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Allegory of the Power of Love, with a man at center embracing a semi-naked woman, who is bound to a tree by Cupid, Cristofano di Michele Martini (Il Robetta) Italian, Engraving in brown ink
Allegory of the Power of Love, with a man at center embracing a semi-naked woman, who is bound to a tree by Cupid
Cristofano di Michele Martini (Il Robetta)
1480–1535
The Adoration of the Magi, after Filippino Lippi, Cristofano di Michele Martini (Il Robetta) Italian, Engraving
The Adoration of the Magi, after Filippino Lippi
Cristofano di Michele Martini (Il Robetta)
After Filippino Lippi
ca. 1510–15
Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, Cristofano di Michele Martini (Il Robetta) Italian, Engraving
Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky
Cristofano di Michele Martini (Il Robetta)
After Antonio Pollaiuolo
ca. 1500–1520
Adam and Eve seated on rocks with the infants Cain and Abel; wooden building in the background at left (large version)
Cristofano di Michele Martini (Il Robetta)
ca. 1500–1520
Female figure (Ceres?) walking in a landscape carrying a young faun and a cornucopia fixed to a staff, another faun at her side; two fauns and a nude human figure at right in the background, lake and two boats at left
Cristofano di Michele Martini (Il Robetta)
1462– after 1522
Allegory of Envy(?); partially draped naked old woman at center flanked by two pairs, also naked, a child on the ground at lower left, road leading to town in the background
Cristofano di Michele Martini (Il Robetta)
ca. 1500–1520
The Baptism of Christ who stands in a river in the center, John the Baptist at right holding dish above Christ's head and a cross in his other hand, two bathers at left, two angels at right, God the Father above in the clouds surrounded by four angels; buildings and hills in the background
Cristofano di Michele Martini (Il Robetta)
ca. 1462–1535
Naked female seated on a rock with child on her lap and another at left standing and grasping her breast, a child seated in the foreground holding wheat and a bird and other child at right holding a dog by the leash; dead tree with tablet hanging from it (text scored through) in the background
Cristofano di Michele Martini (Il Robetta)
ca. 1500–1520
The Adoration of the Magi, after Filippino Lippi
Cristofano di Michele Martini (Il Robetta)
After Filippino Lippi
ca. 1510–15

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.