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Allegory of the Power of Love, with a man at center embracing a semi-naked woman, who is bound to a tree by Cupid, Cristofano di Michele Martini (Il Robetta)  Italian, Engraving in brown ink
Cristofano di Michele Martini (Il Robetta)
1480–1535
The Adoration of the Magi, after Filippino Lippi, Cristofano di Michele Martini (Il Robetta)  Italian, Engraving
Cristofano di Michele Martini (Il Robetta)
After Filippino Lippi
ca. 1510–15
Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, Cristofano di Michele Martini (Il Robetta)  Italian, Engraving
Cristofano di Michele Martini (Il Robetta)
After Antonio Pollaiuolo
ca. 1500–1520
Cristofano di Michele Martini (Il Robetta)
ca. 1500–1520
Cristofano di Michele Martini (Il Robetta)
1462– after 1522
Cristofano di Michele Martini (Il Robetta)
ca. 1500–1520
Cristofano di Michele Martini (Il Robetta)
ca. 1462–1535
Cristofano di Michele Martini (Il Robetta)
ca. 1500–1520
Cristofano di Michele Martini (Il Robetta)
After Filippino Lippi
ca. 1510–15

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.