ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 74 results
Sort by:
Adoration of the Shepherds
Domenico Cunego
1779
Lot and his Daughters, plate 36 from "Schola Italica Picturae"
Domenico Cunego
1771
The Road to Calvary, Christ at center carrying the cross, surrounded by soldiers, the Holy Women swooning in the foreground, after the altarpiece (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel in San Giovanni de' Fiorentini, Rome
Giuseppe Sforza Perini
1776
An illustration of Psalms 46.6, with Christ at center ascending surrounded by angels holding instruments of the Passion, after a painting (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel, San Giovanni de' Fiorentini, Rome
Stefano Coppa
1776
Orazione funebre in morte del Marchese Scipione Maffei detta nella cattedrale di Verona...Con l'aggiunta d'alcuni componimenti poetici d'autore veronese...
Marc'Antonio Pindemonte
1755
St. Mary Magdalen, plate 34 from "Schola Italica Picturae"
Domenico Cunego
ca. 1770
Hebe Giving Drink to the Eagle of Jupiter
Domenico Cunego
after 1764
Presentation in the Temple
Domenico Cunego
1778
The Birth of St. John the Baptist, plate 28 from "Schola Italica Picturae"
Domenico Cunego
1769
St. Margaret
Aloysio Cunego
late 18th century
Portrait of Clement XIV, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column)
Domenico Cunego
1774–79
Sibylla Hellespontiaca
Domenico Cunego
late 18th century
The Creation of Adam, Sistine Chapel, plate 2 from "Schola Italica Picturae"
Domenico Cunego
1772
Entombment of Christ
Domenico Cunego
1775
The works in architecture of the late Robert and James Adam, Esqs., complete in three volumes, containing plans, elevations, sections, and detail of the principal buildings, public and private,
James Adam
1822
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
Prodigal Son
Domenico Cunego
1770
Two Nereids on a Shore, plate 38 from "Schola Italica Picturae"
Domenico Cunego
1771
Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)
Giovanni Battista Piranesi
1761, 1765
Hebe Giving Drink to the Eagle of Jupiter
Domenico Cunego
after 1764
Portrait of Clarissa Strozzi, accompanied by a dog, plate 21 from "Schola Italica Picturae"
Domenico Cunego
1770
Two Nereids accompanied by cupids, one scatters pearls and other other holds a piece of coral
Domenico Cunego
1771
The Penseroso, from Milton
Domenico Cunego
1768
The Sun drawn in a chariot of four horses in the clouds
Domenico Cunego
1777
Moses
Domenico Cunego
1773
An outline of the fresco paintings by Michelangelo on the ceiling of the Sistine Chapel, Rome
Domenico Cunego
ca. 1790–1800
St. Hieronymus, plate 35 from "Schola Italica Picturae"
Domenico Cunego
1769
An outline of Michelangelo's figures in the spandrels from the ceiling of the Sistine Chapel, Rome
Domenico Cunego
ca. 1790–1800
St. Peter raising Tabitha
Domenico Cunego
1630–60
Frontispiece: Portrait of Pope Clement XIII, from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)
Domenico Cunego
1761
Lot flanked by his two daughters, one of them holding a decorated jug, after Reni
Domenico Cunego
1771
The Death of St. Cecelia, plate 32 from "Schola Italica Picturae"
Domenico Cunego
1772
Moses holding the Tables of the Law above his head, plate 16 from "Schola Italica Picturae"
Domenico Cunego
1773
Trofeo o sia Magnifica Colonna Coclide di marmo composta di grossi macigni ove si veggono scolpite le due guerre daciche fatte, da Trajano inalzata nel mezzo del Gran Foro eretto al medesimo imperadore per ordine del senato e popolo romano doppo i suoi trionfi (The Trophy or Magnificent Spiral Column of marble composed of large drums on which are carved the two Dacian Wars of Trajan, raised in the middle of the large Forum, erected in honor of the same Emperor on the order of the Senate and People of Rome after his Triumph) (1775-6); Columna Antonina (1776-9)
Giovanni Battista Piranesi
1774–79
Norandino and Lucina in a landscape with the ogre Orco feeling the fleece with which she has covered her back, plate 39 from "Schola Italica Picturae"
Domenico Cunego
1772
Mary and Christ with Simeon in the Temple
Domenico Cunego
ca. 1778
Saint Joseph of Cupertino, flying overhead, with a woman fainting at left
Domenico Cunego
1745–1803
A man and woman embracing
Domenico Cunego
1773
Truth triumphing over time, a young, half-nude woman reaching upwards and an old, winged man holding a snake below
Domenico Cunego
1777
The entombment of Christ
Domenico Cunego
1775