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Page from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso), Domenico Beccafumi Italian, Pen and brown ink; at the top, traces of a sketch in red chalk (recto); Pen and light brown ink, some of the figures redrawn by the same hand in dark brown ink (verso) — Page from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso)
Follower of Domenico Beccafumi
1520s

The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso), Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso) — The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)
Attributed to Domenico Beccafumi
ca. 1536

Hercules, Standing with a Club, Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over traces of black chalk — Hercules, Standing with a Club
Domenico Beccafumi
1530–40

Saint Matthew, Domenico Beccafumi Italian, Brush with brown, beige, and cream-colored tempera and emulsion, on paper. — Saint Matthew
Domenico Beccafumi
1538

Saint Mark, Domenico Beccafumi Italian, Brush with brown, beige, and cream-colored tempera and emulsion, on paper. — Saint Mark
Domenico Beccafumi
1538

Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral, Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; framing lines in pen and brown ink — Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral
After Domenico Beccafumi
October 15, 1596

Landscape with Catacombs, Domenico Beccafumi Italian, Pen and ink, brush and brown wash, over black chalk — Landscape with Catacombs
Domenico Beccafumi
1530–40

Study of Drapery (Probably After the Antique), Domenico Beccafumi Italian, Red chalk — Study of Drapery (Probably After the Antique)
Circle of Domenico Beccafumi
1520–40

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over leadpoint or black chalk — Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)
After Domenico Beccafumi
1520–50

Saint Philip, Domenico Beccafumi Italian, Chiaroscuro woodcut (key block) — Saint Philip
Domenico Beccafumi
ca. 1540–1550

Saint Peter, Domenico Beccafumi Italian, Chiaroscuro woodcut from four blocks, printed in grays and black — Saint Peter
Domenico Beccafumi
ca. 1547

Saint Philip standing holding a book and a cross, Giuseppe Scolari Italian, Woodcut — Saint Philip standing holding a book and a cross
Giuseppe Scolari
After Domenico Beccafumi
ca. 1590–1600

Four Doctors of the Church, Domenico Beccafumi Italian, Chiaroscuro woodcut in two blocks in light green — Four Doctors of the Church
Domenico Beccafumi
ca. 1540–50

The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy", Domenico Beccafumi Italian, Woodcut — The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy"
Domenico Beccafumi
ca. 1540–50

Apostle (Saint Philip?)

Anonymous, Italian, 16th century

After Domenico Beccafumi

early 16th century

An Apostle holding a tablet

Domenico Beccafumi

ca. 1540–50

A man tying up a group of men, from "The various operations of alchemy"

Domenico Beccafumi

1540–50

The Gunner, from "The various operations of alchemy"

Domenico Beccafumi

1540–50

The Bell Caster, from "The various operations of alchemy"

Domenico Beccafumi

1540–50

The Metal Caster, from "The various operations of alchemy"

Domenico Beccafumi

1540–50

The blacksmith at his forge, from "The various operations of alchemy"

Domenico Beccafumi

1540–50

Four Doctors of the Church

Domenico Beccafumi

ca. 1540–50

The blacksmith walking toward an outcrop with figures, from "The various operations of alchemy"

Domenico Beccafumi

1540–50

The Alchemist, from "The various operations of alchemy"

Domenico Beccafumi

1540–50

The Silversmith, from "The various operations of alchemy"

Domenico Beccafumi

1540–50

Sacrifice of Isaac

Andrea Andreani

After Domenico Beccafumi

Dedicatee Cesare Menconi

1586; printed in 1634

Scenes from the life of Christ, including the Doubting Thomas

Anonymous, Italian, 16th century

After Domenico Beccafumi

16th century

Scenes from the Passion of Christ, including the Deposition, the Entombment, and the Transfiguration

Anonymous, Italian, 16th century

After Domenico Beccafumi

16th century

Scenes from The Passion of Christ, including the Crucifixion

Anonymous, Italian, 16th century

After Domenico Beccafumi

16th century

The Sacrifice of Abraham, volume 2, plate 77 from "Monuments des Arts du Dessin"

Multiple artists/makers

1829

The story of Moses, who stands bottom center, holding the tablet above his head, from the Pavement of Siena Cathedral

Andrea Andreani

Intermediary draughtsman Francesco Vanni

After Domenico Beccafumi

1590

Left-hand section of The Sacrifice of Abraham, after Beccafumi's pavement in the Duomo of Siena

Andrea Andreani

After Domenico Beccafumi

1586

Two Nude Men in a Landscape

Etched by Domenico Beccafumi

ca. 1525

Maria with child and four saints

After Stefano Mulinari

After Domenico Beccafumi

ca. 1761–96

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