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Page from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso), Domenico Beccafumi Italian, Pen and brown ink; at the top, traces of a sketch in red chalk (recto); Pen and light brown ink, some of the figures redrawn by the same hand in dark brown ink (verso)
Page from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso)
Follower of Domenico Beccafumi
1520s
The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso), Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso)
The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)
attributed to Domenico Beccafumi
ca. 1536
The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy", Domenico Beccafumi Italian, Woodcut
The forger standing by an anvil pulling a man in chains, from "The various operations of alchemy"
Domenico Beccafumi
ca. 1540–50
Saint Peter, Domenico Beccafumi Italian, Chiaroscuro woodcut from four blocks, printed in grays and black
Saint Peter
Domenico Beccafumi
ca. 1547
Saint Philip standing holding a book and a cross, Giuseppe Scolari Italian, Woodcut
Saint Philip standing holding a book and a cross
Giuseppe Scolari
After Domenico Beccafumi
ca. 1590–1600
Four Doctors of the Church, Domenico Beccafumi Italian, Chiaroscuro woodcut in two blocks in light green
Four Doctors of the Church
Domenico Beccafumi
ca. 1540–50
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over leadpoint or black chalk
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)
After Domenico Beccafumi
1520–50
Study of Drapery (Probably After the Antique), Domenico Beccafumi Italian, Red chalk
Study of Drapery (Probably After the Antique)
Circle of Domenico Beccafumi
1520–40
Study of Drapery (Probably After the Antique), Domenico Beccafumi Italian, Red chalk
Study of Drapery (Probably After the Antique)
Circle of Domenico Beccafumi
1520–40
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over leadpoint or black chalk
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)
After Domenico Beccafumi
1520–50
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over leadpoint or black chalk
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)
After Domenico Beccafumi
1520–50
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over leadpoint or black chalk
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)
After Domenico Beccafumi
1520–50
Saint Mark, Domenico Beccafumi Italian, Brush with brown, beige, and cream-colored tempera and emulsion, on paper.
Saint Mark
Domenico Beccafumi
1538
Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral, Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; framing lines in pen and brown ink
Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral
After Domenico Beccafumi
October 15, 1596
Landscape with Catacombs, Domenico Beccafumi Italian, Pen and ink, brush and brown wash, over black chalk
Landscape with Catacombs
Domenico Beccafumi
1530–40
Saint Matthew, Domenico Beccafumi Italian, Brush with brown, beige, and cream-colored tempera and emulsion, on paper.
Saint Matthew
Domenico Beccafumi
1538
Saint Philip, Domenico Beccafumi Italian, Chiaroscuro woodcut (key block)
Saint Philip
Domenico Beccafumi
ca. 1540–1550
Hercules, Standing with a Club, Domenico Beccafumi Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Hercules, Standing with a Club
Domenico Beccafumi
1530–40
An Apostle holding a tablet
Domenico Beccafumi
ca. 1540–50
A man tying up a group of men, from "The various operations of alchemy"
Domenico Beccafumi
1540–50
The Gunner, from "The various operations of alchemy"
Domenico Beccafumi
1540–50
The Bell Caster, from "The various operations of alchemy"
Domenico Beccafumi
1540–50
The Metal Caster, from "The various operations of alchemy"
Domenico Beccafumi
1540–50
The blacksmith at his forge, from "The various operations of alchemy"
Domenico Beccafumi
1540–50
Four Doctors of the Church
Domenico Beccafumi
ca. 1540–50
The blacksmith walking toward an outcrop with figures, from "The various operations of alchemy"
Domenico Beccafumi
1540–50
The Alchemist, from "The various operations of alchemy"
Domenico Beccafumi
1540–50
The Silversmith, from "The various operations of alchemy"
Domenico Beccafumi
1540–50
Apostle (Saint Philip?)
Anonymous, Italian, 16th century
After Domenico Beccafumi
early 16th century
Sacrifice of Isaac
Andrea Andreani
After Domenico Beccafumi
Dedicatee Cesare Menconi
1586; printed in 1634
The story of Moses, who stands bottom center, holding the tablet above his head, from the Pavement of Siena Cathedral
Andrea Andreani
Intermediary draughtsman Francesco Vanni
After Domenico Beccafumi
1590
Left-hand section of The Sacrifice of Abraham, after Beccafumi's pavement in the Duomo of Siena
Andrea Andreani
After Domenico Beccafumi
1586
The Sacrifice of Abraham, volume 2, plate 77 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Scenes from the life of Christ, including the Doubting Thomas
Anonymous, Italian, 16th century
After Domenico Beccafumi
16th century
Scenes from the Passion of Christ, including the Deposition, the Entombment, and the Transfiguration
Anonymous, Italian, 16th century
After Domenico Beccafumi
16th century
Scenes from The Passion of Christ, including the Crucifixion
Anonymous, Italian, 16th century
After Domenico Beccafumi
16th century
Two Nude Men in a Landscape
Etched by Domenico Beccafumi
ca. 1525
Maria with child and four saints
After Stefano Mulinari
After Domenico Beccafumi
ca. 1761–96