plate 7 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Madonna and Child with Saint Catherine
Charles Nicolas Cochin II
ca. 1750–76
Copy in reverse of Venus requesting armor from Vulcan for her son, Aeneas; plates 10, 11, and 12 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Faith, Hope, and Charity
Dominique Barrière
1630?–78
Men Digging and Constructing a Wall
Pietro da Cortona (Pietro Berrettini)
17th century
Cybele standing before Jupiter; from Giovanni Battista Ferrari's "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
The sacrifice to Diana; men gathering with their spoils from the hunt to offer to the goddess; after Pietro da Cortona
Pietro Aquila
1670–92
David holding open the mouth of a lion who is attempting to devour a lamb from his flock, plate 7B from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Composition with two putti playing with a small bird on a string, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements, plate 6 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
Anthony kneeling in prayer in the right foreground of a landscape, the Virgin appearing as the Mother of Mercy on the left, and three putti look down from clouds at the upper right; heraldic coat-of-arms at bottom center inside a circle
Sir Nicolas Dorigny
ca. 1675–1746
Martyrdom of Saint Lawrence
Jacques Blondeau
ca. 1675–98
De Florum Cultura
Giovanni Battista Ferrari
1633
Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love; from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Composition with stucco ornaments from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Barend de Bailliu
ca. 1677
Flora and two nymphs pointing to Bacchus who dances with putti to the left, from "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Saint Martina with Virgin and Child
Pietro da Cortona (Pietro Berrettini)
ca. 1660
Vulcan seated at center, his head resting on his arm, with two cyclopes at far left, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
The Virgin Immaculate
Pietro da Cortona (Pietro Berrettini)
1596–1669
Saint Martina sitting before the Virgin and Child
François Spierre
before 1679
Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from "Barberinae aulae fornix"
Anonymous, Italian, 17th century
ca. 1677
Allegory with symbols of Temperance, with a unicorn and Publius Scipio Africanus; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Martyrdom of Saint Lawrence, after Pietro da Cortona
Jacques Blondeau
ca. 1675–98
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1792–98
Reduced copy in reverse of the arrival of Aeneas and his fleet in Italy; plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio", after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
Sisygambis kneeling before Alexander the Great, surrounded by female attendants and soldiers, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Conrad Lauwers
ca. 1677
Justice seated at center holding fasces, criminals wait to meet her at right, to her left a woman probably representing Abundance distributes coins to people below, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Two women writing an inscription on the pedestal of a statue of Anne of Austria, from Le Moyne's 'La Gallerie des femmes fortes'
Charles Audran
ca. 1647
The arrival of Aeneas and his fleet in Italy, plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
A kneeling saint, facing frontally with his head slightly tilted looking upward; he cradles a lily stalk in his left arm and his right arm is outstretched
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Moses rescued from the Nile by Pharaoh's daughter and female attendants, two of whom lift his craddle onto the banks of the river; a walled city appears in the distance on the left
Pietro da Cortona (Pietro Berrettini)
after 1596